Sony E 20mm F/2.8 SEL20F28
Sony · 20 mm · f/2.8

Score Breakdown
Scores combine our editorial testing with published lab data.
General | |
|---|---|
About This LensThe SEL20F28 is a 20mm prime for Sony E-mount APS-C cameras. Sony introduced it in 2013, so it is an older design. Its appeal rests on being small rather than feature-rich. On the APS-C format, 20mm gives a moderately wide framing. That suits street photography, travel and interiors. A fixed focal length keeps shooting simple, because you frame by moving rather than zooming. This lens suits a small everyday kit when a fixed wide view is enough. Check how much of a room or street fits from your available position. A compact body helps with packing, but it does not replace a wider lens when space is restricted. | |
| Brand | Sony |
| Release Year | 2013 |
Production Status ⓘCurrent status of lens manufacturing (e.g., in production, discontinued). | |
Lens Mount ⓘThe lens mount will tell you what type of lens range you can fit onto the camera body. Often the same camera company will have different lens ranges for different cameras. | Sony E |
System ⓘIndicates which camera system the lens is designed to attach to. | Sony E APS-C |
Maximum Format ⓘLargest sensor size compatible with the lens. | |
Physical57/100 | |
About the BuildThe lens weighs 2.4 oz (69 g) and measures 0.8 in (20.4 mm) long. This slim body adds little to a small camera kit. Keep it capped during transport and allow room for any attached filter when packing. A screw-in filter must match the 49mm thread, and standard 49mm filters attach directly. That slim profile is the main reason to pick this model. | |
| Lens Weight | 69 g |
Lens Diameter ⓘWidth of the lens at its widest point | 62.6 mm |
Lens Length ⓘHow long the lens is from front to back. | 20.4 mm |
Front Filter Compatible ⓘSome lenses are compatible with front filters, some are compatible with back filters and some are compatible with both. Front filters are usually more convenient to add and remove. | |
Front Filter Size ⓘDiameter of attachable filters. | 49 mm |
Optics76/100 | |
About the OpticsThe fixed 20mm focal length gives a moderately wide view on APS-C. It suits street scenes, interiors and travel. The amount you can include depends on your position and the size of the scene. Moving closer changes perspective as well as framing, making near objects larger relative to the background. The f/2.8 maximum aperture lets in more light than a smaller opening. In dim rooms, you may still need a higher ISO to retain a suitable shutter speed. Depth of field depends on aperture and focus distance. A nearby subject can have a soft background when there is enough space behind it. Closest focus is 0.7 ft (20 cm), measured from the sensor. Maximum magnification is 0.12x. Use that close range for a table setting or a small foreground detail within a wider view. Leave space ahead of the lens and check that the camera does not shade the subject. | |
Focal Range ⓘShortest to longest focal length of the lens (zoom range start - end ) | 20 mm |
Aperture Range ⓘLargest aperture at the lens's shortest focal length to longest focal length (aperture range start - end) | 2.8 |
| Focal Length Angle of View | 70.38680753689033° |
Flange Focal Distance ⓘDistance from lens mount to sensor. | 18 mm |
Diaphragm Type ⓘStructure and design of the aperture | |
Blades ⓘNumber of diaphragm blades in aperture | 7020 |
Zoom Lens ⓘZoom allows you to vary the focal length, change between long shots and close-ups | No |
Closest Focusing Distance ⓘMinimum distance for a subject to be in focus. | 20 cm01500 |
Maximum Magnification ⓘLargest size a subject can be reproduced | 0.12x |
| Autofocus Mode | |
| Manual Mode | |
| Manual Focusing Ring | |
Features19/100 | |
About the FeaturesThere is no image stabilisation in the lens. A camera with body stabilisation can help with shake. A firm support is useful for a still subject in low light, but a moving person still needs a suitable shutter speed. Check both camera movement and subject movement when choosing the exposure. The lens has no weather sealing. Keep it covered in rain and protect it from dust and sea spray. Remove loose grit before wiping the front glass, and keep both ends capped in your bag. Avoid changing lenses in blowing dust. | |
Weather Sealing ⓘWeather sealing capabilities will give you more confidence when shooting in unfavourable conditions. | No |
Fluorine Coating ⓘCoating to repel water and oil from lens elements. | No |
| Built In Lens Hood | No |
| Lens Hood Type | |
Teleconverter ⓘA teleconverter (extender) is an extra piece of equipment that fits between the lens and the camera body to enhance magnification | |
| Image Stabilization | No |
Construction15/100 | |
About the ConstructionThe optical unit uses six elements in six groups. Aspherical elements have shaped surfaces that help correct spherical aberration and distortion. Distortion can make straight building edges appear curved. These design features are useful in a wide lens but do not establish measured image quality on their own. | |
Elements ⓘLens elements refer to individual pieces of glass within the lens. | 6 |
| Groups | 6 |
Aspherical Elements ⓘThe number of aspherical lens elements which can help correct aberrations such as spherical aberration. | 1 |
Bi Aspherical Elements ⓘElements with two non-spherical surfaces | 0 |
Low Dispersion ⓘElements that reduce chromatic aberration | 0 |
Super Low Dispersion ⓘAdvanced elements further reducing chromatic aberration | 0 |
CA Reduction ⓘBuilt-in features to reduce chromatic aberration | 0 |
Internal Focusing ⓘInternal Focusing means that the lens does not change in size during focusing, and the front element does not rotate. | No |