CameraReview

Nikon NIKKOR Z 50mm F/1.2 S vs Nikon NIKKOR Z 50mm F/1.8 S — Which Is Better?

Nikon NIKKOR Z 50mm F/1.2 S versus Nikon NIKKOR Z 50mm F/1.8 S
Side by side38 specifications
Nikon · f/1.2 · Nikon Z mount Nikon NIKKOR Z 50mm F/1.2 S
76
WINNER
Nikon · f/1.8 · Nikon Z mount Nikon NIKKOR Z 50mm F/1.8 S
72
SCORE
Nikon NIKKOR Z 50mm F/1.2 S
Nikon NIKKOR Z 50mm F/1.8 S
General
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General

The Nikon NIKKOR Z 50mm F/1.2 S and the Nikon NIKKOR Z 50mm F/1.8 S are both S-Line prime lenses for Nikon Z full-frame cameras, so either one suits the same Z bodies. The F/1.8 S arrived in 2018, and the F/1.2 S followed in 2020.

Release Year 20202018
Production Status
ⓘ
Current status of lens manufacturing (e.g., in production, discontinued).
In ProductionIn Production
Version
ⓘ
The iteration or release number of a particular lens model.
N/AI
Pro Branding
ⓘ
Specific branding codes used for professional-tier lenses.
S-LineS-Line
Lens Mount
ⓘ
The lens mount will tell you what type of lens range you can fit onto the camera body. Often the same camera company will have different lens ranges for different cameras.
Nikon ZNikon Z
System
ⓘ
Indicates which camera system the lens is designed to attach to.
Nikon ZNikon Z
Maximum Format
ⓘ
Largest sensor size compatible with the lens.
Full FrameFull Frame
Physical100/100100/100
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Physical

The F/1.8 S is the clear choice for carrying light, weighing 415 g against 1090 g for the F/1.2 S, roughly 38 percent of its sibling's weight. It is also far more compact at 86.5 mm long and 76 mm across, versus 150 mm and 89.5 mm, so it keeps a walkaround kit much smaller.

Both take front filters, but the direct-fit threads differ at 62 mm on the F/1.8 S and 82 mm on the F/1.2 S. Filters you already own fit only one of the two directly.

Lens Weight 1090 g415 g
Lens Diameter
ⓘ
Width of the lens at its widest point
89.5 mm76 mm
Lens Length
ⓘ
How long the lens is from front to back.
150 mm86.5 mm
Front Filter Compatible
ⓘ
Some lenses are compatible with front filters, some are compatible with back filters and some are compatible with both. Front filters are usually more convenient to add and remove.
YesYes
Front Filter Size
ⓘ
Diameter of attachable filters.
82 mm62 mm
Optics88/10085/100
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Optics

The F/1.2 S is the stronger choice for very shallow depth of field and low light, opening to f/1.2 while the F/1.8 S stops at f/1.8. That extra width lets you keep a dim reception or candlelit portrait session at lower ISO and isolate a subject with a visibly thinner plane of focus.

Beyond the aperture, the two match on framing. Both are 50mm primes with 0.15x maximum magnification, and both pair autofocus with a manual focusing ring. The F/1.8 S focuses slightly closer, at 40 cm versus 45 cm, useful for tabletop detail.

Focal Range
ⓘ
Shortest to longest focal length of the lens (zoom range start - end )
50 mm50 mm
Aperture Range
ⓘ
Largest aperture at the lens's shortest focal length to longest focal length (aperture range start - end)
1.21.8
Focal Length Angle of View 46.8°46.8°
Flange Focal Distance
ⓘ
Distance from lens mount to sensor.
16 mm16 mm
Diaphragm Type
ⓘ
Structure and design of the aperture
AutomaticAutomatic
Blades
ⓘ
Number of diaphragm blades in aperture
90209020
Zoom Lens
ⓘ
Zoom allows you to vary the focal length, change between long shots and close-ups
✗✗
Closest Focusing Distance
ⓘ
Minimum distance for a subject to be in focus.
45 cm0150040 cm01500
Maximum Magnification
ⓘ
Largest size a subject can be reproduced
0.15x0.15x
Autofocus Mode YesYes
Manual Mode YesYes
Manual Focusing Ring YesYes
Features32/10032/100
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Features

Both lenses are weather-sealed for outdoor shoots in dusty or damp conditions. Neither offers in-lens stabilization, so handheld shake control must come from the camera body.

Neither prime supports teleconverters, and neither has a fluorine coating, so cleaning both relies on standard lens care.

Weather Sealing
ⓘ
Weather sealing capabilities will give you more confidence when shooting in unfavourable conditions.
YesYes
Fluorine Coating
ⓘ
Coating to repel water and oil from lens elements.
✗✗
Built In Lens Hood ✗✗
Lens Hood Type PetalPetal
Teleconverter
ⓘ
A teleconverter (extender) is an extra piece of equipment that fits between the lens and the camera body to enhance magnification
✗✗
Image Stabilization ✗✗
Construction54/10031/100
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Construction

The F/1.2 S carries the more elaborate optical design with 17 elements in 15 groups, including three aspherical elements, compared with 12 elements in 9 groups and two asphericals on the F/1.8 S. Both designs use the same count of two low-dispersion elements to control colour fringing.

The F/1.2 S has internal focusing, so the barrel does not extend while you rack focus, which helps when working close to a subject. The F/1.8 S focuses conventionally.

Elements
ⓘ
Lens elements refer to individual pieces of glass within the lens.
1712
Groups 159
Aspherical Elements
ⓘ
The number of aspherical lens elements which can help correct aberrations such as spherical aberration.
32
Bi Aspherical Elements
ⓘ
Elements with two non-spherical surfaces
00
Low Dispersion
ⓘ
Elements that reduce chromatic aberration
22
Super Low Dispersion
ⓘ
Advanced elements further reducing chromatic aberration
00
CA Reduction
ⓘ
Built-in features to reduce chromatic aberration
00
Internal Focusing
ⓘ
Internal Focusing means that the lens does not change in size during focusing, and the front element does not rotate.
YesNo
Read: Verdict

Verdict

Choose the F/1.2 S for low-light weddings, theatre and portraits, where f/1.2 delivers light-gathering and a much thinner plane of focus than the F/1.8 S allows.

Choose the F/1.8 S for travel, street and everyday 50mm work, where its lighter, more compact build matters more than the extra aperture width. You mainly give up the f/1.2 look, not the shared weather sealing or the shared 0.15x magnification.

Your comparison

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