Viltrox AF 14mm F4.0 Air
Viltrox · 14 mm · f/4 · Air

Score Breakdown
Scores combine our editorial testing with published lab data.
General | |
|---|---|
About This LensThe Viltrox AF 14mm F4.0 Air is an ultra-wide prime for full-frame cameras. Mount versions include Sony E and Nikon Z, so choose the one made for your system. First introduced in 2025, the design suits architecture, interiors, narrow streets and landscapes where a wide view is useful. The f/4 maximum aperture is the main trade-off to consider in dim light. There is no stabilisation inside the lens. Check whether your camera body, shutter speed and support suit the scenes you plan to photograph, especially when people or plants may move during an exposure. | |
| Brand | Viltrox |
| Release Year | 2025 |
Production Status ⓘCurrent status of lens manufacturing (e.g., in production, discontinued). | |
Pro Branding ⓘSpecific branding codes used for professional-tier lenses. | Air |
Lens Mount ⓘThe lens mount will tell you what type of lens range you can fit onto the camera body. Often the same camera company will have different lens ranges for different cameras. | Sony E |
System ⓘIndicates which camera system the lens is designed to attach to. | Sony E |
Maximum Format ⓘLargest sensor size compatible with the lens. | |
Physical64/100 | |
About the BuildThe Sony E version weighs 6 oz (170 g) and measures 2.56 in (65 mm) across by 2.22 in (56.4 mm) long. Other mounts differ, so check the figures for your version. The front thread takes 58mm screw-in filters, so match any filter you buy to that size. | |
| Lens Weight | 170 g |
Lens Diameter ⓘWidth of the lens at its widest point | 65 mm |
Lens Length ⓘHow long the lens is from front to back. | 56.4 mm |
Front Filter Compatible ⓘSome lenses are compatible with front filters, some are compatible with back filters and some are compatible with both. Front filters are usually more convenient to add and remove. | |
Front Filter Size ⓘDiameter of attachable filters. | 58 mm |
Optics67/100 | |
About the OpticsAt 14mm, the lens takes in a wide part of a scene. This can help in small rooms or narrow streets where you cannot step back. How much fits still depends on your position. Moving close to a rock or gatepost makes it larger relative to the background. Check the frame edges for distractions. The f/4 maximum aperture determines the widest opening available. In a dim interior or evening street, check the shutter speed and ISO required. Depth of field also depends on focus distance. A near foreground and distant buildings may need a smaller aperture to appear sharp together. Choose the focus position deliberately and inspect both near and distant details in a test frame. Closest focus is 0.4 ft (13 cm), measured from the sensor. Maximum magnification is 0.23x. This range can help place a flower or small detail in the foreground. The clearance ahead of the lens is shorter than the focus distance, so allow room for lighting and avoid shading the subject. | |
Focal Range ⓘShortest to longest focal length of the lens (zoom range start - end ) | 14 mm |
Aperture Range ⓘLargest aperture at the lens's shortest focal length to longest focal length (aperture range start - end) | 4 |
| Focal Length Angle of View | 112.6° |
Flange Focal Distance ⓘDistance from lens mount to sensor. | 18 mm |
Diaphragm Type ⓘStructure and design of the aperture | |
Blades ⓘNumber of diaphragm blades in aperture | 7020 |
Zoom Lens ⓘZoom allows you to vary the focal length, change between long shots and close-ups | No |
Closest Focusing Distance ⓘMinimum distance for a subject to be in focus. | 13 cm01500 |
Maximum Magnification ⓘLargest size a subject can be reproduced | 0.23x |
| Autofocus Mode | |
| Manual Mode | |
| Manual Focusing Ring | |
Features52/100 | |
About the FeaturesThere is no image stabilisation in this lens. Steadiness must come from a support, or from stabilisation if your camera body offers it. A tripod or monopod steadies the camera during long exposures, but it will not freeze a moving subject. Waves and passing people still blur at slow shutter speeds. The Sony E and Nikon Z bodies are designed to resist dust and moisture. Their front coating helps water and dirt release during cleaning. Use cover in persistent rain, remove loose grit before wiping the glass, and dry the exterior before storage. | |
Weather Sealing ⓘWeather sealing capabilities will give you more confidence when shooting in unfavourable conditions. | |
Fluorine Coating ⓘCoating to repel water and oil from lens elements. | |
| Built In Lens Hood | No |
| Lens Hood Type | |
Teleconverter ⓘA teleconverter (extender) is an extra piece of equipment that fits between the lens and the camera body to enhance magnification | No |
| Image Stabilization | No |
Construction69/100 | |
About the ConstructionThe formula uses two aspherical elements, which help correct distortion and spherical aberration. Distortion can curve straight lines in a wide view, so that correction matters for architecture. Four low-dispersion elements help reduce chromatic aberration, the coloured fringing that can appear along high-contrast edges such as a bright sky against a building. Focusing is internal, so the barrel keeps a fixed length while you focus. | |
Elements ⓘLens elements refer to individual pieces of glass within the lens. | 12 |
| Groups | 9 |
Aspherical Elements ⓘThe number of aspherical lens elements which can help correct aberrations such as spherical aberration. | 2 |
Bi Aspherical Elements ⓘElements with two non-spherical surfaces | 0 |
Low Dispersion ⓘElements that reduce chromatic aberration | 4 |
Super Low Dispersion ⓘAdvanced elements further reducing chromatic aberration | 0 |
CA Reduction ⓘBuilt-in features to reduce chromatic aberration | 2 |
Internal Focusing ⓘInternal Focusing means that the lens does not change in size during focusing, and the front element does not rotate. | |