TTArtisan 25mm f/2
TTArtisan · 25 mm · f/2

Score Breakdown
Scores combine our editorial testing with published lab data.
General | |
|---|---|
About This LensThis TTArtisan manual-focus prime comes in Canon RF, Fujifilm X, Leica L, Micro Four Thirds, Nikon Z and Sony E versions. Each version fits its own system. Choose the mount made for your camera and check sensor coverage before use. The 25mm focal length gives a slightly wide view on APS-C and a standard view on Micro Four Thirds. That suits everyday people, places and nearby details, with different framing on the two formats. The lens is designed for smaller sensors. The main trade-off is the fully manual design. There is no autofocus, stabilization or sealing, so focusing, steady handheld work and weather care all fall to you. | |
| Brand | TTArtisan |
| Release Year | 2022 |
Production Status ⓘCurrent status of lens manufacturing (e.g., in production, discontinued). | |
Lens Mount ⓘThe lens mount will tell you what type of lens range you can fit onto the camera body. Often the same camera company will have different lens ranges for different cameras. | Canon RF |
System ⓘIndicates which camera system the lens is designed to attach to. | Canon EOS R |
Physical57/100 | |
About the BuildThe Canon RF version is small, 1.22 in (31 mm) long and 2.32 in (59 mm) across. It adds little bulk to a compact body. Every version takes 43mm screw-in filters, so a polarizing filter for glare or a clear filter for protection mounts straight on. | |
Lens Diameter ⓘWidth of the lens at its widest point | 59 mm |
Lens Length ⓘHow long the lens is from front to back. | 31 mm |
Front Filter Compatible ⓘSome lenses are compatible with front filters, some are compatible with back filters and some are compatible with both. Front filters are usually more convenient to add and remove. | |
Front Filter Size ⓘDiameter of attachable filters. | 43 mm |
Optics64/100 | |
About the OpticsThe fixed 25mm focal length suits street scenes, travel and portraits with some surroundings. APS-C includes more of a scene than Micro Four Thirds from the same position. Whether a whole shopfront or room fits depends on distance, so check the edges as you choose a viewpoint. Framing changes come from your feet rather than a zoom ring. Moving a few steps changes perspective too, so leading lines and foreground interest shift as you move. The f/2 maximum aperture gives more room for a faster shutter speed or lower ISO than a smaller opening. This helps in dim interiors and evening streets. Depth of field also depends on focus distance. A close subject can have a soft background; stop down when detail at several distances must stay sharp. Closest focus is 0.8 ft (25 cm), measured from the sensor. A cup, door handle or nearby object can become prominent against its surroundings. Leave room ahead of the glass and avoid shading the subject as you move close. | |
Focal Range ⓘShortest to longest focal length of the lens (zoom range start - end ) | 25 mm |
Aperture Range ⓘLargest aperture at the lens's shortest focal length to longest focal length (aperture range start - end) | 2 |
| Focal Length Angle of View | 61° |
Flange Focal Distance ⓘDistance from lens mount to sensor. | 20 mm |
Diaphragm Type ⓘStructure and design of the aperture | |
Blades ⓘNumber of diaphragm blades in aperture | 7020 |
Zoom Lens ⓘZoom allows you to vary the focal length, change between long shots and close-ups | No |
Closest Focusing Distance ⓘMinimum distance for a subject to be in focus. | 25 cm01500 |
Maximum Magnification ⓘLargest size a subject can be reproduced | 0.13x |
| Autofocus Mode | No |
| Manual Mode | |
| Manual Focusing Ring | |
Features | |
About the FeaturesThere is no stabilisation in the lens. A camera with body stabilisation can reduce shake for still scenes. Firm support helps with slower exposures. Moving people need enough shutter speed for their movement too. There is no weather sealing either. Keep the lens out of rain and heavy dust, and it suits fair-weather street and travel days. Focusing is set by hand on the ring. Work slowly at f/2 and use your camera's focus aids when light drops. Zone focusing at a set distance works well for quick street frames. Fix a middle focus point and a smaller aperture, and a useful band of distances stays acceptably sharp. | |
Weather Sealing ⓘWeather sealing capabilities will give you more confidence when shooting in unfavourable conditions. | No |
Fluorine Coating ⓘCoating to repel water and oil from lens elements. | No |
| Built In Lens Hood | No |
Teleconverter ⓘA teleconverter (extender) is an extra piece of equipment that fits between the lens and the camera body to enhance magnification | No |
| Image Stabilization | No |
Construction | |
About the ConstructionThe optical formula has seven elements in five groups. A clicked aperture ring gives a physical control for the opening. Use it with the manual focus ring to set depth of field for a scene. Check focus again when either your subject or the camera moves. | |
Elements ⓘLens elements refer to individual pieces of glass within the lens. | 7 |
| Groups | 5 |
Aspherical Elements ⓘThe number of aspherical lens elements which can help correct aberrations such as spherical aberration. | 0 |
Bi Aspherical Elements ⓘElements with two non-spherical surfaces | 0 |
Low Dispersion ⓘElements that reduce chromatic aberration | 0 |
Super Low Dispersion ⓘAdvanced elements further reducing chromatic aberration | 0 |
CA Reduction ⓘBuilt-in features to reduce chromatic aberration | 0 |
Internal Focusing ⓘInternal Focusing means that the lens does not change in size during focusing, and the front element does not rotate. | No |