Panasonic Lumix DC-S5 vs Sony FX3 — Which Is Better?
Side by side47 specifications |
Panasonic · Mirrorless · 24.2 MP · Full Frame · 4K video
Panasonic Lumix DC-S5
79
WINNER
|
Sony · Mirrorless · 12.1 MP · Full Frame · 4K video
Sony FX3
75
SCORE
|
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| General | ||
Read the General ComparisonGeneralThe Panasonic Lumix DC-S5 and the Sony FX3 are both full frame CMOS mirrorless cameras released in 2021, but they suit different shooting styles. The S5 has an electronic viewfinder for eye-level framing. The FX3 has no viewfinder at all, so you frame every shot on its rear screen. The FX3 is the smaller, lighter body at 129.7 x 77.8 x 84.5 mm and 640 g, against 133 x 97 x 82 mm and 714 g for the S5. That makes it the easier camera to balance on a gimbal or fit into a rig. | ||
Released ⓘRefers to the year this camera was officially made available for sale. |
2021 | 2021 |
Announcement date ⓘRefers to the date the manufacturer publicly announced the upcoming release and general specs of this camera. |
February 9, 2021 | February 23, 2021 |
| Camera type | ||
| Camera size | 133 x 97 x 82 mm | 129.7 x 77.8 x 84.5 mm |
| Camera weight | 714 g | 640 g |
| Optics | 78/100 | 71/100 |
Read the Optics ComparisonOpticsThe S5 is the stronger choice for stills you want to crop or print large, with a 24.2 megapixel sensor carrying twice the pixel count of the FX3's 12.1 megapixel chip. That leaves room to reframe a distant bird in editing. The FX3 offers far more autofocus points, 627 against 225, giving you many more selectable focus positions across the frame. Its 10 fps maximum burst rate also beats the S5's 7 fps for catching a brief moment such as a bird taking off. The mounts differ, Leica L on the S5 and Sony E on the FX3, so lenses do not carry between them. Both offer in-body stabilisation for handheld work. | ||
Megapixels ⓘThe higher the number of megapixels, the more detail the cameras sensor can capture. |
24.2 MP050 | 12.1 MP050 |
Image resolution ⓘImage resolution is measured in pixels and megapixels, width by height. The higher the number, the higher its resolution. |
6000 x 4000 | 4240 × 2832 |
Sensor type ⓘThe camera sensor captures light and records the image. Sensors vary in physical size, the number of pixels, and quality. |
CMOS | CMOS |
Sensor size ⓘThe sensor size contributes to the overall quality as well as the dynamic and tonal range a camera can capture. As a rule of thumb, the more surface there is to read the light, the more information it will capture. |
23.8 x 35.6 | 35.6 x 23.8 |
Sensor format ⓘRefers to the most commonly used sensor sizes. |
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Continuous shooting ⓘThe number of sequential frames per second the camera can write to the memory card when shooting in burst or continuous mode. |
7 fps045 | 10 fps045 |
Lens mount ⓘThe lens mount will tell you what type of lens range you can fit onto the camera body. Often the same camera company will have different lens ranges for different cameras. |
Leica L | Sony E |
Image processor ⓘThe image processor in the camera converts the information collected on the sensor for digital storage on the memory card. |
Venus Engine | Bionz XR |
Aspect ratio ⓘThe aspect ratio refers to the proportional difference between width and height. The most popular aspect ratios are 3:2 and 4:3. |
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Min ISO ⓘRefers to the lowest native (or 'base') ISO setting. Lower ISO are less sensitive to light but make a cleaner image. |
10030200 | 8030200 |
Max ISO ⓘRefers to the highest native (or 'base') ISO setting. Higher ISO is necessary for low-light situations or night photography, but higher ISOs often introduce grain or noise. |
512003003280000 | 1024003003280000 |
Min ISO (expanded) ⓘExpanded (or extended) ISO is a digitally enhanced feature available on some cameras. It allows you to push beyond the native ISO range if necessary. |
5030200 | 4030200 |
Max ISO (expanded) ⓘExpanded (or extended) ISO is a digitally enhanced feature available on some cameras. It allows you to push beyond the native ISO range if necessary. |
2048003003280000 | 4096003003280000 |
Minimum shutter speed ⓘThe minimum shutter speed will tell you the longest exposure your camera can take without using an external accessory. |
6044080 | 3044080 |
Max shutter speed ⓘThe maximum shutter speed tells you the length inside 1 second the camera will capture. These can sometimes be extended with accessories such as extra external batteries. |
800080032000 | 800080032000 |
Autofocus points ⓘAutofocus points show where the camera is focusing graphically as squares or brackets in Live View or on an electronic viewfinder. These points are also used for light meter readings. |
2250300 | 6270300 |
In-body stabilisation ⓘIn-body Stabilization means the camera has a certain technology embedded that counteracts camera shake. |
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Viewfinder type ⓘThe viewfinder type is either electronic or optical. Electronic viewfinders will have a small screen in the viewfinder. Optical viewfinders will use prisms and mirrors to look through the lens. |
Electronic | None |
| Viewfinder dots | 236000009900000 | N/A |
| Video | 83/100 | 91/100 |
Read the Video ComparisonVideoFor slow motion, the FX3 is the clear choice, with a 120 fps maximum frame rate against 60 fps on the S5. Fast action such as a skate trick or a breaking wave can be slowed further in the edit before motion turns choppy. Both cameras cap video recording at 4K, so neither gives you extra resolution headroom. The FX3 also records in more file formats, including XAVC S, XAVC HS and XAVC S-1, while the S5 offers MP4 and MOV. That gives editors more choices when setting up a project. Both include a built-in timelapse function for interval work. | ||
Video ⓘIndicates if this camera is capable of recording video. |
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Max video resolution ⓘThe best resolution this camera can capture video in. Modern cameras can capture up to 8K video. |
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Max video format ⓘVideo resolution measured by the greatest number of pixels possible in each frame, width by height. A higher resolution means more detail or clarity in your video. |
3840 x 2160 | 3840 x 2160 |
Max video frame rate ⓘHow many frames per second your video will capture. Most cameras have options for multiple frame rates, depending on the resolution you shoot in. For a general video, 24p or 30p is the standard, but more serious filmmakers may need a higher frame rate for creative effect. |
60 fps | 120 fps |
Timelapse built in ⓘA built in time-lapse mode will allow continuous shooting throughout a prolonged period of time to be compressed into a sped up video. |
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Video file format ⓘDifferent cameras can record in various video file formats. The File format you record in can impact how you edit and use the files. |
MP4, MOV | MPEG-4, MOV, XAVC S, XAVC HS, XAVC S-1 |
| Features | 85/100 | 83/100 |
Read the Features ComparisonFeaturesThe S5's rear screen shows more detail when you check focus or review a take, resolving 1,840,000 dots against 1,440,000 on the FX3. That screen matters more on the FX3, which has no viewfinder and frames every shot on it. Both have a 3-inch touch screen that flips out for overhead and low-angle shots, weather sealing, and Wi-Fi alongside Bluetooth. Neither has GPS or a built-in flash, though both accept an external flash. | ||
Builtin flash ⓘA built-in flash will often be positioned right above the lens. This will automatically pop up when you activate it. |
✗ | ✗ |
External flash ⓘExternal flashes are often connected through a hot shoe at the top of a camera, or a cable at the side of the camera. |
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GPS ⓘGPS features in a camera will include location metadata to each of your photographs. |
✗ | ✗ |
Weather sealing ⓘWeather sealing capabilities will give you more confidence when shooting in unfavourable conditions. |
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| Screen type | TFT LCD | TFT LCD |
Touch screen ⓘTouchscreen allows you to change camera settings and access menus with a swipe of your finger, instead of using buttons. |
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| Screen size | 3" | 3" |
Screen dots ⓘScreen dots indicate the resolution of the LCD screen by including each sub pixel. |
18400001150001500000 | 14400001150001500000 |
Flip screen ⓘA flip screen (or articulating screen) is a second screen which can flip out from the side or top of the camera. This rotating screen allows you more freedom to take photos at different angles. |
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Live view ⓘLive View feature allows you to see a continuous live video of what is being seen through your lens. |
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Wi-Fi ⓘBuilt-in Wi-Fi allows you to connect your camera and share images wirelessly. |
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Bluetooth ⓘBluetooth capabilities allow you wireless control of your camera with other external devices. |
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| Storage & battery | 71/100 | 76/100 |
Read the Storage & battery ComparisonStorage and BatteryThe FX3 has the higher rated battery life, 600 shots against 440 for the S5. That 160-shot rated difference favours the FX3 for long days of recording. For cards, the FX3 accepts SD UHS-II and CFexpress Type A media, while the S5 uses SD UHS-II cards. Both have dual card slots and USB charging. | ||
| Memory card | SD / SDHC / SDXC (UHS-II compatible) | SD / SDHC / SDXC (UHS-II compatible), CFexpress Type A |
| Dual memory card slots | ||
| Battery type | DMW-BLK22 | NP-FZ100 |
Battery life ⓘApproximately how long this cameras battery will last measured by how many photographs you will be able to take. |
440 shots1505000 | 600 shots1505000 |
| USB charging | ||
Read: Verdict
Verdict
Buy the S5 if stills come first. Its 24.2 megapixel sensor leaves room to crop a wildlife frame or print a landscape large, and its electronic viewfinder supports eye-level work the FX3 cannot offer.
Buy the FX3 if video leads your projects, because 120 fps slow motion, the broader format set and the higher rated battery life suit gimbal and run-and-gun filmmaking. Plan around the lens mount as well, since Leica L and Sony E are separate systems.

