TTArtisan 50mm f/2
TTArtisan · 50 mm · f/2

Score Breakdown
Scores combine our editorial testing with published lab data.
General | |
|---|---|
About This LensThe TTArtisan 50mm f/2 is a compact manual-focus prime released in 2022, and it remains in production. It comes in five mount versions: Fujifilm X, Leica L, Micro Four Thirds, Nikon Z and Sony E. Pick the version made for your camera, since each fits only its own mount. Every version shares the same 50mm f/2 optical design. This lens suits photographers who enjoy setting focus by hand and want an uncomplicated prime for everyday shooting. It handles street, travel and portrait work well. The main trade-off is manual focusing, which asks more of you when subjects move quickly or light fades. | |
| Brand | TTArtisan |
| Release Year | 2022 |
Lens Mount ⓘThe lens mount will tell you what type of lens range you can fit onto the camera body. Often the same camera company will have different lens ranges for different cameras. | Leica L |
System ⓘIndicates which camera system the lens is designed to attach to. | Leica L |
Maximum Format ⓘLargest sensor size compatible with the lens. | |
Physical64/100 | |
About the BuildThe Fujifilm X version weighs 7.1 oz (200 g) and measures 2.36 in (60 mm) across and 1.38 in (35 mm) long. That keeps a mirrorless camera small and light for a day of walking. Other mount versions have their own dimensions. A screw-in filter must match the 43mm thread on the front. | |
| Lens Weight | 200 g |
Lens Diameter ⓘWidth of the lens at its widest point | 60 mm |
Lens Length ⓘHow long the lens is from front to back. | 35 mm |
Front Filter Compatible ⓘSome lenses are compatible with front filters, some are compatible with back filters and some are compatible with both. Front filters are usually more convenient to add and remove. | |
Front Filter Size ⓘDiameter of attachable filters. | 43 mm |
Optics70/100 | |
About the OpticsFraming depends on the sensor behind the lens. The Leica L and Sony E versions cover full frame, where 50mm matches the view you see with your own eyes. That suits street scenes and reportage. The Fujifilm X and Micro Four Thirds versions crop the view, so the same lens works like a short telephoto for head shots. The f/2 maximum aperture admits a useful amount of light for interiors, cafes and evening streets. It also gives some depth-of-field control. Step close for a portrait and the background softens behind the subject. The separation is gentle rather than dramatic at this aperture. Ten aperture blades help the opening stay round when you stop down. Round openings tend to render out-of-focus highlights as smooth disks rather than polygons. Focus as close as 1.6 ft (50 cm), which is comfortable for half-length portraits, food and still-life details. As a prime it offers one focal length, 50mm. You set framing by moving closer or farther, and a single view can encourage a more deliberate way of working. The optics specification score is 70 out of 100. | |
Focal Range ⓘShortest to longest focal length of the lens (zoom range start - end ) | 50 mm |
Aperture Range ⓘLargest aperture at the lens's shortest focal length to longest focal length (aperture range start - end) | 2 |
| Focal Length Angle of View | 45° |
Flange Focal Distance ⓘDistance from lens mount to sensor. | 20 mm |
Diaphragm Type ⓘStructure and design of the aperture | |
Blades ⓘNumber of diaphragm blades in aperture | 10020 |
Zoom Lens ⓘZoom allows you to vary the focal length, change between long shots and close-ups | No |
Closest Focusing Distance ⓘMinimum distance for a subject to be in focus. | 50 cm01500 |
Maximum Magnification ⓘLargest size a subject can be reproduced | 0.4x |
| Autofocus Mode | No |
| Manual Mode | |
| Manual Focusing Ring | |
Features | |
About the FeaturesFocusing is by hand only, which shapes what you photograph. Posed portraits, landscapes and still life suit it well. Children, pets and sport move too quickly for relaxed manual focusing. Most mirrorless cameras offer focus peaking and magnification, and both help you confirm sharpness. The lens has no image stabilization, so in dim light you rely on shutter speed or a higher ISO to keep handheld shots sharp. It also has no weather sealing, so keep it dry in rain, spray or dust. The front element lacks a fluorine coating, so fingerprints wipe away less easily. | |
Weather Sealing ⓘWeather sealing capabilities will give you more confidence when shooting in unfavourable conditions. | No |
Fluorine Coating ⓘCoating to repel water and oil from lens elements. | No |
| Built In Lens Hood | No |
Teleconverter ⓘA teleconverter (extender) is an extra piece of equipment that fits between the lens and the camera body to enhance magnification | No |
| Image Stabilization | No |
Construction | |
About the ConstructionInside are six elements arranged in five groups, a simple layout that suits a compact prime. Every focus adjustment goes through the single manual focusing ring, which gives you direct control over where focus lands. Working the ring yourself lets you hold focus at a set distance or pull focus deliberately between two subjects. | |
Elements ⓘLens elements refer to individual pieces of glass within the lens. | 6 |
| Groups | 5 |
Aspherical Elements ⓘThe number of aspherical lens elements which can help correct aberrations such as spherical aberration. | 0 |
Bi Aspherical Elements ⓘElements with two non-spherical surfaces | 0 |
Low Dispersion ⓘElements that reduce chromatic aberration | 0 |
Super Low Dispersion ⓘAdvanced elements further reducing chromatic aberration | 0 |
CA Reduction ⓘBuilt-in features to reduce chromatic aberration | 0 |
Internal Focusing ⓘInternal Focusing means that the lens does not change in size during focusing, and the front element does not rotate. | No |