CameraReview

Canon EF 100mm F/2.8 Macro USM vs Canon EF 50mm F/1.4 USM — Which Is Better?

Canon EF 100mm F/2.8 Macro USM versus Canon EF 50mm F/1.4 USM
Side by side36 specifications
Canon · f/2.8 · Canon EF mount Canon EF 100mm F/2.8 Macro USM
51
SCORE
Canon · f/1.4 · Canon EF mount Canon EF 50mm F/1.4 USM
53
WINNER
Canon EF 100mm F/2.8 Macro USM
Canon EF 50mm F/1.4 USM
General
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General

The Canon EF 100mm F/2.8 Macro USM and the Canon EF 50mm F/1.4 USM are both full-frame prime lenses for Canon EOS bodies with EF mounts. The 100mm arrived in 2000 as a macro specialist, while the 50mm dates from 1993 and serves as a fast standard prime. Either lens fits the same EOS bodies, so the mount will not limit your choice.

Release Year 20001993
Production Status
ⓘ
Current status of lens manufacturing (e.g., in production, discontinued).
In ProductionIn Production
Lens Mount
ⓘ
The lens mount will tell you what type of lens range you can fit onto the camera body. Often the same camera company will have different lens ranges for different cameras.
Canon EFCanon EF
System
ⓘ
Indicates which camera system the lens is designed to attach to.
Canon EOSCanon EOS
Maximum Format
ⓘ
Largest sensor size compatible with the lens.
Full FrameFull Frame
Physical43/10043/100
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Physical

The 50mm is the lighter and shorter lens, at 290 g and 51 mm long against 600 g and 119 mm for the 100mm. The 100mm therefore needs more room in a camera bag.

A similarity in filter threads means one set of 58 mm filters fits both lenses directly, with no step rings between them. Both accept front filters, so a shared polariser or protective filter covers either lens you carry.

Lens Weight 600 g290 g
Lens Diameter
ⓘ
Width of the lens at its widest point
79 mm74 mm
Lens Length
ⓘ
How long the lens is from front to back.
119 mm51 mm
Front Filter Compatible
ⓘ
Some lenses are compatible with front filters, some are compatible with back filters and some are compatible with both. Front filters are usually more convenient to add and remove.
YesYes
Front Filter Size
ⓘ
Diameter of attachable filters.
58 mm58 mm
Optics80/10085/100
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Optics

The 100mm is the clear choice for close-up work, offering life-size 1x maximum magnification and a closest focus of 31 cm against 0.15x at 45 cm for the 50mm. That lets you fill the frame with flowers, insects and product details without add-on accessories.

The 50mm answers with its wider f/1.4 maximum aperture against f/2.8 on the 100mm. That extra light helps handheld shooting in dim interiors and gives tighter depth control for portraits, while the 100mm doubles as a short telephoto at 100mm.

Focal Range
ⓘ
Shortest to longest focal length of the lens (zoom range start - end )
100 mm50 mm
Aperture Range
ⓘ
Largest aperture at the lens's shortest focal length to longest focal length (aperture range start - end)
2.81.4
Focal Length Angle of View 24.415582858783463°46.8°
Flange Focal Distance
ⓘ
Distance from lens mount to sensor.
44 mm44 mm
Diaphragm Type
ⓘ
Structure and design of the aperture
AutomaticAutomatic
Blades
ⓘ
Number of diaphragm blades in aperture
80208020
Zoom Lens
ⓘ
Zoom allows you to vary the focal length, change between long shots and close-ups
✗✗
Closest Focusing Distance
ⓘ
Minimum distance for a subject to be in focus.
31 cm0150045 cm01500
Maximum Magnification
ⓘ
Largest size a subject can be reproduced
1x0.15x
Autofocus Mode YesYes
Manual Mode YesYes
Manual Focusing Ring YesYes
Features
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Features

Neither lens offers weather sealing, image stabilisation, a fluorine coating or teleconverter compatibility. In practice that means neither is built for wet-weather shooting, and neither steadies the view handheld at slow shutter speeds, so both rely on your technique or light. Both provide autofocus with a manual focusing ring, and both diaphragms use eight blades with automatic control.

Weather Sealing
ⓘ
Weather sealing capabilities will give you more confidence when shooting in unfavourable conditions.
✗✗
Fluorine Coating
ⓘ
Coating to repel water and oil from lens elements.
✗✗
Built In Lens Hood ✗✗
Lens Hood Type RoundRound
Teleconverter
ⓘ
A teleconverter (extender) is an extra piece of equipment that fits between the lens and the camera body to enhance magnification
✗✗
Image Stabilization ✗✗
Construction23/10015/100
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Construction

The 100mm uses a larger 12-element, 8-group optical design and supports internal focusing, so the barrel does not extend while you focus. That helps when working close to small subjects, where a protruding barrel could disturb or shadow them.

The 50mm's simpler 7-element, 6-group design includes two elements that help reduce chromatic aberration. Fewer elements and a shorter barrel are part of why it stays small and light.

Elements
ⓘ
Lens elements refer to individual pieces of glass within the lens.
127
Groups 86
Aspherical Elements
ⓘ
The number of aspherical lens elements which can help correct aberrations such as spherical aberration.
00
Bi Aspherical Elements
ⓘ
Elements with two non-spherical surfaces
00
Low Dispersion
ⓘ
Elements that reduce chromatic aberration
00
Super Low Dispersion
ⓘ
Advanced elements further reducing chromatic aberration
00
CA Reduction
ⓘ
Built-in features to reduce chromatic aberration
02
Internal Focusing
ⓘ
Internal Focusing means that the lens does not change in size during focusing, and the front element does not rotate.
YesNo
Read: Verdict

Verdict

Choose the EF 100mm F/2.8 Macro USM if close-up photography is the point, because its 1x magnification and 31 cm close focus deliver life-size frames of insects, flowers and detail work the 50mm cannot approach. Its 100mm focal length also gives tighter framing for portraits of distant subjects.

Choose the EF 50mm F/1.4 USM for a light, everyday lens, where its f/1.4 aperture lets in more light for evening street scenes and indoor gatherings. Since both share the EF mount and 58 mm filter size, they complement rather than compete: the 50mm for speed and portability, the 100mm for magnification.

Your comparison

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