Side-by-side specs, scores and live prices. Start over
 52
SCORE
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✓ WINNER
 61
SCORE
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| General | ||
| Brand | Panasonic | Sony |
| Model | Lumix DMC-G7 | a6300 |
Released ⓘRefers to the year this camera was officially made available for sale. |
2015 | 2016 |
Announcement date ⓘRefers to the date the manufacturer publicly announced the upcoming release and general specs of this camera. |
18/05/2015 | 03/02/2016 |
| Camera type | Mirrorless | Mirrorless |
| Camera size | 125 x 86 x 77 mm | 120 x 67 x 49 mm |
| Camera weight | 410 g | 404 g |
| Optics | ||
Megapixels ⓘThe higher the number of megapixels, the more detail the cameras sensor can capture. |
16 MP050 | 24.2 MP050 |
Image resolution ⓘImage resolution is measured in pixels and megapixels, width by height. The higher the number, the higher its resolution. |
4592 x 3448 | 6000 x 4000 |
Sensor type ⓘThe camera sensor captures light and records the image. Sensors vary in physical size, the number of pixels, and quality. |
CMOS | CMOS |
Sensor size ⓘThe sensor size contributes to the overall quality as well as the dynamic and tonal range a camera can capture. As a rule of thumb, the more surface there is to read the light, the more information it will capture. |
17.3 x 13 | 15.6 x 23.5 |
Sensor format ⓘRefers to the most commonly used sensor sizes. |
Micro Four Thirds | APS-C |
Continuous shooting ⓘThe number of sequential frames per second the camera can write to the memory card when shooting in burst or continuous mode. |
7 fps045 | 11 fps045 |
Lens mount ⓘThe lens mount will tell you what type of lens range you can fit onto the camera body. Often the same camera company will have different lens ranges for different cameras. |
Micro 4/3 | Sony E |
Image processor ⓘThe image processor in the camera converts the information collected on the sensor for digital storage on the memory card. |
Unspecified | Bionz X |
Aspect ratio ⓘThe aspect ratio refers to the proportional difference between width and height. The most popular aspect ratios are 3:2 and 4:3. |
4:3 | 3:2 |
Min ISO ⓘRefers to the lowest native (or 'base') ISO setting. Lower ISO are less sensitive to light but make a cleaner image. |
20030200 | 10030200 |
Max ISO ⓘRefers to the highest native (or 'base') ISO setting. Higher ISO is necessary for low-light situations or night photography, but higher ISOs often introduce grain or noise. |
256003003280000 | 256003003280000 |
Min ISO (expanded) ⓘExpanded (or extended) ISO is a digitally enhanced feature available on some cameras. It allows you to push beyond the native ISO range if necessary. |
10030200 | 10030200 |
Max ISO (expanded) ⓘExpanded (or extended) ISO is a digitally enhanced feature available on some cameras. It allows you to push beyond the native ISO range if necessary. |
256003003280000 | 512003003280000 |
Minimum shutter speed ⓘThe minimum shutter speed will tell you the longest exposure your camera can take without using an external accessory. |
6044080 | 3044080 |
Max shutter speed ⓘThe maximum shutter speed tells you the length inside 1 second the camera will capture. These can sometimes be extended with accessories such as extra external batteries. |
400080032000 | 400080032000 |
Autofocus points ⓘAutofocus points show where the camera is focusing graphically as squares or brackets in Live View or on an electronic viewfinder. These points are also used for light meter readings. |
490300 | 4250300 |
In-body stabilisation ⓘIn-body Stabilization means the camera has a certain technology embedded that counteracts camera shake. |
✗ | ✗ |
Viewfinder type ⓘThe viewfinder type is either electronic or optical. Electronic viewfinders will have a small screen in the viewfinder. Optical viewfinders will use prisms and mirrors to look through the lens. |
Electronic | Electronic |
| Viewfinder dots | 236000009900000 | 235929609900000 |
| Video | ||
Video ⓘIndicates if this camera is capable of recording video. |
✓ | ✓ |
Max video resolution ⓘThe best resolution this camera can capture video in. Modern cameras can capture up to 8K video. |
4K | 4K |
Max video format ⓘVideo resolution measured by the greatest number of pixels possible in each frame, width by height. A higher resolution means more detail or clarity in your video. |
3840 x 2160 | 3840 x 2160 |
Max video frame rate ⓘHow many frames per second your video will capture. Most cameras have options for multiple frame rates, depending on the resolution you shoot in. For a general video, 24p or 30p is the standard, but more serious filmmakers may need a higher frame rate for creative effect. |
60 fps | 120 fps |
Timelapse built in ⓘA built in time-lapse mode will allow continuous shooting throughout a prolonged period of time to be compressed into a sped up video. |
✓ | ✓ |
Video file format ⓘDifferent cameras can record in various video file formats. The File format you record in can impact how you edit and use the files. |
MPEG-4, MOV | MPEG-4, XAVC S, AVCHD Ver. 2.0, H.264 |
| Features | ||
Builtin flash ⓘA built-in flash will often be positioned right above the lens. This will automatically pop up when you activate it. |
✓ | ✓ |
External flash ⓘExternal flashes are often connected through a hot shoe at the top of a camera, or a cable at the side of the camera. |
✓ | ✓ |
GPS ⓘGPS features in a camera will include location metadata to each of your photographs. |
✗ | ✗ |
Weather sealing ⓘWeather sealing capabilities will give you more confidence when shooting in unfavourable conditions. |
✗ | ✓ |
| Screen type | LCD | LCD |
Touch screen ⓘTouchscreen allows you to change camera settings and access menus with a swipe of your finger, instead of using buttons. |
✓ | ✗ |
| Screen size | 3" | 3" |
Screen dots ⓘScreen dots indicate the resolution of the LCD screen by including each sub pixel. |
23600001150001500000 | 9216001150001500000 |
Flip screen ⓘA flip screen (or articulating screen) is a second screen which can flip out from the side or top of the camera. This rotating screen allows you more freedom to take photos at different angles. |
✓ | ✓ |
Live view ⓘLive View feature allows you to see a continuous live video of what is being seen through your lens. |
✓ | ✓ |
Wi-Fi ⓘBuilt-in Wi-Fi allows you to connect your camera and share images wirelessly. |
✓ | ✓ |
Bluetooth ⓘBluetooth capabilities allow you wireless control of your camera with other external devices. |
✗ | ✗ |
| Storage & battery | ||
| Memory card | SD / SDHC / SDXC | SD / SDHC / SDXC |
| Dual memory card slots | ✗ | ✗ |
| Battery type | DMW-BLC12E | NP-FW50 |
Battery life ⓘApproximately how long this cameras battery will last measured by how many photographs you will be able to take. |
350 shots1505000 | 400 shots1505000 |
| USB charging | ✓ | ✗ |
The Sony a6300 comes out as the winner with a score of 61/100, while the Panasonic Lumix DMC-G7 trails behind with a score of 52/100. Both cameras share similarities, being mirrorless and having similar weights—410g for the G7 and 404g for the a6300. The G7 was announced in 2015 and had a launch price of $799, while the a6300 was announced in 2016 with a launch price of $1000.
The Sony a6300 is superior due to its higher score, indicating better overall performance. However, the Panasonic Lumix DMC-G7 has its advantages, such as a lower price and slightly larger size, which might suit those who prefer a more substantial grip.
Considering the points mentioned, the Sony a6300 is a better camera with improved performance, but the Panasonic Lumix DMC-G7 remains a viable option for those on a budget or seeking a larger camera body.
The Sony a6300 emerges as the winner in video capabilities, with a score of 91/100, outperforming the Panasonic Lumix DMC-G7, which scores 83/100. Both cameras share common specifications, such as 4K max video resolution, 3840 x 2160 max video dimensions, and built-in time-lapse functionality. However, there are significant differences that set them apart.
The Sony a6300 surpasses the Panasonic Lumix DMC-G7 with a remarkable max video frame rate of 120fps, doubling the G7’s 60fps. This higher frame rate provides smoother and more detailed slow-motion video, making the a6300 a superior choice for videographers seeking advanced video quality.
On the other hand, the Panasonic Lumix DMC-G7 still offers a solid video performance with its 60fps max video frame rate, satisfying the needs of most casual users and enthusiasts. While it is outperformed by the Sony a6300, the G7 remains a respectable choice for video capture, especially considering its lower price point.
Taking these factors into account, the Sony a6300 is the clear choice for videographers who prioritize top-notch video quality and smooth slow-motion capabilities. However, the Panasonic Lumix DMC-G7 should not be dismissed, as it still delivers satisfactory video performance for casual users and those on a tighter budget. Ultimately, the decision lies in the hands of the individual, weighing the importance of advanced video features against cost considerations.
The Panasonic Lumix DMC-G7 wins in the feature comparison with a score of 58/100, while the Sony a6300 scores 54/100. Both cameras share some common specifications, such as a 3-inch screen size, the absence of GPS, and the presence of WiFi connectivity. Neither camera has Bluetooth capabilities.
The Lumix G7 outperforms the a6300 in some key aspects. It boasts a higher screen resolution of 2,360,000 dots, compared to the a6300’s 921,600 dots. This difference provides the G7 with a clearer and more detailed display for better image review and composition. Moreover, the G7 has a touchscreen, which allows for more intuitive and efficient control of the camera settings and focus points. This feature is absent in the a6300.
On the other hand, the a6300 does not have any significant advantages over the G7 in terms of features. Both cameras have flip screens, but the presence of a touchscreen in the G7 makes it a more versatile option. The lack of GPS and Bluetooth in both cameras does not give the a6300 any edge over the G7.
Based on this comparison, the Panasonic Lumix DMC-G7 is the better camera in terms of features. Its higher screen resolution and touchscreen capabilities give it an advantage over the Sony a6300. While the a6300 does not have any standout features to surpass the G7, it remains a competent camera with a solid feature set. However, for users seeking a more advanced and user-friendly experience, the Lumix G7 is the clear choice.
The Panasonic Lumix DMC-G7 triumphs over the Sony a6300 in storage and battery with a score of 35 out of 100, while the Sony a6300 scores 24. Both cameras share the same specifications in terms of memory card slots and accepted memory cards. They each have one memory card slot and accept SD, SDHC, and SDXC cards.
The Lumix DMC-G7 has a slight edge due to its USB charging capability, which the Sony a6300 lacks. This feature allows for more convenient charging options for the Panasonic camera. However, the Sony a6300 does provide a longer battery life with 400 shots compared to the Lumix DMC-G7’s 350 shots. This means that the Sony camera can capture more images before needing a battery replacement or recharge.
Despite the longer battery life of the Sony a6300, the Panasonic Lumix DMC-G7’s USB charging feature and overall higher score make it a superior choice in terms of storage and battery.
Are you still undecided about which camera is right for you? Have a look at these popular comparisons that feature the Panasonic Lumix DMC-G7 or the Sony a6300:
