Sony FE 50mm F/1.4 GM SEL50F14GM
Sony · 50 mm · f/1.4 · GM

Score Breakdown
Scores combine our editorial testing with published lab data.
General | |
|---|---|
About This LensThe Sony FE 50mm f/1.4 GM is a full-frame E-mount prime introduced in 2023. Its standard view suits portraits, street scenes and everyday pictures of family and friends. It also works for people with some of their surroundings in the frame. The bright f/1.4 maximum aperture is central to its appeal. Its main trade-off is a fixed focal length. You move closer or step back to change the composition when space allows. In a small room or at a crowded event, a wider lens may include more from your position. | |
| Brand | Sony |
| Release Year | 2023 |
Production Status ⓘCurrent status of lens manufacturing (e.g., in production, discontinued). | |
Pro Branding ⓘSpecific branding codes used for professional-tier lenses. | GM |
Lens Mount ⓘThe lens mount will tell you what type of lens range you can fit onto the camera body. Often the same camera company will have different lens ranges for different cameras. | Sony E |
System ⓘIndicates which camera system the lens is designed to attach to. | Sony E |
Maximum Format ⓘLargest sensor size compatible with the lens. | |
Physical100/100 | |
About the BuildThe lens weighs 1 lb 2.2 oz (516 g) and measures 3.17 in (80.6 mm) across and 3.78 in (96 mm) long. Consider the camera and lens together when you plan a long handheld session. Screw-in filters must match the 67mm front thread to attach directly. | |
| Lens Weight | 516 g |
Lens Diameter ⓘWidth of the lens at its widest point | 80.6 mm |
Lens Length ⓘHow long the lens is from front to back. | 96 mm |
Front Filter Compatible ⓘSome lenses are compatible with front filters, some are compatible with back filters and some are compatible with both. Front filters are usually more convenient to add and remove. | |
Front Filter Size ⓘDiameter of attachable filters. | 67 mm |
Optics89/100 | |
About the OpticsOn full frame, 50mm gives a standard view for a person, a street detail or a small scene. Where you stand determines perspective. Moving very close to a face can exaggerate near features. For a tighter portrait with more space between you and the person, a longer lens can be useful. The f/1.4 aperture admits more light than a smaller opening. In a dim room or evening street, it gives more room for a faster shutter speed or lower ISO. A moving person still needs enough shutter speed for their movement, so higher ISO settings can remain necessary. At close portrait distances, f/1.4 gives a thin zone of sharp focus. A background far behind the person can become soft. Focus carefully on the eye that matters most. Stop down when more of the face or another person must stay sharp. The aperture needed depends on the distances involved. Minimum focus is 1.2 ft (38 cm) in manual focus, measured from the sensor. Maximum magnification reaches 0.18x in that mode. Autofocus has a longer minimum distance and reaches 0.16x. These limits suit everyday objects and food rather than tiny details. Leave room ahead of the glass and avoid shading a close subject. | |
Focal Range ⓘShortest to longest focal length of the lens (zoom range start - end ) | 50 mm |
Aperture Range ⓘLargest aperture at the lens's shortest focal length to longest focal length (aperture range start - end) | 1.4 |
| Focal Length Angle of View | 46.79627029668992° |
Flange Focal Distance ⓘDistance from lens mount to sensor. | 18 mm |
Diaphragm Type ⓘStructure and design of the aperture | |
Blades ⓘNumber of diaphragm blades in aperture | 11020 |
Zoom Lens ⓘZoom allows you to vary the focal length, change between long shots and close-ups | No |
Closest Focusing Distance ⓘMinimum distance for a subject to be in focus. | 38 cm01500 |
Maximum Magnification ⓘLargest size a subject can be reproduced | 0.18x |
| Autofocus Mode | |
| Manual Mode | |
| Manual Focusing Ring | |
Features52/100 | |
About the FeaturesDust and moisture resistance help during outdoor portraits and street work. Use cover in persistent rain. Keep the camera connection clean and dry when changing lenses. Fluorine coating helps water and oily marks wipe away from the front glass. Remove loose grit before using a cloth. This is useful care for a lens carried through changing outdoor conditions. There is no image stabilization in the lens. A camera with body stabilization can help reduce shake for still scenes. Firm support also helps at slow shutter speeds. Stabilization cannot stop subject movement during the exposure. | |
Weather Sealing ⓘWeather sealing capabilities will give you more confidence when shooting in unfavourable conditions. | |
Fluorine Coating ⓘCoating to repel water and oil from lens elements. | |
| Built In Lens Hood | No |
| Lens Hood Type | |
Teleconverter ⓘA teleconverter (extender) is an extra piece of equipment that fits between the lens and the camera body to enhance magnification | No |
| Image Stabilization | No |
Construction69/100 | |
About the ConstructionThe optical design uses 14 elements in 11 groups. Two XA elements have aspherical surfaces to help correct distortion and spherical aberration, which can bend lines or soften detail. One ED element helps reduce coloured fringes at high-contrast edges such as backlit hair. Internal focusing moves the inner groups, so the barrel does not extend as you focus. | |
Elements ⓘLens elements refer to individual pieces of glass within the lens. | 14 |
| Groups | 11 |
Aspherical Elements ⓘThe number of aspherical lens elements which can help correct aberrations such as spherical aberration. | 2 |
Bi Aspherical Elements ⓘElements with two non-spherical surfaces | 1 |
Low Dispersion ⓘElements that reduce chromatic aberration | 1 |
Super Low Dispersion ⓘAdvanced elements further reducing chromatic aberration | 0 |
CA Reduction ⓘBuilt-in features to reduce chromatic aberration | 0 |
Internal Focusing ⓘInternal Focusing means that the lens does not change in size during focusing, and the front element does not rotate. | |