Sony E Carl Zeiss Sonnar T* 24mm F/1.8 ZA SEL24F18Z
Sony · 24 mm · f/1.8

Score Breakdown
Scores combine our editorial testing with published lab data.
General | |
|---|---|
About This LensThis Carl Zeiss Sonnar prime gives Sony E shooters a fixed 24mm view. On the APS-C sensor it produces a near-normal perspective. It suits street photography, travel and everyday pictures, including work indoors. The f/1.8 maximum aperture is bright for this class of lens, so it also works in dim rooms and evening streets. Sony introduced it in 2011 and still builds it today, which makes it a long-running, proven design rather than a new release. The trade-off is a short list of extras. Stabilisation and sealing are both absent, and the Features section explains what that means in use. | |
| Brand | Sony |
| Release Year | 2011 |
Production Status ⓘCurrent status of lens manufacturing (e.g., in production, discontinued). | |
Lens Mount ⓘThe lens mount will tell you what type of lens range you can fit onto the camera body. Often the same camera company will have different lens ranges for different cameras. | Sony E |
System ⓘIndicates which camera system the lens is designed to attach to. | Sony E APS-C |
Maximum Format ⓘLargest sensor size compatible with the lens. | |
Physical57/100 | |
About the BuildThe lens weighs 7.9 oz (225 g) and runs 2.6 in (66 mm) long with a 2.48 in (63 mm) body. It is light for a bright prime, so it sits comfortably on a small APS-C camera. Filters screw into a 49mm thread, so any screw-in filter you buy must match that diameter. | |
| Lens Weight | 225 g |
Lens Diameter ⓘWidth of the lens at its widest point | 63 mm |
Lens Length ⓘHow long the lens is from front to back. | 66 mm |
Front Filter Compatible ⓘSome lenses are compatible with front filters, some are compatible with back filters and some are compatible with both. Front filters are usually more convenient to add and remove. | |
Front Filter Size ⓘDiameter of attachable filters. | 49 mm |
Optics82/100 | |
About the OpticsThe fixed 24mm focal length gives a wide frame that takes in street scenes, tight interiors and groups in small rooms. On APS-C it frames like a near-standard lens on full frame. You can include surroundings for context while keeping a subject a clear part of the picture. The f/1.8 maximum aperture is the lens's main working strength. It passes much more light than a typical zoom at this focal length, so you can keep ISO settings low indoors and after dark. It also blurs a busy background behind a portrait or a market stall. That gives the subject separation a small sensor rarely delivers at wide angles. Close work is another real option. The minimum focus distance is 0.5 ft (16 cm), which lets you fill the frame with food, flowers or texture detail. The maximum magnification of 0.25x suits records of small objects and tight street details. A seven-blade aperture keeps out-of-focus highlights rounder when you stop down, which helps evening scenes with lamps and neon. Its optics score is 82. | |
Focal Range ⓘShortest to longest focal length of the lens (zoom range start - end ) | 24 mm |
Aperture Range ⓘLargest aperture at the lens's shortest focal length to longest focal length (aperture range start - end) | 1.8 |
| Focal Length Angle of View | 60.8862174521948° |
Flange Focal Distance ⓘDistance from lens mount to sensor. | 18 mm |
Diaphragm Type ⓘStructure and design of the aperture | |
Blades ⓘNumber of diaphragm blades in aperture | 7020 |
Zoom Lens ⓘZoom allows you to vary the focal length, change between long shots and close-ups | No |
Closest Focusing Distance ⓘMinimum distance for a subject to be in focus. | 16 cm01500 |
Maximum Magnification ⓘLargest size a subject can be reproduced | 0.25x |
| Autofocus Mode | |
| Manual Mode | |
| Manual Focusing Ring | |
Features19/100 | |
About the FeaturesThere is no image stabilisation, so sharp handheld results depend on your technique and your camera body. The wide 24mm view helps, because it tolerates slower handheld shutter speeds than a telephoto would. There is no weather sealing either. Keep the lens out of rain and dust rather than trusting it in poor conditions. No fluorine coating is fitted, so the front element needs ordinary cleaning care. Its features score is 19. None of these gaps stops daily use, but they limit flexibility in worse conditions. | |
Weather Sealing ⓘWeather sealing capabilities will give you more confidence when shooting in unfavourable conditions. | No |
Fluorine Coating ⓘCoating to repel water and oil from lens elements. | No |
| Built In Lens Hood | No |
| Lens Hood Type | |
Teleconverter ⓘA teleconverter (extender) is an extra piece of equipment that fits between the lens and the camera body to enhance magnification | |
| Image Stabilization | No |
Construction54/100 | |
About the ConstructionThe optical unit holds 8 elements in 7 groups, including aspherical elements. Their specially shaped surfaces help correct distortion and spherical aberration. Distortion can curve straight edges, so this correction matters for buildings and interiors. Low-dispersion glass is also used. It helps reduce chromatic aberration, the coloured fringes that can appear along high-contrast edges in backlit or evening scenes. Internal focusing keeps the overall length fixed while you focus. | |
Elements ⓘLens elements refer to individual pieces of glass within the lens. | 8 |
| Groups | 7 |
Aspherical Elements ⓘThe number of aspherical lens elements which can help correct aberrations such as spherical aberration. | 1 |
Bi Aspherical Elements ⓘElements with two non-spherical surfaces | 0 |
Low Dispersion ⓘElements that reduce chromatic aberration | 1 |
Super Low Dispersion ⓘAdvanced elements further reducing chromatic aberration | 0 |
CA Reduction ⓘBuilt-in features to reduce chromatic aberration | 0 |
Internal Focusing ⓘInternal Focusing means that the lens does not change in size during focusing, and the front element does not rotate. | |