Viltrox AF 28mm f/1.8
Viltrox · 28 mm · f/1.8

Score Breakdown
Scores combine our editorial testing with published lab data.
General | |
|---|---|
About This LensThe Viltrox AF 28mm f/1.8 is a compact wide-angle prime for full-frame mirrorless cameras. It comes in Nikon Z and Sony E versions, so you choose the one made for your system. A 28mm focal length suits street photography, travel and everyday documentary work. It frames a subject together with its surroundings, and the bright aperture keeps the lens usable indoors and after dark. Viltrox introduced it in 2023, and it remains in production. The main trade-off is the short feature list, chiefly the lack of built-in stabilization. In return you get a light, simple prime. | |
| Brand | Viltrox |
| Release Year | 2023 |
Production Status ⓘCurrent status of lens manufacturing (e.g., in production, discontinued). | |
Lens Mount ⓘThe lens mount will tell you what type of lens range you can fit onto the camera body. Often the same camera company will have different lens ranges for different cameras. | Sony E |
System ⓘIndicates which camera system the lens is designed to attach to. | Sony E |
Maximum Format ⓘLargest sensor size compatible with the lens. | |
Physical64/100 | |
About the BuildAt 12.9 oz (367 g) this lens stays light enough to carry all day. The body is 2.76 in (70 mm) wide and 3.47 in (88.2 mm) long, so it keeps a mirrorless kit compact. The front accepts 55mm screw-in filters directly, a common size that is easy to find. | |
| Lens Weight | 367 g |
Lens Diameter ⓘWidth of the lens at its widest point | 70 mm |
Lens Length ⓘHow long the lens is from front to back. | 88.2 mm |
Front Filter Compatible ⓘSome lenses are compatible with front filters, some are compatible with back filters and some are compatible with both. Front filters are usually more convenient to add and remove. | |
Front Filter Size ⓘDiameter of attachable filters. | 55 mm |
Optics85/100 | |
About the OpticsThe 28mm focal length frames a scene with room around your subject. That makes it a natural choice for street corners, market scenes and landscapes, where context matters as much as the main subject. When a composition feels loose, you step closer; when it feels tight, you step back. At f/1.8 the lens takes in a lot of light. Indoors or on evening streets, that light lets you keep shutter speeds high enough for sharp handheld frames. Near its closest distance the aperture also thins depth of field, separating a subject from a busy background. Nine aperture blades help keep out-of-focus highlights round when you shoot wide open. Backgrounds behind a portrait or a cafe table stay gently blurred rather than busy. This effect matters most for evening scenes, where lamps and lights sit behind the subject. Close focus reaches 1.2 ft (37 cm). That is enough to fill the frame with a plate of food, a shop window detail or a small object in a travel scene. | |
Focal Range ⓘShortest to longest focal length of the lens (zoom range start - end ) | 28 mm |
Aperture Range ⓘLargest aperture at the lens's shortest focal length to longest focal length (aperture range start - end) | 1.8 |
| Focal Length Angle of View | 74.6° |
Flange Focal Distance ⓘDistance from lens mount to sensor. | 18 mm |
Diaphragm Type ⓘStructure and design of the aperture | |
Blades ⓘNumber of diaphragm blades in aperture | 9020 |
Zoom Lens ⓘZoom allows you to vary the focal length, change between long shots and close-ups | No |
Closest Focusing Distance ⓘMinimum distance for a subject to be in focus. | 37 cm01500 |
Maximum Magnification ⓘLargest size a subject can be reproduced | 0.1x |
| Autofocus Mode | |
| Manual Mode | |
| Manual Focusing Ring | |
Features32/100 | |
About the FeaturesThe feature list here is short, and stabilization is the notable gap. This lens has no built-in stabilization, so steadiness comes from elsewhere. If your camera stabilizes the sensor, handheld work remains practical. Without that help, the f/1.8 aperture is your main defence, because it keeps shutter speeds high in dim light. The lens is weather sealed, which helps protect it against dust and moisture during outdoor shooting. The sealing suits the street and travel use this lens invites, since weather changes fast on a day out. There is no fluorine coating on the glass, so dust and fingerprints on the front element may need more patient cleaning. | |
Weather Sealing ⓘWeather sealing capabilities will give you more confidence when shooting in unfavourable conditions. | |
Fluorine Coating ⓘCoating to repel water and oil from lens elements. | No |
| Built In Lens Hood | No |
| Lens Hood Type | |
Teleconverter ⓘA teleconverter (extender) is an extra piece of equipment that fits between the lens and the camera body to enhance magnification | No |
| Image Stabilization | No |
Construction54/100 | |
About the ConstructionThe optical build places 11 elements in 9 groups. Two aspherical elements help correct distortion and spherical aberration, faults that can bend straight lines in a 28mm frame. Three low-dispersion elements help reduce chromatic aberration, the colored fringes that can appear along high-contrast edges such as backlit branches. Focusing is internal, so the barrel keeps a constant length while you work. | |
Elements ⓘLens elements refer to individual pieces of glass within the lens. | 11 |
| Groups | 9 |
Aspherical Elements ⓘThe number of aspherical lens elements which can help correct aberrations such as spherical aberration. | 2 |
Bi Aspherical Elements ⓘElements with two non-spherical surfaces | 0 |
Low Dispersion ⓘElements that reduce chromatic aberration | 3 |
Super Low Dispersion ⓘAdvanced elements further reducing chromatic aberration | 0 |
CA Reduction ⓘBuilt-in features to reduce chromatic aberration | 0 |
Internal Focusing ⓘInternal Focusing means that the lens does not change in size during focusing, and the front element does not rotate. | |