
Voigtlander Nokton 35mm f/1.2 Aspherical IV VM
f/1.2 instead of f/2
Voigtlander · 35 mm · f/2 · Vintage Line

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General | |
|---|---|
About This LensThis Voigtlander is a 35mm prime for Leica M mount, covering full frame. A 35mm lens gives a natural walking-around view for street, travel and reportage. It frames a subject with a share of the surroundings, so it suits candid work where context matters. The main trade-off is that everything is manual. You focus by hand and set the aperture on the lens, with no motor to fall back on. In return you get a lens that is unusually small and light, which suits an M camera carried all day. | |
| Brand | Voigtlander |
Pro Branding ⓘSpecific branding codes used for professional-tier lenses. | Vintage Line |
Lens Mount ⓘThe lens mount will tell you what type of lens range you can fit onto the camera body. Often the same camera company will have different lens ranges for different cameras. | Leica M |
System ⓘIndicates which camera system the lens is designed to attach to. | Leica M |
Maximum Format ⓘLargest sensor size compatible with the lens. | |
Physical | |
About the BuildIt weighs 6 oz (170 g) and measures 1.11 in (28.1 mm) long, so it sits close to the camera body. It is 2.05 in (52 mm) wide across the barrel, so the lens stays slim beside a compact M body. A screw-in filter attached directly to the lens must match its 39mm thread. | |
| Lens Weight | 170 g |
Lens Diameter ⓘWidth of the lens at its widest point | 52 mm |
Lens Length ⓘHow long the lens is from front to back. | 28.1 mm |
Front Filter Compatible ⓘSome lenses are compatible with front filters, some are compatible with back filters and some are compatible with both. Front filters are usually more convenient to add and remove. | |
Front Filter Size ⓘDiameter of attachable filters. | 39 mm |
Optics | |
About the OpticsThe 35mm focal length frames a street scene or an environmental portrait without forcing you back. It balances subject and setting, which helps when a face and its location both belong in the picture. The f/2 maximum aperture is moderate rather than fast. It still gives useful headroom in dim interiors and evening streets, where a slower lens would force higher sensitivity. Wide open, subject separation at portrait distance stays gentle rather than dramatic. Stopping down also brings more of the scene into acceptable focus, which often matters more than speed with this focal length. The aperture uses ten blades. That keeps the opening close to round as you stop down, so out-of-focus highlights stay round rather than edged. Focusing is manual throughout. The closest focus is 1.9 ft (58 cm), which lets you photograph a cafe table or a market stall from a comfortable working distance. A dedicated focusing ring gives direct control over where focus lands. For quick street work you can preset a distance and rely on depth of field. | |
Focal Range ⓘShortest to longest focal length of the lens (zoom range start - end ) | 35 mm |
Aperture Range ⓘLargest aperture at the lens's shortest focal length to longest focal length (aperture range start - end) | 2 |
| Focal Length Angle of View | 62.5° |
Flange Focal Distance ⓘDistance from lens mount to sensor. | 27.8 mm |
Diaphragm Type ⓘStructure and design of the aperture | |
Blades ⓘNumber of diaphragm blades in aperture | 10020 |
Zoom Lens ⓘZoom allows you to vary the focal length, change between long shots and close-ups | No |
Closest Focusing Distance ⓘMinimum distance for a subject to be in focus. | 58 cm01500 |
Maximum Magnification ⓘLargest size a subject can be reproduced | 0.07x |
| Autofocus Mode | No |
| Manual Mode | |
| Manual Focusing Ring | |
Features | |
About the FeaturesThere is no image stabilization. In dim light, steady handheld results depend on your hold and shutter choice rather than on the lens. The f/2 maximum aperture gives you some low-light margin, but stabilization is not there to rescue a slow handheld frame. On a tripod or in daylight, this costs you little. There is no weather sealing and no fluorine coating. This is a fair-weather, careful-handling lens. Keep it out of rain, and wipe dust from the front element before it sticks. For street and travel work in changeable weather, that is worth planning around. | |
Weather Sealing ⓘWeather sealing capabilities will give you more confidence when shooting in unfavourable conditions. | No |
Fluorine Coating ⓘCoating to repel water and oil from lens elements. | No |
| Built In Lens Hood | No |
Teleconverter ⓘA teleconverter (extender) is an extra piece of equipment that fits between the lens and the camera body to enhance magnification | No |
| Image Stabilization | No |
Construction | |
About the ConstructionThe eight elements in five groups include one aspherical surface and two low-dispersion elements. The aspherical element is specially shaped to help correct optical faults such as distortion and spherical aberration. That matters for street frames containing buildings or horizons, where distortion would bend straight lines. The low-dispersion glass helps reduce chromatic aberration, which shows as coloured fringes along high-contrast edges, common in backlit street scenes. | |
Elements ⓘLens elements refer to individual pieces of glass within the lens. | 8 |
| Groups | 5 |
Aspherical Elements ⓘThe number of aspherical lens elements which can help correct aberrations such as spherical aberration. | 1 |
Bi Aspherical Elements ⓘElements with two non-spherical surfaces | 0 |
Low Dispersion ⓘElements that reduce chromatic aberration | 2 |
Super Low Dispersion ⓘAdvanced elements further reducing chromatic aberration | 0 |
CA Reduction ⓘBuilt-in features to reduce chromatic aberration | 0 |
Internal Focusing ⓘInternal Focusing means that the lens does not change in size during focusing, and the front element does not rotate. | No |

f/1.2 instead of f/2

f/2.8 instead of f/2

f/1.4 instead of f/2


f/1.7 vs f/2 · Closest focus 70 cm vs 58 cm


0.18× vs 0.07× close-up reach · 320 g vs 170 g · Closest focus 30 cm vs 58 cm


f/1.2 vs f/2 · 0.09× vs 0.07× close-up reach · 416 g vs 170 g