Sony FE Carl Zeiss Sonnar T* 35mm F/2.8 ZA SEL35F28Z
Carl Zeiss · 35 mm · f/2.8

Score Breakdown
Scores combine our editorial testing with published lab data.
General | |
|---|---|
About This LensThis compact Carl Zeiss prime gives Sony E-mount photographers a fixed 35mm focal length for full-frame bodies. It suits street photography, travel and everyday documentary work. The 35mm view takes in a subject together with a good share of its surroundings. That framing favours stories that need context around the subject. Its compact body suits a small kit for walking through streets or visiting indoor locations. Check whether the fixed view covers your planned subjects, especially where there is little room to change position. Sony introduced the lens in 2013. The f/2.8 maximum aperture and lack of built-in stabilisation are useful points to consider for dim interiors. Available light and subject movement determine the practical exposure settings. | |
| Brand | Carl Zeiss |
| Release Year | 2013 |
Production Status ⓘCurrent status of lens manufacturing (e.g., in production, discontinued). | |
Lens Mount ⓘThe lens mount will tell you what type of lens range you can fit onto the camera body. Often the same camera company will have different lens ranges for different cameras. | Sony E |
System ⓘIndicates which camera system the lens is designed to attach to. | Sony E |
Maximum Format ⓘLargest sensor size compatible with the lens. | |
Physical64/100 | |
About the BuildThe lens weighs 4.2 oz (120 g) and measures 2.42 in (61.5 mm) across and 1.44 in (36.5 mm) long. Its short body adds little bulk to a camera bag. A screw-in filter must match the 49mm front thread. Allow space for the hood and caps during transport. | |
| Lens Weight | 120 g |
Lens Diameter ⓘWidth of the lens at its widest point | 61.5 mm |
Lens Length ⓘHow long the lens is from front to back. | 36.5 mm |
Front Filter Compatible ⓘSome lenses are compatible with front filters, some are compatible with back filters and some are compatible with both. Front filters are usually more convenient to add and remove. | |
Front Filter Size ⓘDiameter of attachable filters. | 49 mm |
Optics76/100 | |
About the OpticsThe fixed 35mm focal length rewards photographers who frame with their feet. On a full-frame body it handles street corners, café interiors and market streets without the bulk of a zoom. You move closer to isolate a person, or step back to include the setting around them. The f/2.8 maximum aperture admits more light than a smaller opening. At a given shutter speed, that can allow a lower ISO indoors or in the evening. A close subject can have a soft background when there is enough distance behind it. Choose aperture and focus position for the picture you want. There is no zoom ring. Moving closer changes both framing and perspective, making near features larger relative to the background. If an aisle or barrier prevents movement, check whether the fixed view will work before a session. Closest focus is 1.1 ft (35 cm), measured from the sensor. It can help with food, flowers and market goods. Allow room for light ahead of the lens, and inspect focus carefully when working close with a wide aperture. | |
Focal Range ⓘShortest to longest focal length of the lens (zoom range start - end ) | 35 mm |
Aperture Range ⓘLargest aperture at the lens's shortest focal length to longest focal length (aperture range start - end) | 2.8 |
| Focal Length Angle of View | 63.44° |
Flange Focal Distance ⓘDistance from lens mount to sensor. | 18 mm |
Diaphragm Type ⓘStructure and design of the aperture | |
Blades ⓘNumber of diaphragm blades in aperture | 7020 |
Zoom Lens ⓘZoom allows you to vary the focal length, change between long shots and close-ups | No |
Closest Focusing Distance ⓘMinimum distance for a subject to be in focus. | 35 cm01500 |
Maximum Magnification ⓘLargest size a subject can be reproduced | 0.12x |
| Autofocus Mode | |
| Manual Mode | |
| Manual Focusing Ring | |
Features32/100 | |
About the FeaturesThe lens carries sealing against dust and moisture. It is a useful safeguard for street and travel shooting, where weather changes through the day. There is no image stabilisation in the lens. A camera with body stabilisation can help with shake. Choose a shutter speed for the moving subject as well as your own hold. A tripod supports long exposures of still scenes. For video, choose support for the movement you intend to record. A tripod holds a fixed composition, while walking with the camera introduces movement. Check a short clip before starting a longer sequence. | |
Weather Sealing ⓘWeather sealing capabilities will give you more confidence when shooting in unfavourable conditions. | |
Fluorine Coating ⓘCoating to repel water and oil from lens elements. | No |
| Built In Lens Hood | No |
| Lens Hood Type | |
Teleconverter ⓘA teleconverter (extender) is an extra piece of equipment that fits between the lens and the camera body to enhance magnification | No |
| Image Stabilization | No |
Construction54/100 | |
About the ConstructionThe formula uses seven elements in five groups, including three double-sided aspherical elements. Their shaped surfaces help correct spherical aberration and distortion. Distortion can make straight building edges appear curved. Internal focusing keeps the external length unchanged while focus adjusts. These design features do not establish measured image quality on their own. | |
Elements ⓘLens elements refer to individual pieces of glass within the lens. | 7 |
| Groups | 5 |
Aspherical Elements ⓘThe number of aspherical lens elements which can help correct aberrations such as spherical aberration. | 3 |
Bi Aspherical Elements ⓘElements with two non-spherical surfaces | 3 |
Low Dispersion ⓘElements that reduce chromatic aberration | 0 |
Super Low Dispersion ⓘAdvanced elements further reducing chromatic aberration | 0 |
CA Reduction ⓘBuilt-in features to reduce chromatic aberration | 0 |
Internal Focusing ⓘInternal Focusing means that the lens does not change in size during focusing, and the front element does not rotate. | |