Nikon NIKKOR Z 50mm F/1.2 S vs Nikon NIKKOR Z 85mm F/1.2 S — Which Is Better?
Side by side37 specifications |
Nikon · f/1.2 · Nikon Z mount
Nikon NIKKOR Z 50mm F/1.2 S
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SCORE
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Nikon · f/1.2 · Nikon Z mount
Nikon NIKKOR Z 85mm F/1.2 S
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WINNER
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| General | ||
Read the General ComparisonGeneralThe Nikon NIKKOR Z 50mm F/1.2 S from 2020 and the Nikon NIKKOR Z 85mm F/1.2 S from 2023 are both S-Line primes for the Nikon Z mount. They share full-frame coverage and the same premium positioning within the Z system, so the real choice between them is focal length, not format or brand. | ||
| Release Year | 2020 | 2023 |
Production Status ⓘCurrent status of lens manufacturing (e.g., in production, discontinued). |
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Pro Branding ⓘSpecific branding codes used for professional-tier lenses. |
S-Line | S-Line |
Lens Mount ⓘThe lens mount will tell you what type of lens range you can fit onto the camera body. Often the same camera company will have different lens ranges for different cameras. |
Nikon Z | Nikon Z |
System ⓘIndicates which camera system the lens is designed to attach to. |
Nikon Z | Nikon Z |
Maximum Format ⓘLargest sensor size compatible with the lens. |
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| Physical | 100/100 | 100/100 |
Read the Physical ComparisonPhysicalThe 50mm is the lighter and slimmer lens for carrying, at 1090 g and 89.5 mm wide against 1160 g and 102.5 mm for the 85mm. The 85mm is the shorter barrel, at 141.5 mm versus 150 mm, so it sits a little more compactly front to back. Both take front filters and share an 82mm thread, so the same filters fit either lens directly. | ||
| Lens Weight | 1090 g | 1160 g |
Lens Diameter ⓘWidth of the lens at its widest point |
89.5 mm | 102.5 mm |
Lens Length ⓘHow long the lens is from front to back. |
150 mm | 141.5 mm |
Front Filter Compatible ⓘSome lenses are compatible with front filters, some are compatible with back filters and some are compatible with both. Front filters are usually more convenient to add and remove. |
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Front Filter Size ⓘDiameter of attachable filters. |
82 mm | 82 mm |
| Optics | 88/100 | 90/100 |
Read the Optics ComparisonOpticsThe 85mm is the stronger choice for tight head-and-shoulders portraits, because its longer focal length fills the frame from a comfortable working distance and compresses facial features. The 50mm is the better fit for environmental portraits and everyday scenes where you want more surrounding context in the frame. Both share the same f/1.2 maximum aperture, so neither lens is brighter than the other in dim light. For small subjects, the 50mm has the closer minimum focus at 45 cm, against 85 cm on the 85mm. It also offers the higher maximum magnification, at 0.15x versus 0.11x. The 85mm has an 11-blade diaphragm against 9 blades on the 50mm. | ||
Focal Range ⓘShortest to longest focal length of the lens (zoom range start - end ) |
50 mm | 85 mm |
Aperture Range ⓘLargest aperture at the lens's shortest focal length to longest focal length (aperture range start - end) |
1.2 | 1.2 |
| Focal Length Angle of View | 46.8° | 28.56° |
Flange Focal Distance ⓘDistance from lens mount to sensor. |
16 mm | 16 mm |
Diaphragm Type ⓘStructure and design of the aperture |
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Blades ⓘNumber of diaphragm blades in aperture |
9020 | 11020 |
Zoom Lens ⓘZoom allows you to vary the focal length, change between long shots and close-ups |
✗ | ✗ |
Closest Focusing Distance ⓘMinimum distance for a subject to be in focus. |
45 cm01500 | 85 cm01500 |
Maximum Magnification ⓘLargest size a subject can be reproduced |
0.15x | 0.11x |
| Autofocus Mode | ||
| Manual Mode | ||
| Manual Focusing Ring | ||
| Features | 32/100 | 32/100 |
Read the Features ComparisonFeaturesBoth lenses have weather sealing, and both support autofocus with a manual focusing ring for hands-on focusing. Manual focus is available on either lens when you want to focus deliberately. Neither offers image stabilization, a fluorine coating, or teleconverter support. | ||
Weather Sealing ⓘWeather sealing capabilities will give you more confidence when shooting in unfavourable conditions. |
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Fluorine Coating ⓘCoating to repel water and oil from lens elements. |
✗ | ✗ |
| Built In Lens Hood | ✗ | ✗ |
| Lens Hood Type | ||
Teleconverter ⓘA teleconverter (extender) is an extra piece of equipment that fits between the lens and the camera body to enhance magnification |
✗ | ✗ |
| Image Stabilization | ✗ | ✗ |
| Construction | 54/100 | 54/100 |
Read the Construction ComparisonConstructionThe 50mm uses a more complex optical formula of 17 elements in 15 groups, including 3 aspherical elements and 2 low-dispersion elements. The 85mm uses 15 elements in 10 groups with 2 aspherical and 1 low-dispersion element. Both designs include aspherical and low-dispersion glass to correct aberrations at their respective focal lengths. Both lenses use internal focusing, so the barrel does not extend while focus changes. That keeps overall length constant during focusing, which helps when working close to a subject or in tight spaces. | ||
Elements ⓘLens elements refer to individual pieces of glass within the lens. |
17 | 15 |
| Groups | 15 | 10 |
Aspherical Elements ⓘThe number of aspherical lens elements which can help correct aberrations such as spherical aberration. |
3 | 2 |
Bi Aspherical Elements ⓘElements with two non-spherical surfaces |
0 | 0 |
Low Dispersion ⓘElements that reduce chromatic aberration |
2 | 1 |
Super Low Dispersion ⓘAdvanced elements further reducing chromatic aberration |
0 | 0 |
CA Reduction ⓘBuilt-in features to reduce chromatic aberration |
0 | 0 |
Internal Focusing ⓘInternal Focusing means that the lens does not change in size during focusing, and the front element does not rotate. |
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Read: Verdict
Verdict
Choose the Nikon NIKKOR Z 85mm F/1.2 S if you mainly shoot portraits and want flattering compression with tight headshots from a comfortable distance. Choose the Nikon NIKKOR Z 50mm F/1.2 S if your work leans toward environmental portraits, everyday street scenes, or closer detail work, where its 45 cm minimum focus and higher magnification pay off. Both give you the same f/1.2 brightness, weather sealing, and an 82mm filter thread, so the deciding factor is the focal length your shooting actually calls for.

