Panasonic Lumix DC-S1R vs Sony a7 III — Which Is Better?
Side by side47 specifications |
Panasonic · Mirrorless · 47.3 MP · Full Frame · 4K video
Panasonic Lumix DC-S1R
83
WINNER
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Sony · Mirrorless · 24.2 MP · Full Frame · 4K video
Sony a7 III
81
SCORE
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| General | ||
Read the General ComparisonGeneralThe Panasonic Lumix DC-S1R and the Sony a7 III are both mirrorless full-frame cameras. The S1R, from 2019, pairs a 47.3-megapixel sensor with a large 1020-gram body. The a7 III, from 2018, is the lighter all-rounder at 24.2 megapixels and 650 grams. Each uses a different native lens system: the S1R takes Leica L mount lenses, while the a7 III takes Sony FE. Lenses stay within their own system, so the lens range you prefer should shape the choice. | ||
Released ⓘRefers to the year this camera was officially made available for sale. |
2019 | 2018 |
Announcement date ⓘRefers to the date the manufacturer publicly announced the upcoming release and general specs of this camera. |
February 1, 2019 | February 27, 2018 |
| Camera type | ||
| Camera size | 149 x 110 x 97 mm | 127 x 96 x 74 mm |
| Camera weight | 1020 g | 650 g |
| Optics | 83/100 | 81/100 |
Read the Optics ComparisonOpticsThe S1R is the stronger choice for heavy cropping and large prints, because its 47.3-megapixel sensor captures far more pixels than the a7 III's 24.2-megapixel sensor. That leaves more room to crop a distant animal and still hold detail in a big print. Its 1/16000 second top shutter speed also allows shorter exposures in bright light than the a7 III's 1/8000 second. The a7 III answers with 693 autofocus points against 225, spreading its focusing coverage across more of the frame for moving subjects, and its standard ISO range reaches 51200 against 25600. They match on in-body stabilisation, so handheld shooting is supported on either body. The S1R's viewfinder is the sharper one for fine framing, with 5,760,000 dots against 2,359,296. | ||
Megapixels ⓘThe higher the number of megapixels, the more detail the cameras sensor can capture. |
47.3 MP050 | 24.2 MP050 |
Image resolution ⓘImage resolution is measured in pixels and megapixels, width by height. The higher the number, the higher its resolution. |
8368 x 5584 | 6000 x 4000 |
Sensor type ⓘThe camera sensor captures light and records the image. Sensors vary in physical size, the number of pixels, and quality. |
CMOS | CMOS |
Sensor size ⓘThe sensor size contributes to the overall quality as well as the dynamic and tonal range a camera can capture. As a rule of thumb, the more surface there is to read the light, the more information it will capture. |
24 x 36 | 23.8 x 35.6 |
Sensor format ⓘRefers to the most commonly used sensor sizes. |
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Continuous shooting ⓘThe number of sequential frames per second the camera can write to the memory card when shooting in burst or continuous mode. |
9 fps045 | 10 fps045 |
Lens mount ⓘThe lens mount will tell you what type of lens range you can fit onto the camera body. Often the same camera company will have different lens ranges for different cameras. |
Leica L | Sony FE |
Image processor ⓘThe image processor in the camera converts the information collected on the sensor for digital storage on the memory card. |
Venus Engine | Bionz X |
Aspect ratio ⓘThe aspect ratio refers to the proportional difference between width and height. The most popular aspect ratios are 3:2 and 4:3. |
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Min ISO ⓘRefers to the lowest native (or 'base') ISO setting. Lower ISO are less sensitive to light but make a cleaner image. |
10030200 | 10030200 |
Max ISO ⓘRefers to the highest native (or 'base') ISO setting. Higher ISO is necessary for low-light situations or night photography, but higher ISOs often introduce grain or noise. |
256003003280000 | 512003003280000 |
Min ISO (expanded) ⓘExpanded (or extended) ISO is a digitally enhanced feature available on some cameras. It allows you to push beyond the native ISO range if necessary. |
5030200 | 5030200 |
Max ISO (expanded) ⓘExpanded (or extended) ISO is a digitally enhanced feature available on some cameras. It allows you to push beyond the native ISO range if necessary. |
512003003280000 | 2048003003280000 |
Minimum shutter speed ⓘThe minimum shutter speed will tell you the longest exposure your camera can take without using an external accessory. |
6044080 | 3044080 |
Max shutter speed ⓘThe maximum shutter speed tells you the length inside 1 second the camera will capture. These can sometimes be extended with accessories such as extra external batteries. |
1600080032000 | 800080032000 |
Autofocus points ⓘAutofocus points show where the camera is focusing graphically as squares or brackets in Live View or on an electronic viewfinder. These points are also used for light meter readings. |
2250300 | 6930300 |
In-body stabilisation ⓘIn-body Stabilization means the camera has a certain technology embedded that counteracts camera shake. |
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Viewfinder type ⓘThe viewfinder type is either electronic or optical. Electronic viewfinders will have a small screen in the viewfinder. Optical viewfinders will use prisms and mirrors to look through the lens. |
Electronic | Electronic |
| Viewfinder dots | 576000009900000 | 235929609900000 |
| Video | 69/100 | 56/100 |
Read the Video ComparisonVideoFor slowing fast action, the S1R is the stronger video choice, with a maximum frame rate of 60 fps against 30 fps on the a7 III. Both cameras cap recording at 4K resolution, so everyday 4K projects work on either body. The S1R writes MP4 files, while the a7 III records XAVC S and AVCHD, so check which fits your editing workflow. Neither has a built-in interval timer, so timelapse work needs an external intervalometer. | ||
Video ⓘIndicates if this camera is capable of recording video. |
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Max video resolution ⓘThe best resolution this camera can capture video in. Modern cameras can capture up to 8K video. |
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Max video format ⓘVideo resolution measured by the greatest number of pixels possible in each frame, width by height. A higher resolution means more detail or clarity in your video. |
3840 x 2160 | 3840 x 2160 |
Max video frame rate ⓘHow many frames per second your video will capture. Most cameras have options for multiple frame rates, depending on the resolution you shoot in. For a general video, 24p or 30p is the standard, but more serious filmmakers may need a higher frame rate for creative effect. |
60 fps | 30 fps |
Timelapse built in ⓘA built in time-lapse mode will allow continuous shooting throughout a prolonged period of time to be compressed into a sped up video. |
✗ | ✗ |
Video file format ⓘDifferent cameras can record in various video file formats. The File format you record in can impact how you edit and use the files. |
MP4 | XAVC S, AVCHD |
| Features | 87/100 | 81/100 |
Read the Features ComparisonFeaturesDamp-condition shooting, wireless transfer and touch control are available on either body, because both offer weather sealing, Wi-Fi, Bluetooth, a touch-enabled flip screen and live view. Neither has a built-in flash or GPS. Playback and focus checks look crisper on the S1R, whose 3.2-inch LCD carries 2,100,000 dots against 921,600 on the a7 III's 3-inch screen. | ||
Builtin flash ⓘA built-in flash will often be positioned right above the lens. This will automatically pop up when you activate it. |
✗ | ✗ |
External flash ⓘExternal flashes are often connected through a hot shoe at the top of a camera, or a cable at the side of the camera. |
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GPS ⓘGPS features in a camera will include location metadata to each of your photographs. |
✗ | ✗ |
Weather sealing ⓘWeather sealing capabilities will give you more confidence when shooting in unfavourable conditions. |
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| Screen type | LCD | LCD |
Touch screen ⓘTouchscreen allows you to change camera settings and access menus with a swipe of your finger, instead of using buttons. |
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| Screen size | 3.2" | 3" |
Screen dots ⓘScreen dots indicate the resolution of the LCD screen by including each sub pixel. |
21000001150001500000 | 9216001150001500000 |
Flip screen ⓘA flip screen (or articulating screen) is a second screen which can flip out from the side or top of the camera. This rotating screen allows you more freedom to take photos at different angles. |
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Live view ⓘLive View feature allows you to see a continuous live video of what is being seen through your lens. |
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Wi-Fi ⓘBuilt-in Wi-Fi allows you to connect your camera and share images wirelessly. |
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Bluetooth ⓘBluetooth capabilities allow you wireless control of your camera with other external devices. |
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| Storage & battery | 68/100 | 81/100 |
Read the Storage & battery ComparisonStorage and BatteryFor long shooting days, the a7 III holds the battery advantage, rated at 750 shots per charge against 360 for the S1R. Both cameras offer dual card slots and USB charging, so two-card storage and cable charging work on either body. The second slot takes different media on each body. The S1R pairs SD cards with Compact Flash, while the a7 III pairs SD with Memory Stick Duo, Pro Duo and Pro-HG Duo. Cards you already own may settle that choice. | ||
| Memory card | SD / SDHC / SDXC, Compact Flash | SD / SDHC / SDXC, Memory Stick Duo / Pro Duo / Pro-HG Duo |
| Dual memory card slots | ||
| Battery type | DMW-BLJ31 | NP-FZ100 |
Battery life ⓘApproximately how long this cameras battery will last measured by how many photographs you will be able to take. |
360 shots1505000 | 750 shots1505000 |
| USB charging | ||
Read: Verdict
Verdict
Choose the Panasonic Lumix DC-S1R if your work is resolution-led. Landscape prints, cropped wildlife frames and studio shots all gain from its 47.3-megapixel sensor, and the sharper viewfinder aids critical framing. The 360-shot rating makes a spare battery worth packing on full days.
Choose the Sony a7 III for a lighter 650-gram travel and event kit. Its 693 autofocus points spread coverage for tracking moving subjects. The 750-shot rating suits long days out, and the FE mount opens Sony's native lens range.

