
Sony FE 16mm F1.8 G
Sony · 16 mm · f/1.8 · G

Score Breakdown
Scores combine our editorial testing with published lab data.
General | |
|---|---|
About This LensThis Sony prime gives full-frame E-mount photographers a very wide 16mm view. It suits landscapes, architecture and interiors where including more of the scene matters. Environmental portraits can work in tight spaces, though you need care with camera position and people near the edges. The f/1.8 maximum aperture is useful for night skies and dim interiors. Sony introduced the lens in 2025. The trade-off is a fixed focal length and no built-in stabilisation. A zoom offers more framing choice, but this prime trades that for speed and a lighter body. To change framing, you move your feet or swap lenses. | |
| Brand | Sony |
| Release Year | 2025 |
Production Status ⓘCurrent status of lens manufacturing (e.g., in production, discontinued). | |
Pro Branding ⓘSpecific branding codes used for professional-tier lenses. | G |
Lens Mount ⓘThe lens mount will tell you what type of lens range you can fit onto the camera body. Often the same camera company will have different lens ranges for different cameras. | Sony E |
System ⓘIndicates which camera system the lens is designed to attach to. | Sony E |
Maximum Format ⓘLargest sensor size compatible with the lens. | |
Physical86/100 | |
About the BuildAt 10.7 oz (304 g) and 2.95 in (75 mm) long, this is a light, compact full-frame wide lens. It stays comfortable on long hikes and all-night shoots. A screw-in filter must match the 67mm thread. Our physical score for this lens is 86. | |
| Lens Weight | 304 g |
Lens Diameter ⓘWidth of the lens at its widest point | 73.8 mm |
Lens Length ⓘHow long the lens is from front to back. | 75 mm |
Front Filter Compatible ⓘSome lenses are compatible with front filters, some are compatible with back filters and some are compatible with both. Front filters are usually more convenient to add and remove. | |
Front Filter Size ⓘDiameter of attachable filters. | 67 mm |
Optics88/100 | |
About the OpticsAt 16mm, you can include a mountain ridge and a large stretch of sky from one position. In a small room, the wide view can fit more of the interior. It also brings in nearby distractions, such as pavement or furniture, so check the edges before taking the picture. The f/1.8 aperture admits more light than a smaller opening. That gives room for a faster shutter speed or lower ISO after sunset. For stars, the useful exposure time also depends on how much movement you will accept across the frame. Manual focus reaches 0.4 ft (13 cm), measured from the sensor, with 0.3x maximum magnification. Autofocus has a slightly longer minimum distance and lower maximum magnification. These close settings can make a rock or flower prominent while keeping a wide setting in the frame. Wide framing does not keep a near foreground and distant horizon sharp at f/1.8. At close distances, the sharp zone can be narrow. Stop down and place focus for the detail that matters. For a large depth range, several focus positions may be useful. The optics specification score is 88 out of 100. | |
Focal Range ⓘShortest to longest focal length of the lens (zoom range start - end ) | 16 mm |
Aperture Range ⓘLargest aperture at the lens's shortest focal length to longest focal length (aperture range start - end) | 1.8 |
| Focal Length Angle of View | 107° |
Flange Focal Distance ⓘDistance from lens mount to sensor. | 18 mm |
Diaphragm Type ⓘStructure and design of the aperture | |
Blades ⓘNumber of diaphragm blades in aperture | 11020 |
Zoom Lens ⓘZoom allows you to vary the focal length, change between long shots and close-ups | No |
Closest Focusing Distance ⓘMinimum distance for a subject to be in focus. | 13 cm01500 |
Maximum Magnification ⓘLargest size a subject can be reproduced | 0.3x |
| Autofocus Mode | |
| Manual Mode | |
| Manual Focusing Ring | |
Features52/100 | |
About the FeaturesThe design resists dust and moisture, which helps outdoors. It still needs care around persistent rain and blowing sand. Keep loose grit away from the glass before cleaning. A fluorine coating on the front helps resist water and oily marks. It makes fingerprints and spots easier to wipe away during outdoor work. There is no built-in stabilization. Wide framing is less sensitive to small hand movements than a long telephoto view. A camera with body stabilization can help, while a tripod provides firm support for long night exposures. The features specification score is 52 out of 100. | |
Weather Sealing ⓘWeather sealing capabilities will give you more confidence when shooting in unfavourable conditions. | |
Fluorine Coating ⓘCoating to repel water and oil from lens elements. | |
| Built In Lens Hood | No |
| Lens Hood Type | |
Teleconverter ⓘA teleconverter (extender) is an extra piece of equipment that fits between the lens and the camera body to enhance magnification | No |
| Image Stabilization | No |
Construction55/100 | |
About the ConstructionInternal focusing keeps the barrel length fixed as focus changes. This is useful when composing close to foreground objects. Three aspherical elements help correct distortion, so straight building lines are less likely to bow. Low-dispersion glass helps reduce coloured fringes along high-contrast edges such as lit signs at night. | |
Elements ⓘLens elements refer to individual pieces of glass within the lens. | 15 |
| Groups | 12 |
Aspherical Elements ⓘThe number of aspherical lens elements which can help correct aberrations such as spherical aberration. | 3 |
Bi Aspherical Elements ⓘElements with two non-spherical surfaces | 0 |
Low Dispersion ⓘElements that reduce chromatic aberration | 3 |
Super Low Dispersion ⓘAdvanced elements further reducing chromatic aberration | 1 |
CA Reduction ⓘBuilt-in features to reduce chromatic aberration | 0 |
Internal Focusing ⓘInternal Focusing means that the lens does not change in size during focusing, and the front element does not rotate. | |
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