Sony FE 50mm F/1.8 SEL50F18F
Sony · 50 mm · f/1.8

Score Breakdown
Scores combine our editorial testing with published lab data.
General | |
|---|---|
About This LensThis Sony prime delivers a standard 50mm focal length for full-frame E-mount cameras. That length suits portraits, street photography and everyday pictures, with a view that often feels natural. Sony introduced it in 2016, and it remains in production today. The bright f/1.8 aperture and light weight make it an easy lens to keep on the camera. The main trade-off is the fixed focal length, so you frame by moving yourself rather than turning a zoom ring. In return you get a small, bright package, and owners give up built-in stabilisation and sealing. | |
| Brand | Sony |
| Release Year | 2016 |
Production Status ⓘCurrent status of lens manufacturing (e.g., in production, discontinued). | |
Lens Mount ⓘThe lens mount will tell you what type of lens range you can fit onto the camera body. Often the same camera company will have different lens ranges for different cameras. | Sony E |
System ⓘIndicates which camera system the lens is designed to attach to. | Sony E |
Maximum Format ⓘLargest sensor size compatible with the lens. | |
Physical64/100 | |
About the BuildThe lens weighs 6.6 oz (186 g) and runs 2.34 in (59.5 mm) long with a 2.7 in (68.6 mm) body. That size makes it barely noticeable on the camera or in a small bag. Screw-in filters attach directly to the 49mm thread. Our physical score is 64. | |
| Lens Weight | 186 g |
Lens Diameter ⓘWidth of the lens at its widest point | 68.6 mm |
Lens Length ⓘHow long the lens is from front to back. | 59.5 mm |
Front Filter Compatible ⓘSome lenses are compatible with front filters, some are compatible with back filters and some are compatible with both. Front filters are usually more convenient to add and remove. | |
Front Filter Size ⓘDiameter of attachable filters. | 49 mm |
Optics81/100 | |
About the OpticsOn a full-frame sensor, 50mm gives a useful middle ground between wide views and telephoto framing. Stand back for half-length portraits, or move closer for a head-and-shoulders frame. The same view handles street scenes, shop fronts and dinners. Tight interiors may require more room than you have available. At f/1.8 the lens passes much more light than slower designs, so in dim rooms you can keep shutter speeds up and ISO down. Evening interiors and candlelit tables stay within reach. It also throws the background out of focus, separating a portrait subject from a busy street behind. Close focusing reaches 1.5 ft (45 cm), measured from the sensor. That is useful for a plate of food, flowers or other tabletop subjects. Move farther back for portraits if you want a more comfortable gap and a less exaggerated perspective. Wide open the depth of field runs thin, so close portraits need careful focus on the eyes. Stop down when you want more of a group shot in focus. This combination of a bright aperture and a natural view defines the lens, and our optics score for it is 81. | |
Focal Range ⓘShortest to longest focal length of the lens (zoom range start - end ) | 50 mm |
Aperture Range ⓘLargest aperture at the lens's shortest focal length to longest focal length (aperture range start - end) | 1.8 |
| Focal Length Angle of View | 46.8° |
Flange Focal Distance ⓘDistance from lens mount to sensor. | 18 mm |
Diaphragm Type ⓘStructure and design of the aperture | |
Blades ⓘNumber of diaphragm blades in aperture | 7020 |
Zoom Lens ⓘZoom allows you to vary the focal length, change between long shots and close-ups | No |
Closest Focusing Distance ⓘMinimum distance for a subject to be in focus. | 45 cm01500 |
Maximum Magnification ⓘLargest size a subject can be reproduced | 0.14x |
| Autofocus Mode | |
| Manual Mode | |
| Manual Focusing Ring | |
Features | |
About the FeaturesThere is no image stabilisation in this lens. A suitable shutter speed and a steady hold help control camera shake. The 50mm focal length is less demanding than a long telephoto, but slow handheld exposures can still blur. In-body stabilisation can help where fitted; otherwise brace the camera or use firm support as the light falls. There is no weather sealing either, so keep the lens out of rain and heavy dust. The front element also lacks a fluorine coating, so fingerprints and water spots call for ordinary lens cleaning. | |
Weather Sealing ⓘWeather sealing capabilities will give you more confidence when shooting in unfavourable conditions. | No |
Fluorine Coating ⓘCoating to repel water and oil from lens elements. | No |
| Built In Lens Hood | No |
| Lens Hood Type | |
Teleconverter ⓘA teleconverter (extender) is an extra piece of equipment that fits between the lens and the camera body to enhance magnification | No |
| Image Stabilization | No |
Construction15/100 | |
About the ConstructionThe optical formula is simple: 6 elements in 5 groups, including an aspherical element. Its specially shaped surface helps correct optical faults such as distortion, which can curve straight edges in doorways or buildings. The whole lens stays light, so it is easy to carry all day. | |
Elements ⓘLens elements refer to individual pieces of glass within the lens. | 6 |
| Groups | 5 |
Aspherical Elements ⓘThe number of aspherical lens elements which can help correct aberrations such as spherical aberration. | 1 |
Bi Aspherical Elements ⓘElements with two non-spherical surfaces | 0 |
Low Dispersion ⓘElements that reduce chromatic aberration | 0 |
Super Low Dispersion ⓘAdvanced elements further reducing chromatic aberration | 0 |
CA Reduction ⓘBuilt-in features to reduce chromatic aberration | 0 |
Internal Focusing ⓘInternal Focusing means that the lens does not change in size during focusing, and the front element does not rotate. | No |