Canon EF 100mm F/2.8 Macro USM vs Canon EF 100mm F/2.8L Macro IS USM — Which Is Better?
Side by side38 specifications |
Canon · f/2.8 · Canon EF mount
Canon EF 100mm F/2.8 Macro USM
51
SCORE
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Canon · f/2.8 · Canon EF mount
Canon EF 100mm F/2.8L Macro IS USM
86
WINNER
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| General | ||
Read the General ComparisonGeneralThe Canon EF 100mm F/2.8L Macro IS USM and the Canon EF 100mm F/2.8 Macro USM are full frame macro primes for Canon EOS cameras. Both share the EF mount, a 100mm focal length, an f/2.8 aperture and life-size 1x magnification, so a subject is rendered at actual size on the sensor. The L arrived in 2009, updating the 2000 original, and its additions matter most for handheld and outdoor close-up work. | ||
| Release Year | 2000 | 2009 |
Production Status ⓘCurrent status of lens manufacturing (e.g., in production, discontinued). |
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Pro Branding ⓘSpecific branding codes used for professional-tier lenses. |
N/A | L |
Lens Mount ⓘThe lens mount will tell you what type of lens range you can fit onto the camera body. Often the same camera company will have different lens ranges for different cameras. |
Canon EF | Canon EF |
System ⓘIndicates which camera system the lens is designed to attach to. |
Canon EOS | Canon EOS |
Maximum Format ⓘLargest sensor size compatible with the lens. |
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| Physical | 43/100 | 100/100 |
Read the Physical ComparisonPhysicalThe L is slightly longer and heavier, and the non-L is slightly wider. The L measures 123mm long and 78mm across, against 119mm and 79mm for the non-L, and weighs 625g against 600g. The non-L takes 58mm front filters directly while the L takes 67mm, so existing 58mm filters fit only the older lens without an adapter. Both accept front filters, so polarisers and close-up dioptres remain options. | ||
| Lens Weight | 600 g | 625 g |
Lens Diameter ⓘWidth of the lens at its widest point |
79 mm | 78 mm |
Lens Length ⓘHow long the lens is from front to back. |
119 mm | 123 mm |
Front Filter Compatible ⓘSome lenses are compatible with front filters, some are compatible with back filters and some are compatible with both. Front filters are usually more convenient to add and remove. |
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Front Filter Size ⓘDiameter of attachable filters. |
58 mm | 67 mm |
| Optics | 80/100 | 82/100 |
Read the Optics ComparisonOpticsYou give up no macro power with either lens: both are 100mm f/2.8 primes with life-size 1x magnification. The L focuses 1cm closer, 30cm against 31cm, a difference with little practical effect on framing. Exposure control behaves the same way, as both use automatic diaphragms. The L has nine aperture blades against the non-L's eight. | ||
Focal Range ⓘShortest to longest focal length of the lens (zoom range start - end ) |
100 mm | 100 mm |
Aperture Range ⓘLargest aperture at the lens's shortest focal length to longest focal length (aperture range start - end) |
2.8 | 2.8 |
| Focal Length Angle of View | 24.415582858783463° | 24.42° |
Flange Focal Distance ⓘDistance from lens mount to sensor. |
44 mm | 44 mm |
Diaphragm Type ⓘStructure and design of the aperture |
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Blades ⓘNumber of diaphragm blades in aperture |
8020 | 9020 |
Zoom Lens ⓘZoom allows you to vary the focal length, change between long shots and close-ups |
✗ | ✗ |
Closest Focusing Distance ⓘMinimum distance for a subject to be in focus. |
31 cm01500 | 30 cm01500 |
Maximum Magnification ⓘLargest size a subject can be reproduced |
1x | 1x |
| Autofocus Mode | ||
| Manual Mode | ||
| Manual Focusing Ring | ||
| Features | Unscored | 54/100 |
Read the Features ComparisonFeaturesThe L is the handheld close-up choice: its image stabilisation is rated at 4 stops, helping with flowers and detail shots when a tripod is impractical. The non-L has no stabilisation, so handheld shooting rests on your technique and the light. Sealing also favours the L, which suits damp mornings and dusty field conditions, while the non-L is not sealed. Neither offers a fluorine coating or teleconverter compatibility, so cleaning and reach extension work the same way. | ||
Weather Sealing ⓘWeather sealing capabilities will give you more confidence when shooting in unfavourable conditions. |
No | |
Fluorine Coating ⓘCoating to repel water and oil from lens elements. |
✗ | ✗ |
| Built In Lens Hood | ✗ | ✗ |
| Lens Hood Type | ||
Teleconverter ⓘA teleconverter (extender) is an extra piece of equipment that fits between the lens and the camera body to enhance magnification |
✗ | ✗ |
| Image Stabilization | ✗ | ✓ |
IS Efficiency ⓘIS efficiency refers to the effectiveness of the image stabilization system in compensating for the blurring effects of camera shake, quantified by the number of stops of stabilization it provides. |
N/A | 4 stops |
| Construction | 23/100 | 15/100 |
Read the Construction ComparisonConstructionThe L carries the more elaborate optical design: 15 elements in 12 groups, including one low-dispersion element that helps restrain chromatic aberration. The non-L uses 12 elements in 8 groups with no low-dispersion glass. Focusing mechanics differ, and the older lens has the edge for wary subjects. Its internal focusing keeps the barrel from extending as you focus close, so the lens stays a constant length. The L's barrel extends during close focusing, shortening the space between lens and subject. | ||
Elements ⓘLens elements refer to individual pieces of glass within the lens. |
12 | 15 |
| Groups | 8 | 12 |
Aspherical Elements ⓘThe number of aspherical lens elements which can help correct aberrations such as spherical aberration. |
0 | 0 |
Bi Aspherical Elements ⓘElements with two non-spherical surfaces |
0 | 0 |
Low Dispersion ⓘElements that reduce chromatic aberration |
0 | 1 |
Super Low Dispersion ⓘAdvanced elements further reducing chromatic aberration |
0 | 0 |
CA Reduction ⓘBuilt-in features to reduce chromatic aberration |
0 | 0 |
Internal Focusing ⓘInternal Focusing means that the lens does not change in size during focusing, and the front element does not rotate. |
No | |
Read: Verdict
Verdict
Choose the Canon EF 100mm F/2.8L Macro IS USM unless you shoot close-ups exclusively from a tripod. Its 4-stop stabilisation, weather sealing and low-dispersion element directly serve handheld macro, outdoor field work and high-contrast subjects.
The Canon EF 100mm F/2.8 Macro USM is a sound pick for tripod-bound studio product and copy work, where stabilisation and sealing earn nothing. Its internal focusing and 58mm filter thread suit lighting setups and filters you already own.

