Sony FE 35mm F/1.8 SEL35F18F
Sony · 35 mm · f/1.8

Score Breakdown
Scores combine our editorial testing with published lab data.
General | |
|---|---|
About This LensThis Sony full-frame prime mounts directly on Sony E bodies. Its fixed 35mm focal length suits street photography, travel and documentary work. It can frame environmental portraits that keep some of the setting around a person. In small rooms, the moderately wide view helps include more of the scene. Sony launched this lens in 2019 and still makes it today. The main trade-off is the fixed focal length. You reframe by moving rather than zooming, which some photographers enjoy and others find limiting. The lens also lacks built-in stabilization. | |
| Brand | Sony |
| Release Year | 2019 |
Production Status ⓘCurrent status of lens manufacturing (e.g., in production, discontinued). | |
Lens Mount ⓘThe lens mount will tell you what type of lens range you can fit onto the camera body. Often the same camera company will have different lens ranges for different cameras. | Sony E |
System ⓘIndicates which camera system the lens is designed to attach to. | Sony E |
Maximum Format ⓘLargest sensor size compatible with the lens. | |
Physical64/100 | |
About the BuildThe lens weighs 9.9 oz (280 g) and measures 2.58 in (65.6 mm) wide by 2.87 in (73 mm) long. That makes it a light, compact companion for a full-frame body, and it stays unobtrusive on the street. A screw-in filter must match the 55mm thread. | |
| Lens Weight | 280 g |
Lens Diameter ⓘWidth of the lens at its widest point | 65.6 mm |
Lens Length ⓘHow long the lens is from front to back. | 73 mm |
Front Filter Compatible ⓘSome lenses are compatible with front filters, some are compatible with back filters and some are compatible with both. Front filters are usually more convenient to add and remove. | |
Front Filter Size ⓘDiameter of attachable filters. | 55 mm |
Optics86/100 | |
About the OpticsAt 35mm, you can include people and their surroundings without making the background the whole story. A market vendor can remain central while the stall explains the setting. The framing depends on your distance. Stepping very close exaggerates nearby features, so move back when you want less pronounced perspective. The f/1.8 maximum aperture is the main optical strength. Compared with a smaller opening, it gives you more room for useful shutter speeds in restaurants and evening streets. At close portrait distances, it can soften a distant background. Stop down when the person and surroundings both need to remain clear. Closest focus is 0.7 ft (22 cm), measured from the sensor. Maximum magnification is 0.24x, useful for food and details on a market stall. The front glass sits closer than the sensor, so avoid casting a shadow onto the subject. The optics specification score is 86 out of 100. | |
Focal Range ⓘShortest to longest focal length of the lens (zoom range start - end ) | 35 mm |
Aperture Range ⓘLargest aperture at the lens's shortest focal length to longest focal length (aperture range start - end) | 1.8 |
| Focal Length Angle of View | 63.44° |
Flange Focal Distance ⓘDistance from lens mount to sensor. | 18 mm |
Diaphragm Type ⓘStructure and design of the aperture | |
Blades ⓘNumber of diaphragm blades in aperture | 9020 |
Zoom Lens ⓘZoom allows you to vary the focal length, change between long shots and close-ups | No |
Closest Focusing Distance ⓘMinimum distance for a subject to be in focus. | 22 cm01500 |
Maximum Magnification ⓘLargest size a subject can be reproduced | 0.24x |
| Autofocus Mode | |
| Manual Mode | |
| Manual Focusing Ring | |
Features32/100 | |
About the FeaturesThere is no image stabilization in the lens. A camera body with sensor stabilization can help reduce camera shake for still subjects. On an unstabilized body, use a faster shutter speed or firm support when light falls. Handheld video may also benefit from support to reduce visible movement. The dust- and moisture-resistant design helps during outdoor work. It does not remove the need for care in poor weather. Use cover in persistent rain and keep water away when you change lenses. There is no fluorine coating on the front glass. That specific treatment helps water and oil wipe away more easily. Use ordinary careful cleaning after fingerprints or drizzle. A protective filter can shield the front surface, though it also adds another glass surface to keep clean. The features specification score is 32 out of 100. | |
Weather Sealing ⓘWeather sealing capabilities will give you more confidence when shooting in unfavourable conditions. | |
Fluorine Coating ⓘCoating to repel water and oil from lens elements. | No |
| Built In Lens Hood | No |
| Lens Hood Type | |
Teleconverter ⓘA teleconverter (extender) is an extra piece of equipment that fits between the lens and the camera body to enhance magnification | No |
| Image Stabilization | No |
Construction15/100 | |
About the ConstructionThe construction specification scores 15/100 on our scale. The design uses 11 elements in 9 groups and includes aspherical elements. Aspherical elements use specially shaped surfaces to help correct optical faults, including distortion. Distortion can make straight edges bow, so this correction is useful when doorframes, tiled walls and shop fronts run through a street frame. | |
Elements ⓘLens elements refer to individual pieces of glass within the lens. | 11 |
| Groups | 9 |
Aspherical Elements ⓘThe number of aspherical lens elements which can help correct aberrations such as spherical aberration. | 1 |
Bi Aspherical Elements ⓘElements with two non-spherical surfaces | 0 |
Low Dispersion ⓘElements that reduce chromatic aberration | 0 |
Super Low Dispersion ⓘAdvanced elements further reducing chromatic aberration | 0 |
CA Reduction ⓘBuilt-in features to reduce chromatic aberration | 0 |
Internal Focusing ⓘInternal Focusing means that the lens does not change in size during focusing, and the front element does not rotate. | No |