

Sigma 20-200mm F3.5-6.3 DG Contemporary versus Panasonic Lumix S 28-200mm f/4-7.1 Macro O.I.S.
28–200 mm vs 20–200 mm · f/4 vs f/3.5 · Adds lens stabilization
Sigma · 20–200 mm · f/3.5–6.3 · Contemporary

This lens score is calculated from published specifications.
General | |
|---|---|
About This LensThis Sigma Contemporary zoom covers 20–200mm on full-frame Sony E and L-Mount cameras. Separate versions fit each mount. The range suits travel and everyday shooting where you move between wide scenes, people and distant details. Sigma introduced it in 2025. The main trade-off is light gathering. The maximum aperture narrows as you zoom in, and there is no built-in stabilization. Bright conditions make handheld action easier. A camera with body stabilization can help with camera shake for still scenes. One lens can reduce changes during a walk or a day out. The range is useful when a scene changes quickly, though you still need to choose a viewpoint that shows the subject clearly. | |
| Brand | Sigma |
| Release Year | 2025 |
Production Status ⓘCurrent status of lens manufacturing (e.g., in production, discontinued). | |
Pro Branding ⓘSpecific branding codes used for professional-tier lenses. | Contemporary |
Lens Mount ⓘThe lens mount will tell you what type of lens range you can fit onto the camera body. Often the same camera company will have different lens ranges for different cameras. | Leica L |
System ⓘIndicates which camera system the lens is designed to attach to. | Leica L |
Maximum Format ⓘLargest sensor size compatible with the lens. | |
Physical93/100 | |
About the BuildThe Sony E version weighs 1 lb 3 oz (540 g) and measures 4.63 in (117.5 mm) long and 3.04 in (77.2 mm) across. The L-Mount version is slightly shorter and heavier. Both use a 72mm front thread, so screw-in filters must match that size. | |
| Lens Weight | 550 g |
Lens Diameter ⓘWidth of the lens at its widest point | 77.2 mm |
Lens Length ⓘHow long the lens is from front to back. | 115.5 mm |
Front Filter Compatible ⓘSome lenses are compatible with front filters, some are compatible with back filters and some are compatible with both. Front filters are usually more convenient to add and remove. | |
Front Filter Size ⓘDiameter of attachable filters. | 72 mm |
Optics59/100 | |
About the OpticsAt 20mm, you can include a broad interior or a landscape with foreground detail. The middle settings suit people and street scenes. At 200mm, distant subjects become larger from the same position. The amount of a room or landscape that fits still depends on where you stand. The maximum aperture changes from f/3.5 at 20mm to f/6.3 at 200mm. In shade or late-afternoon light, you may need a higher ISO to maintain enough shutter speed. At the long end, a nearby subject can still have a soft background when the background is far behind it. Closest focus is 0.5 ft (16.5 cm) at 28mm, measured from the sensor. The minimum distance is longer at either end of the zoom. Maximum magnification reaches 0.5x from 28mm to 85mm. These close-up abilities apply to both mounts. Leave room ahead of the glass and avoid shading the subject. At 0.5x magnification, depth of field becomes thin. Focus on the detail that matters most, then stop down if more of the object needs to stay clear. A steady subject and firm support make precise close work easier. | |
Focal Range ⓘShortest to longest focal length of the lens (zoom range start - end ) | 20–200 mm |
Aperture Range ⓘLargest aperture at the lens's shortest focal length to longest focal length (aperture range start - end) | 3.5–6.3 |
| Focal Length Angle of View | 94.5°–12.3° |
Flange Focal Distance ⓘDistance from lens mount to sensor. | 20 mm |
Diaphragm Type ⓘStructure and design of the aperture | |
Blades ⓘNumber of diaphragm blades in aperture | 9020 |
Zoom Lens ⓘZoom allows you to vary the focal length, change between long shots and close-ups | |
Zoom Mechanism ⓘSystem enabling zoom function | |
Zoom Ring ⓘIf zooming is adjusted using a zoom ring | |
Zoom Type ⓘThe design or approach to zooming | |
Closest Focusing Distance ⓘMinimum distance for a subject to be in focus. | 16.5 cm01500 |
Maximum Magnification ⓘLargest size a subject can be reproduced | 0.5x |
| Autofocus Mode | |
| Manual Mode | |
| Manual Focusing Ring | |
Features52/100 | |
About the FeaturesThere is no stabilization in the lens. At 200mm, use enough shutter speed to control camera shake or add firm support. Body stabilization can help with still subjects on cameras that have it. A moving subject still needs enough shutter speed for its own movement. Dust and splash resistance help outdoors. Use cover in persistent rain. Both versions have a water- and oil-repellent front coating to make spots and fingerprints easier to clean. The zoom lock holds the lens at its retracted 20mm setting. It helps prevent the barrel extending under its own weight while carrying it. | |
Weather Sealing ⓘWeather sealing capabilities will give you more confidence when shooting in unfavourable conditions. | |
Fluorine Coating ⓘCoating to repel water and oil from lens elements. | No |
| Built In Lens Hood | No |
| Lens Hood Type | |
Zoom Lock ⓘZoom lock allows the zoom ring to be locked at the desired focal length | |
Teleconverter ⓘA teleconverter (extender) is an extra piece of equipment that fits between the lens and the camera body to enhance magnification | No |
| Image Stabilization | No |
Construction85/100 | |
About the ConstructionThe design has four aspherical elements, all double-sided. Each has an aspherical surface on both sides. Their shaped surfaces help correct distortion and spherical aberration. One FLD and three SLD elements help reduce coloured fringes at high-contrast edges, such as dark branches against bright sky. | |
Elements ⓘLens elements refer to individual pieces of glass within the lens. | 18 |
| Groups | 14 |
Aspherical Elements ⓘThe number of aspherical lens elements which can help correct aberrations such as spherical aberration. | 4 |
Bi Aspherical Elements ⓘElements with two non-spherical surfaces | 4 |
Low Dispersion ⓘElements that reduce chromatic aberration | 3 |
Super Low Dispersion ⓘAdvanced elements further reducing chromatic aberration | 0 |
CA Reduction ⓘBuilt-in features to reduce chromatic aberration | 0 |
Internal Focusing ⓘInternal Focusing means that the lens does not change in size during focusing, and the front element does not rotate. | |


28–200 mm vs 20–200 mm · f/4 vs f/3.5 · Adds lens stabilization