
Sony FE 50-150mm F2 GM
Sony · 50–150 mm · f/2 · GM

Score Breakdown
Scores combine our editorial testing with published lab data.
General | |
|---|---|
About This LensSony introduced this full-frame E-mount zoom in 2025. The 50–150mm range covers standard framing through tight portraits. It can handle the portrait and telephoto side of an event shoot, including speeches and stage performances when the distance suits. The f/2 maximum aperture stays available throughout the zoom. It gives room for useful shutter speeds in dim venues and can soften backgrounds behind nearby people. The main trade-off is size and weight. There is no built-in stabilization, so support may help during long sessions. You will still want a wider lens alongside it for group scenes in tight rooms. | |
| Brand | Sony |
| Release Year | 2025 |
Production Status ⓘCurrent status of lens manufacturing (e.g., in production, discontinued). | |
Pro Branding ⓘSpecific branding codes used for professional-tier lenses. | GM |
Lens Mount ⓘThe lens mount will tell you what type of lens range you can fit onto the camera body. Often the same camera company will have different lens ranges for different cameras. | Sony E |
System ⓘIndicates which camera system the lens is designed to attach to. | Sony E |
Maximum Format ⓘLargest sensor size compatible with the lens. | |
Physical99/100 | |
About the BuildThe lens weighs 2 lb 15.3 oz (1340 g) without the tripod foot. It measures 4.05 in (102.8 mm) across and 7.87 in (200 mm) long. That makes it substantial to carry through an event. Any filter attached directly to the lens must match its 95mm front thread. The physical specification score is 99 out of 100. | |
| Lens Weight | 1340 g |
Lens Diameter ⓘWidth of the lens at its widest point | 102.8 mm |
Lens Length ⓘHow long the lens is from front to back. | 200 mm |
Front Filter Compatible ⓘSome lenses are compatible with front filters, some are compatible with back filters and some are compatible with both. Front filters are usually more convenient to add and remove. | |
Front Filter Size ⓘDiameter of attachable filters. | 95 mm |
Optics84/100 | |
About the OpticsAt 50mm, you can frame a person with some surroundings. Zooming to 150mm tightens the view from the same position. This helps during speeches or performances when you cannot move freely. The framing available at either end still depends on how far you stand from the subject. At 150mm, f/2 remains available. Compared with a smaller opening, it gives more room for a faster shutter speed or lower ISO in a reception or theatre. You can use that extra light to help freeze movement. The shutter speed required depends on how fast the person moves. Closest focus is 1.3 ft (40 cm) at 50mm, measured from the sensor. The minimum distance becomes longer as you zoom toward 150mm. Maximum magnification is 0.2x. These settings suit place settings and event details, with enough care to avoid shading a close subject. For a tight portrait, moving farther back and using a longer setting changes the perspective between the person and background. The background can appear larger behind them. At close distances, f/2 gives shallow depth of field, so focus carefully and stop down when more of the face needs to remain clear. | |
Focal Range ⓘShortest to longest focal length of the lens (zoom range start - end ) | 50–150 mm |
Aperture Range ⓘLargest aperture at the lens's shortest focal length to longest focal length (aperture range start - end) | 2 |
| Focal Length Angle of View | 47°–16.5° |
Flange Focal Distance ⓘDistance from lens mount to sensor. | 18 mm |
Diaphragm Type ⓘStructure and design of the aperture | |
Blades ⓘNumber of diaphragm blades in aperture | 11020 |
Zoom Lens ⓘZoom allows you to vary the focal length, change between long shots and close-ups | |
Zoom Mechanism ⓘSystem enabling zoom function | |
Zoom Ring ⓘIf zooming is adjusted using a zoom ring | |
Zoom Type ⓘThe design or approach to zooming | |
Closest Focusing Distance ⓘMinimum distance for a subject to be in focus. | 40 cm01500 |
Maximum Magnification ⓘLargest size a subject can be reproduced | 0.2x |
| Autofocus Mode | |
| Manual Mode | |
| Manual Focusing Ring | |
Features52/100 | |
About the FeaturesThe lens has no built-in image stabilization. At 150mm, small hand movements have a greater effect on the frame, so slow shutter speeds need care. You can use a faster shutter speed, brace the camera or use a body with stabilization. For still scenes in dim rooms, firm support can help. The design resists dust and moisture, which helps outdoors. Use cover in persistent rain. A fluorine coating on the front glass helps water and oily marks wipe away between locations. The features specification score is 52 out of 100. | |
Weather Sealing ⓘWeather sealing capabilities will give you more confidence when shooting in unfavourable conditions. | |
Fluorine Coating ⓘCoating to repel water and oil from lens elements. | |
| Built In Lens Hood | No |
| Lens Hood Type | |
Zoom Lock ⓘZoom lock allows the zoom ring to be locked at the desired focal length | No |
Teleconverter ⓘA teleconverter (extender) is an extra piece of equipment that fits between the lens and the camera body to enhance magnification | No |
| Image Stabilization | No |
Construction56/100 | |
About the ConstructionFour aspherical elements help correct distortion and spherical aberration, which can bend straight lines or soften detail. Three ED elements and two Super ED elements help reduce coloured fringes along high-contrast edges. Backlit portraits and bright stage lighting are situations where this correction can matter. | |
Elements ⓘLens elements refer to individual pieces of glass within the lens. | 19 |
| Groups | 17 |
Aspherical Elements ⓘThe number of aspherical lens elements which can help correct aberrations such as spherical aberration. | 4 |
Bi Aspherical Elements ⓘElements with two non-spherical surfaces | 0 |
Low Dispersion ⓘElements that reduce chromatic aberration | 3 |
Super Low Dispersion ⓘAdvanced elements further reducing chromatic aberration | 2 |
CA Reduction ⓘBuilt-in features to reduce chromatic aberration | 0 |
Internal Focusing ⓘInternal Focusing means that the lens does not change in size during focusing, and the front element does not rotate. | |
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