Sirui Aurora 85mm f/1.4
Sirui · 85 mm · f/1.4 · Aurora

Score Breakdown
Scores combine our editorial testing with published lab data.
General | |
|---|---|
About This LensThis 2024 portrait prime from Sirui is in production. It comes in Sony E, Nikon Z and Leica L versions for full-frame bodies, plus a Fujifilm X version for APS-C sensors. All four versions share the same optical design. On the Fujifilm X version, the smaller sensor gives a tighter, more telephoto framing. An 85mm focal length suits head-and-shoulders portraits, indoor events and candid work at a polite distance. That distance also keeps faces looking natural. The bright f/1.4 aperture makes the lens usable in dim venues. The trade-off is the fixed focal length: you frame by moving yourself rather than turning a ring. | |
| Brand | Sirui |
| Release Year | 2024 |
Production Status ⓘCurrent status of lens manufacturing (e.g., in production, discontinued). | |
Pro Branding ⓘSpecific branding codes used for professional-tier lenses. | Aurora |
Lens Mount ⓘThe lens mount will tell you what type of lens range you can fit onto the camera body. Often the same camera company will have different lens ranges for different cameras. | Leica L |
System ⓘIndicates which camera system the lens is designed to attach to. | Leica L |
Maximum Format ⓘLargest sensor size compatible with the lens. | |
Physical64/100 | |
About the BuildIt weighs 1 lb 3 oz (540 g) and measures 3.16 in (80.3 mm) wide by 4.02 in (102 mm) long. The weight suits long handheld portrait sessions. The 67mm filter thread takes ordinary screw-in filters, so a protective filter or polariser fits directly. | |
| Lens Weight | 540 g |
Lens Diameter ⓘWidth of the lens at its widest point | 80.3 mm |
Lens Length ⓘHow long the lens is from front to back. | 102 mm |
Front Filter Compatible ⓘSome lenses are compatible with front filters, some are compatible with back filters and some are compatible with both. Front filters are usually more convenient to add and remove. | |
Front Filter Size ⓘDiameter of attachable filters. | 67 mm |
Optics88/100 | |
About the OpticsThe f/1.4 aperture is the main reason to choose this prime over a zoom. It admits much more light than a typical f/2.8 standard zoom, so you can photograph dim reception rooms and theatres at lower ISO. Lower ISO in turn means less noise. The extra light also permits faster shutter speeds, which helps when a dancer or speaker moves. Wide open, the viewfinder stays bright, which makes focus easier to confirm. At 85mm and f/1.4, depth of field is very shallow. A portrait subject separates cleanly from clutter behind, and background detail melts into soft blur. Eyes stay sharp while ears and hair soften. When you stop down, the 15 blades keep the opening round, so out-of-focus highlights stay smooth rather than edged. The 85mm reach keeps a comfortable distance from your subject. The same reach works for stage shows and indoor sport from spectator distance. Closest focus is 2.8 ft (85 cm), enough for tight head shots without crowding the sitter. It scores 88 out of 100 in our optics specification scoring. | |
Focal Range ⓘShortest to longest focal length of the lens (zoom range start - end ) | 85 mm |
Aperture Range ⓘLargest aperture at the lens's shortest focal length to longest focal length (aperture range start - end) | 1.4 |
| Focal Length Angle of View | 28.64° |
Flange Focal Distance ⓘDistance from lens mount to sensor. | 20 mm |
Diaphragm Type ⓘStructure and design of the aperture | |
Blades ⓘNumber of diaphragm blades in aperture | 15020 |
Zoom Lens ⓘZoom allows you to vary the focal length, change between long shots and close-ups | No |
Closest Focusing Distance ⓘMinimum distance for a subject to be in focus. | 85 cm01500 |
Maximum Magnification ⓘLargest size a subject can be reproduced | 0.12x |
| Autofocus Mode | |
| Manual Mode | |
| Manual Focusing Ring | |
Features52/100 | |
About the FeaturesThe lens carries weather sealing, which suits outdoor portrait work in dust and damp. A fluorine coating on the front glass helps water and fingerprints wipe away. That combination matters for location sessions away from shelter. There is no built-in stabilisation. At f/1.4 your shutter speed is often fast enough for steady handheld work, but static subjects in weak light may need support. A tripod or monopod steadies the camera; it does not stop subject movement. Check whether your camera body stabilises, since the lens does not. It scores 52 out of 100 in our features specification scoring. | |
Weather Sealing ⓘWeather sealing capabilities will give you more confidence when shooting in unfavourable conditions. | |
Fluorine Coating ⓘCoating to repel water and oil from lens elements. | |
| Built In Lens Hood | No |
| Lens Hood Type | |
Teleconverter ⓘA teleconverter (extender) is an extra piece of equipment that fits between the lens and the camera body to enhance magnification | No |
| Image Stabilization | No |
Construction54/100 | |
About the ConstructionThe optical formula uses 14 elements in 9 groups. One aspherical element helps correct distortion and spherical aberration, faults that can bend straight edges and soften detail. Two low-dispersion elements help reduce chromatic aberration, which shows as colour fringes along high-contrast edges such as rim light on hair. The Sony E version focuses internally, so the barrel does not extend while you focus. | |
Elements ⓘLens elements refer to individual pieces of glass within the lens. | 14 |
| Groups | 9 |
Aspherical Elements ⓘThe number of aspherical lens elements which can help correct aberrations such as spherical aberration. | 1 |
Bi Aspherical Elements ⓘElements with two non-spherical surfaces | 0 |
Low Dispersion ⓘElements that reduce chromatic aberration | 2 |
Super Low Dispersion ⓘAdvanced elements further reducing chromatic aberration | 0 |
CA Reduction ⓘBuilt-in features to reduce chromatic aberration | 0 |