Sony FE 35mm F/1.4 GM SEL35F14GM
Sony · 35 mm · f/1.4 · GM

Score Breakdown
Scores combine our editorial testing with published lab data.
General | |
|---|---|
About This LensThis Sony FE 35mm F/1.4 GM is a fast prime for full-frame Sony E bodies. It suits photographers who shoot weddings, events and street work, where a single natural view of the scene is enough. Travel and everyday shooting suit the same lens. It also serves handheld video, where a small prime keeps the rig manageable. The trade-off is flexibility. A prime gives you one focal length, so you frame by moving rather than zooming. The fixed view also encourages a consistent style across a shoot. In return, the wide f/1.4 maximum aperture suits low-light work. Sony launched the lens in 2021, and it remains in production. | |
| Brand | Sony |
| Release Year | 2021 |
Production Status ⓘCurrent status of lens manufacturing (e.g., in production, discontinued). | |
Pro Branding ⓘSpecific branding codes used for professional-tier lenses. | GM |
Lens Mount ⓘThe lens mount will tell you what type of lens range you can fit onto the camera body. Often the same camera company will have different lens ranges for different cameras. | Sony E |
System ⓘIndicates which camera system the lens is designed to attach to. | Sony E |
Maximum Format ⓘLargest sensor size compatible with the lens. | |
Physical100/100 | |
About the BuildThe lens weighs 1 lb 2.5 oz (524 g), a manageable load for walking with one camera. The barrel runs 3.78 in (96 mm) long and 2.99 in (76 mm) wide. Filters screw directly into a common 67mm thread, so any screw-in filter must match that diameter. | |
| Lens Weight | 524 g |
Lens Diameter ⓘWidth of the lens at its widest point | 76 mm |
Lens Length ⓘHow long the lens is from front to back. | 96 mm |
Front Filter Compatible ⓘSome lenses are compatible with front filters, some are compatible with back filters and some are compatible with both. Front filters are usually more convenient to add and remove. | |
Front Filter Size ⓘDiameter of attachable filters. | 67 mm |
Optics90/100 | |
About the OpticsOn a full-frame body, 35mm can frame a person with their surroundings. That suits documentary wedding coverage, street scenes and environmental portraits, where context tells the story. Perspective depends on where you stand. Moving closer makes a nearby face larger relative to the background; stepping back reduces that emphasis. The f/1.4 maximum aperture passes more light than an f/2.8 or f/4 zoom at its widest setting. In a candlelit reception, that gives you more room to keep shutter speeds useful without raising ISO as far. At portrait distances, a distant background can blur behind the subject. Manual focus reaches 0.8 ft (25 cm), measured from the sensor, with a maximum magnification of 0.26x. Autofocus stops slightly farther away and has a lower maximum magnification. These close settings suit table details. For groups, stop down and arrange people at similar distances to help keep faces sharp. The optics specification score is 90 out of 100. | |
Focal Range ⓘShortest to longest focal length of the lens (zoom range start - end ) | 35 mm |
Aperture Range ⓘLargest aperture at the lens's shortest focal length to longest focal length (aperture range start - end) | 1.4 |
| Focal Length Angle of View | 63.44° |
Flange Focal Distance ⓘDistance from lens mount to sensor. | 18 mm |
Diaphragm Type ⓘStructure and design of the aperture | |
Blades ⓘNumber of diaphragm blades in aperture | 11020 |
Zoom Lens ⓘZoom allows you to vary the focal length, change between long shots and close-ups | No |
Closest Focusing Distance ⓘMinimum distance for a subject to be in focus. | 25 cm01500 |
Maximum Magnification ⓘLargest size a subject can be reproduced | 0.26x |
| Autofocus Mode | |
| Manual Mode | |
| Manual Focusing Ring | |
Features52/100 | |
About the FeaturesThe lens has no built-in stabilisation. Its f/1.4 aperture partly offsets this, because it allows faster shutter speeds in dim rooms than a slower lens would. At 35mm, camera shake affects the image less at a given shutter speed than at longer focal lengths, which also helps handheld work. For very long exposures, a tripod or another support helps. Dust and moisture resistance helps during outdoor work, but use cover in persistent rain. A fluorine coating on the front element helps water and oil wipe away more easily. Clean gently to avoid dragging grit across the glass. The features specification score is 52 out of 100. | |
Weather Sealing ⓘWeather sealing capabilities will give you more confidence when shooting in unfavourable conditions. | |
Fluorine Coating ⓘCoating to repel water and oil from lens elements. | |
| Built In Lens Hood | No |
| Lens Hood Type | |
Teleconverter ⓘA teleconverter (extender) is an extra piece of equipment that fits between the lens and the camera body to enhance magnification | No |
| Image Stabilization | No |
Construction46/100 | |
About the ConstructionThe design uses 14 elements in 10 groups, including two XA aspherical elements and one ED element. Aspherical surfaces help correct distortion and spherical aberration. ED glass helps reduce coloured fringes along high-contrast edges, such as dark window frames against a bright sky. These are useful design features for scenes with fine detail. | |
Elements ⓘLens elements refer to individual pieces of glass within the lens. | 14 |
| Groups | 10 |
Aspherical Elements ⓘThe number of aspherical lens elements which can help correct aberrations such as spherical aberration. | 2 |
Bi Aspherical Elements ⓘElements with two non-spherical surfaces | 1 |
Low Dispersion ⓘElements that reduce chromatic aberration | 1 |
Super Low Dispersion ⓘAdvanced elements further reducing chromatic aberration | 0 |
CA Reduction ⓘBuilt-in features to reduce chromatic aberration | 0 |
Internal Focusing ⓘInternal Focusing means that the lens does not change in size during focusing, and the front element does not rotate. | No |