Olympus PEN E-PM1 vs Panasonic Lumix DMC GH1 — Which Is Better?
Side by side47 specifications |
Olympus · Mirrorless · 12.3 MP · Micro Four Thirds · Full HD video
Olympus PEN E-PM1
42
SCORE
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Panasonic · Mirrorless · 12.1 MP · Micro Four Thirds · Full HD video
Panasonic Lumix DMC GH1
42
SCORE
|
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| General | ||
Read the General ComparisonGeneralThe Olympus PEN E-PM1 and the Panasonic Lumix DMC GH1 are both mirrorless cameras built around Micro Four Thirds, so any Micro 4/3 lens you own fits either body. The GH1 arrived in 2009 as the larger, heavier body at 385 g, with a built-in electronic viewfinder. The 2011 E-PM1 takes the compact PEN route at 265 g and leaves the viewfinder out entirely. | ||
Released ⓘRefers to the year this camera was officially made available for sale. |
2011 | 2009 |
Announcement date ⓘRefers to the date the manufacturer publicly announced the upcoming release and general specs of this camera. |
June 30, 2011 | March 3, 2009 |
| Camera type | ||
| Camera size | 110 x 64 x 34 mm | 124 x 90 x 45 mm |
| Camera weight | 265 g | 385 g |
| Optics | 47/100 | 47/100 |
Read the Optics ComparisonOpticsThe E-PM1 is the better pick for moving subjects, offering 5.5 fps continuous shooting against the GH1's 3 fps, plus 35 autofocus points to the GH1's 23 for wider coverage. It also reaches a native ISO 12800 ceiling, compared with 3200 on the GH1, giving you higher settings to try in dim interiors or evening street scenes. Resolution is a practical match, with 12.3 megapixels on the E-PM1 against 12.1 on the GH1, so both give the same freedom for prints and modest crops. Both use CMOS Micro Four Thirds sensors with in-body stabilisation. The GH1's electronic viewfinder, with 1,440,000 dots, lets you shoot at eye level, an option the screen-only E-PM1 does not offer. | ||
Megapixels ⓘThe higher the number of megapixels, the more detail the cameras sensor can capture. |
12.3 MP050 | 12.1 MP050 |
Image resolution ⓘImage resolution is measured in pixels and megapixels, width by height. The higher the number, the higher its resolution. |
4032 x 3024 | 4000 x 3000 |
Sensor type ⓘThe camera sensor captures light and records the image. Sensors vary in physical size, the number of pixels, and quality. |
CMOS | CMOS |
Sensor size ⓘThe sensor size contributes to the overall quality as well as the dynamic and tonal range a camera can capture. As a rule of thumb, the more surface there is to read the light, the more information it will capture. |
13 x 17.3 | 13 x 17.3 |
Sensor format ⓘRefers to the most commonly used sensor sizes. |
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Continuous shooting ⓘThe number of sequential frames per second the camera can write to the memory card when shooting in burst or continuous mode. |
5.5 fps045 | 3 fps045 |
Lens mount ⓘThe lens mount will tell you what type of lens range you can fit onto the camera body. Often the same camera company will have different lens ranges for different cameras. |
Micro 4/3 | Micro 4/3 |
Image processor ⓘThe image processor in the camera converts the information collected on the sensor for digital storage on the memory card. |
TruePic VI | Venus Engine HD |
Aspect ratio ⓘThe aspect ratio refers to the proportional difference between width and height. The most popular aspect ratios are 3:2 and 4:3. |
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Min ISO ⓘRefers to the lowest native (or 'base') ISO setting. Lower ISO are less sensitive to light but make a cleaner image. |
20030200 | 10030200 |
Max ISO ⓘRefers to the highest native (or 'base') ISO setting. Higher ISO is necessary for low-light situations or night photography, but higher ISOs often introduce grain or noise. |
128003003280000 | 32003003280000 |
Min ISO (expanded) ⓘExpanded (or extended) ISO is a digitally enhanced feature available on some cameras. It allows you to push beyond the native ISO range if necessary. |
20030200 | 10030200 |
Max ISO (expanded) ⓘExpanded (or extended) ISO is a digitally enhanced feature available on some cameras. It allows you to push beyond the native ISO range if necessary. |
128003003280000 | 32003003280000 |
Minimum shutter speed ⓘThe minimum shutter speed will tell you the longest exposure your camera can take without using an external accessory. |
6044080 | 6044080 |
Max shutter speed ⓘThe maximum shutter speed tells you the length inside 1 second the camera will capture. These can sometimes be extended with accessories such as extra external batteries. |
400080032000 | 400080032000 |
Autofocus points ⓘAutofocus points show where the camera is focusing graphically as squares or brackets in Live View or on an electronic viewfinder. These points are also used for light meter readings. |
350300 | 230300 |
In-body stabilisation ⓘIn-body Stabilization means the camera has a certain technology embedded that counteracts camera shake. |
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Viewfinder type ⓘThe viewfinder type is either electronic or optical. Electronic viewfinders will have a small screen in the viewfinder. Optical viewfinders will use prisms and mirrors to look through the lens. |
None | Electronic |
| Viewfinder dots | N/A | 144000009900000 |
| Video | 56/100 | 56/100 |
Read the Video ComparisonVideoBoth top out at Full HD video, with frame rates reaching 60 fps on each for smooth motion playback. The useful difference is file format. The GH1 records both AVCHD and MP4, while the E-PM1 records AVCHD alone, so the GH1 gives you MP4 clips that drop straight into most editing software. | ||
Video ⓘIndicates if this camera is capable of recording video. |
No | |
Max video resolution ⓘThe best resolution this camera can capture video in. Modern cameras can capture up to 8K video. |
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Max video format ⓘVideo resolution measured by the greatest number of pixels possible in each frame, width by height. A higher resolution means more detail or clarity in your video. |
1920 x 1080 | 1920 x 1080 |
Max video frame rate ⓘHow many frames per second your video will capture. Most cameras have options for multiple frame rates, depending on the resolution you shoot in. For a general video, 24p or 30p is the standard, but more serious filmmakers may need a higher frame rate for creative effect. |
60 fps | 60 fps |
Timelapse built in ⓘA built in time-lapse mode will allow continuous shooting throughout a prolonged period of time to be compressed into a sped up video. |
✗ | ✗ |
Video file format ⓘDifferent cameras can record in various video file formats. The File format you record in can impact how you edit and use the files. |
AVCHD | AVCHD MP4 (Audio format AAC 2ch) |
| Features | 36/100 | 36/100 |
Read the Features ComparisonFeaturesThe GH1 is the more self-contained camera for framing and light. Its built-in flash adds fill light, and its flip-out screen handles waist-level or overhead angles that the E-PM1's fixed screen cannot manage. Both accept an external flash, so studio and hotshoe work is open to either body. Their rear displays are otherwise the same 3-inch LCD with 460,000 dots, and both offer live view with no touch input, Wi-Fi or GPS. Neither body is weather sealed, so both deserve care in rain or dust. | ||
Builtin flash ⓘA built-in flash will often be positioned right above the lens. This will automatically pop up when you activate it. |
No | |
External flash ⓘExternal flashes are often connected through a hot shoe at the top of a camera, or a cable at the side of the camera. |
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GPS ⓘGPS features in a camera will include location metadata to each of your photographs. |
✗ | ✗ |
Weather sealing ⓘWeather sealing capabilities will give you more confidence when shooting in unfavourable conditions. |
✗ | ✗ |
| Screen type | LCD | LCD |
Touch screen ⓘTouchscreen allows you to change camera settings and access menus with a swipe of your finger, instead of using buttons. |
✗ | ✗ |
| Screen size | 3" | 3" |
Screen dots ⓘScreen dots indicate the resolution of the LCD screen by including each sub pixel. |
4600001150001500000 | 4600001150001500000 |
Flip screen ⓘA flip screen (or articulating screen) is a second screen which can flip out from the side or top of the camera. This rotating screen allows you more freedom to take photos at different angles. |
No | |
Live view ⓘLive View feature allows you to see a continuous live video of what is being seen through your lens. |
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Wi-Fi ⓘBuilt-in Wi-Fi allows you to connect your camera and share images wirelessly. |
✗ | ✗ |
Bluetooth ⓘBluetooth capabilities allow you wireless control of your camera with other external devices. |
✗ | ✗ |
| Storage & battery | 21/100 | 21/100 |
Read the Storage & battery ComparisonStorage and BatteryStorage favours the E-PM1 for long shooting sessions. It accepts SD, SDHC and SDXC cards, while the GH1 stops at SD and SDHC, so the E-PM1 can use higher-capacity SDXC cards for a full day of shooting. Both rely on a single card slot. Battery ratings are nearly identical, at 330 shots for the E-PM1 and 320 for the GH1 under their respective test conditions, so neither promises an endurance edge. Each uses its own battery pack, the BLS-5 and the DMW-BLB13, and neither charges over USB. | ||
| Memory card | SD / SDHC / SDXC | SD / SDHC |
| Dual memory card slots | ✗ | ✗ |
| Battery type | BLS-5 | DMW-BLB13 |
Battery life ⓘApproximately how long this cameras battery will last measured by how many photographs you will be able to take. |
330 shots1505000 | 320 shots1505000 |
| USB charging | ✗ | ✗ |
Read: Verdict
Verdict
For photographing children, pets or street scenes, take the E-PM1. Its 5.5 fps burst and 35 autofocus points give you better odds on moving subjects than the GH1's 3 fps and 23 points, and it reaches ISO 12800 where the GH1 stops at 3200.
Choose the GH1 when eye-level shooting and framing flexibility matter more, because its 1,440,000-dot electronic viewfinder, flip screen and built-in flash are all things the E-PM1 lacks. Its MP4 recording option also makes it the easier body for quick video clips alongside AVCHD.

