Tamron 35-100mm F2.8 Di III VXD
Tamron · 35–100 mm · f/2.8

Score Breakdown
Scores combine our editorial testing with published lab data.
General | |
|---|---|
About This LensThis Tamron zoom covers 35–100mm on full-frame Sony E and Nikon Z cameras. Separate versions fit each mount, so choose the one that matches your camera. The range suits portraits, weddings and events where the distance to people changes during the day. Tamron introduced it in 2026. Its f/2.8 maximum aperture stays available throughout the zoom. The main trade-offs are width and the lack of built-in stabilization. A wider lens can include more of a room from the same position. | |
| Brand | Tamron |
| Release Year | 2026 |
Production Status ⓘCurrent status of lens manufacturing (e.g., in production, discontinued). | |
Lens Mount ⓘThe lens mount will tell you what type of lens range you can fit onto the camera body. Often the same camera company will have different lens ranges for different cameras. | Nikon Z |
System ⓘIndicates which camera system the lens is designed to attach to. | Nikon Z |
Maximum Format ⓘLargest sensor size compatible with the lens. | |
Physical64/100 | |
About the BuildThe Sony E version weighs 1 lb 3.9 oz (565 g) and measures 4.69 in (119.2 mm) long and 3.17 in (80.6 mm) across. Nikon Z is slightly longer and heavier. Both use a 67mm front thread, so screw-in filters must match that size to attach directly. | |
| Lens Weight | 575 g |
Lens Diameter ⓘWidth of the lens at its widest point | 80.6 mm |
Lens Length ⓘHow long the lens is from front to back. | 121.5 mm |
Front Filter Compatible ⓘSome lenses are compatible with front filters, some are compatible with back filters and some are compatible with both. Front filters are usually more convenient to add and remove. | |
Front Filter Size ⓘDiameter of attachable filters. | 67 mm |
Optics81/100 | |
About the OpticsThe maximum aperture remains f/2.8 throughout the zoom. You can retain that opening when you reframe, though a different part of the scene may need a different exposure. In a dim venue, f/2.8 gives more room for a faster shutter speed or lower ISO than a smaller opening. At 35mm, you can show people with some surroundings. At 100mm, one person or a table detail becomes larger from the same position. How much of a room or group fits still depends on where you stand. The range can reduce lens changes during a changing scene. Closest focus is 0.7 ft (22 cm) at 35mm, measured from the sensor. Maximum magnification reaches 0.3x at that setting. At 100mm, the minimum distance is longer and magnification is lower. These limits apply to both mounts. Leave room ahead of the glass and avoid shading a nearby detail. At close portrait distances, f/2.8 can give a thin zone of sharp focus. A background far behind the person can become soft. Focus on the eye that matters most, then stop down when more of the face or another person must stay sharp. Zooming wider does not guarantee a whole group is in focus. | |
Focal Range ⓘShortest to longest focal length of the lens (zoom range start - end ) | 35–100 mm |
Aperture Range ⓘLargest aperture at the lens's shortest focal length to longest focal length (aperture range start - end) | 2.8 |
| Focal Length Angle of View | 63.4333333333°–24.4166666667° |
Flange Focal Distance ⓘDistance from lens mount to sensor. | 16 mm |
Diaphragm Type ⓘStructure and design of the aperture | |
Blades ⓘNumber of diaphragm blades in aperture | 9020 |
Zoom Lens ⓘZoom allows you to vary the focal length, change between long shots and close-ups | |
Zoom Mechanism ⓘSystem enabling zoom function | |
Zoom Ring ⓘIf zooming is adjusted using a zoom ring | |
Zoom Type ⓘThe design or approach to zooming | |
Closest Focusing Distance ⓘMinimum distance for a subject to be in focus. | 22 cm01500 |
Maximum Magnification ⓘLargest size a subject can be reproduced | 0.3x |
| Autofocus Mode | |
| Manual Mode | |
| Manual Focusing Ring | |
Features52/100 | |
About the FeaturesMoisture-resistant construction helps during outdoor events. Use cover in persistent rain. Fluorine coating helps water and oily marks wipe away from the front glass. Remove loose grit before using a cloth. The manual zoom ring lets you change framing directly. Check the space around the barrel when working close to a window or another object, and leave room for the camera to move. There is no stabilization in the lens. A camera with body stabilization can reduce shake for still scenes. Firm support helps at slow shutter speeds and during long ceremonies. A moving person still needs enough shutter speed for their movement. | |
Weather Sealing ⓘWeather sealing capabilities will give you more confidence when shooting in unfavourable conditions. | |
Fluorine Coating ⓘCoating to repel water and oil from lens elements. | |
| Built In Lens Hood | No |
| Lens Hood Type | |
Zoom Lock ⓘZoom lock allows the zoom ring to be locked at the desired focal length | |
Teleconverter ⓘA teleconverter (extender) is an extra piece of equipment that fits between the lens and the camera body to enhance magnification | No |
| Image Stabilization | No |
Construction54/100 | |
About the ConstructionThree aspherical elements help correct distortion and spherical aberration, which can bend lines or soften detail. Two LD elements and one XLD element help reduce coloured fringes along high-contrast edges, such as backlit hair or a bright window behind a speaker. | |
Elements ⓘLens elements refer to individual pieces of glass within the lens. | 15 |
| Groups | 13 |
Aspherical Elements ⓘThe number of aspherical lens elements which can help correct aberrations such as spherical aberration. | 3 |
Bi Aspherical Elements ⓘElements with two non-spherical surfaces | 0 |
Low Dispersion ⓘElements that reduce chromatic aberration | 3 |
Super Low Dispersion ⓘAdvanced elements further reducing chromatic aberration | 0 |
CA Reduction ⓘBuilt-in features to reduce chromatic aberration | 0 |
Internal Focusing ⓘInternal Focusing means that the lens does not change in size during focusing, and the front element does not rotate. | |