CameraReview

Canon RF 24-105mm F/4L IS USM vs Canon RF 28-70mm F/2L USM — Which Is Better?

Canon RF 24-105mm F/4L IS USM versus Canon RF 28-70mm F/2L USM
Side by side43 specifications
Canon · f/4 · Canon RF mount Canon RF 24-105mm F/4L IS USM
74
SCORE
Canon · f/2 · Canon RF mount Canon RF 28-70mm F/2L USM
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WINNER
Canon RF 24-105mm F/4L IS USM
Canon RF 28-70mm F/2L USM
General
Read the General Comparison

General

The Canon RF 24-105mm F/4L IS USM and the Canon RF 28-70mm F/2L USM are both full-frame L-series zooms introduced in 2018 for the Canon EOS R system, so either one mounts natively on any Canon RF camera. Both combine a manual rotary zoom ring with an extending barrel, autofocus and a manual focusing ring.

Their roles differ. The 24-105mm is a general-purpose travel zoom covering wide scenes through short telephoto, while the 28-70mm is built around a constant f/2 aperture for low-light event and portrait work.

Release Year 20182018
Production Status
ⓘ
Current status of lens manufacturing (e.g., in production, discontinued).
In ProductionIn Production
Version
ⓘ
The iteration or release number of a particular lens model.
IN/A
Pro Branding
ⓘ
Specific branding codes used for professional-tier lenses.
LL
Lens Mount
ⓘ
The lens mount will tell you what type of lens range you can fit onto the camera body. Often the same camera company will have different lens ranges for different cameras.
Canon RFCanon RF
System
ⓘ
Indicates which camera system the lens is designed to attach to.
Canon EOS RCanon EOS R
Maximum Format
ⓘ
Largest sensor size compatible with the lens.
Full FrameFull Frame
Physical100/10099/100
Read the Physical Comparison

Physical

The 24-105mm is the far lighter and more compact carry. It weighs 700 g against 1430 g for the 28-70mm, roughly half the weight, and measures 107.3 mm long beside 139.8 mm, with an 83.5 mm barrel diameter against 103.8 mm.

Both accept front filters in different sizes, 77mm on the 24-105mm and 95mm on the 28-70mm. Existing 77mm filters fit the smaller lens directly, while the f/2 zoom needs larger glass.

Lens Weight 700 g1430 g
Lens Diameter
ⓘ
Width of the lens at its widest point
83.5 mm103.8 mm
Lens Length
ⓘ
How long the lens is from front to back.
107.3 mm139.8 mm
Front Filter Compatible
ⓘ
Some lenses are compatible with front filters, some are compatible with back filters and some are compatible with both. Front filters are usually more convenient to add and remove.
YesYes
Front Filter Size
ⓘ
Diameter of attachable filters.
77 mm95 mm
Optics71/10082/100
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Optics

The 28-70mm F/2L is the clear choice for dim venues, holding f/2 across its range where the 24-105mm sits at f/4. Two stops of extra light keep shutter speeds workable at evening weddings and indoor events, with shallower depth of field for portraits.

The 24-105mm answers with framing range. It starts wider at 24mm for architecture and group scenes and reaches 105mm where the 28-70mm stops at 70mm. Its 0.24x maximum magnification against 0.18x suits closer small-object work.

Focal Range
ⓘ
Shortest to longest focal length of the lens (zoom range start - end )
24–105 mm28–70 mm
Aperture Range
ⓘ
Largest aperture at the lens's shortest focal length to longest focal length (aperture range start - end)
42
Focal Length Angle of View 84.07°–23.29°75.38°–34.35°
Flange Focal Distance
ⓘ
Distance from lens mount to sensor.
20 mm20 mm
Diaphragm Type
ⓘ
Structure and design of the aperture
AutomaticAutomatic
Blades
ⓘ
Number of diaphragm blades in aperture
90209020
Zoom Lens
ⓘ
Zoom allows you to vary the focal length, change between long shots and close-ups
YesYes
Zoom Mechanism
ⓘ
System enabling zoom function
ManualManual
Zoom Ring
ⓘ
If zooming is adjusted using a zoom ring
YesYes
Zoom Type
ⓘ
The design or approach to zooming
RotaryRotary
Closest Focusing Distance
ⓘ
Minimum distance for a subject to be in focus.
45 cm0150039 cm01500
Maximum Magnification
ⓘ
Largest size a subject can be reproduced
0.24x0.18x
Autofocus Mode YesYes
Manual Mode YesYes
Manual Focusing Ring YesYes
Features78/10052/100
Read the Features Comparison

Features

Only the 24-105mm offers built-in image stabilisation, rated at 5 stops, which helps steady handheld shots of static subjects in low light. The 28-70mm has no built-in stabilisation.

Both lenses are weather sealed and carry a zoom lock that stops the extending barrel creeping in a bag. Both also have fluorine coatings that help repel water and oil for easier cleaning.

Weather Sealing
ⓘ
Weather sealing capabilities will give you more confidence when shooting in unfavourable conditions.
YesYes
Fluorine Coating
ⓘ
Coating to repel water and oil from lens elements.
YesYes
Built In Lens Hood ✗✗
Lens Hood Type PetalPetal
Zoom Lock
ⓘ
Zoom lock allows the zoom ring to be locked at the desired focal length
YesYes
Teleconverter
ⓘ
A teleconverter (extender) is an extra piece of equipment that fits between the lens and the camera body to enhance magnification
✗✗
Image Stabilization ✓✗
IS Efficiency
ⓘ
IS efficiency refers to the effectiveness of the image stabilization system in compensating for the blurring effects of camera shake, quantified by the number of stops of stabilization it provides.
5 stopsN/A
Construction31/10032/100
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Construction

The 28-70mm uses the more elaborate optical formula: 19 elements in 13 groups, with four aspherical elements, two low-dispersion elements including one super-low-dispersion element. The 24-105mm arranges 18 elements in 14 groups with three aspherical and one low-dispersion element.

Those extra specialised elements in the f/2 zoom support its correction across a much wider aperture. Neither lens uses internal focusing, so the front of the barrel moves during focusing on both.

Elements
ⓘ
Lens elements refer to individual pieces of glass within the lens.
1819
Groups 1413
Aspherical Elements
ⓘ
The number of aspherical lens elements which can help correct aberrations such as spherical aberration.
34
Bi Aspherical Elements
ⓘ
Elements with two non-spherical surfaces
00
Low Dispersion
ⓘ
Elements that reduce chromatic aberration
12
Super Low Dispersion
ⓘ
Advanced elements further reducing chromatic aberration
01
CA Reduction
ⓘ
Built-in features to reduce chromatic aberration
00
Internal Focusing
ⓘ
Internal Focusing means that the lens does not change in size during focusing, and the front element does not rotate.
✗✗
Read: Verdict

Verdict

Choose the RF 28-70mm F/2L USM if you shoot weddings, events or portraits in poor light and want to work without flash. Its constant f/2 aperture gathers two stops more light across the focal lengths they share, in exchange for 1430 g and 95mm filters.

Choose the RF 24-105mm F/4L IS USM as your single all-day lens. It covers 24mm through 105mm for landscapes, groups and short telephoto, adds 5 stops of stabilisation for handheld shots, and at roughly half the weight it suits travel far better.

Your comparison

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Shop Canon RF 24-105mm F/4L IS USM

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