Canon RF 24-105mm F/4L IS USM
Canon · 24–105 mm · f/4 · L · Image Stabilization

Score Breakdown
Scores combine our editorial testing with published lab data.
General | |
|---|---|
About This LensThis Canon zoom covers 24–105mm for full-frame RF-mount cameras. It suits travel, events and everyday photography. One lens can include a room at 24mm, then give a portrait subject more of the frame at 105mm. Canon introduced it in 2018. The broad everyday range can reduce lens changes during a shoot. The main trade-off is aperture: f/4 remains available through the zoom, but gives less light than a larger opening. Built-in stabilization helps with camera shake when photographing still scenes. | |
| Brand | Canon |
| Release Year | 2018 |
Production Status ⓘCurrent status of lens manufacturing (e.g., in production, discontinued). | |
Version ⓘThe iteration or release number of a particular lens model. | I |
Pro Branding ⓘSpecific branding codes used for professional-tier lenses. | L |
Lens Mount ⓘThe lens mount will tell you what type of lens range you can fit onto the camera body. Often the same camera company will have different lens ranges for different cameras. | Canon RF |
System ⓘIndicates which camera system the lens is designed to attach to. | Canon EOS R |
Maximum Format ⓘLargest sensor size compatible with the lens. | |
Physical100/100 | |
About the BuildThe lens weighs 1 lb 8.7 oz (700 g) and measures 4.22 in (107.3 mm) long and 3.29 in (83.5 mm) wide. That makes it a mid-size standard zoom for a full-frame body. The front takes 77mm screw-in filters, so a polariser for landscape work is easy to add. | |
| Lens Weight | 700 g |
Lens Diameter ⓘWidth of the lens at its widest point | 83.5 mm |
Lens Length ⓘHow long the lens is from front to back. | 107.3 mm |
Front Filter Compatible ⓘSome lenses are compatible with front filters, some are compatible with back filters and some are compatible with both. Front filters are usually more convenient to add and remove. | |
Front Filter Size ⓘDiameter of attachable filters. | 77 mm |
Optics71/100 | |
About the OpticsThe 24–105mm range frames most everyday subjects without lens changes. At 24mm you can take in interiors, architecture and group shots. At 105mm the lens makes the subject larger for portraits and details. Event and travel photographers work this way, reacting to scenes rather than swapping lenses. The f/4 maximum aperture stays available as you zoom. You can keep that opening through a framing change, though a different part of the scene may need a different exposure. Indoors, f/4 can require a higher ISO to maintain enough shutter speed, especially when people move. Closest focus is 1.5 ft (45 cm), measured from the sensor. That suits food and tabletop details. Maximum magnification reaches 0.24x at 105mm. The front glass sits closer to the subject than the sensor does. Leave space and avoid casting a shadow on the detail you want to show. At 105mm, f/4 can soften a background behind a nearby portrait subject. More space between the person and background strengthens the effect. Stop down when the setting matters too. At close distances, check that enough of the face or object remains sharp. | |
Focal Range ⓘShortest to longest focal length of the lens (zoom range start - end ) | 24–105 mm |
Aperture Range ⓘLargest aperture at the lens's shortest focal length to longest focal length (aperture range start - end) | 4 |
| Focal Length Angle of View | 84.07°–23.29° |
Flange Focal Distance ⓘDistance from lens mount to sensor. | 20 mm |
Diaphragm Type ⓘStructure and design of the aperture | |
Blades ⓘNumber of diaphragm blades in aperture | 9020 |
Zoom Lens ⓘZoom allows you to vary the focal length, change between long shots and close-ups | |
Zoom Mechanism ⓘSystem enabling zoom function | |
Zoom Ring ⓘIf zooming is adjusted using a zoom ring | |
Zoom Type ⓘThe design or approach to zooming | |
Closest Focusing Distance ⓘMinimum distance for a subject to be in focus. | 45 cm01500 |
Maximum Magnification ⓘLargest size a subject can be reproduced | 0.24x |
| Autofocus Mode | |
| Manual Mode | |
| Manual Focusing Ring | |
Features78/100 | |
About the FeaturesThe optical stabilizer provides five stops of camera-shake correction. It helps with still subjects by a window or outdoors at dusk, where a slower shutter speed may be useful. A moving person still needs enough shutter speed for their movement. Weather sealing helps resist dust and moisture outdoors. Use cover in persistent rain. Fluorine coating makes water and oily marks easier to wipe away, which helps during field cleaning after changing locations. The zoom lock secures the barrel at its retracted 24mm position for carrying. It helps prevent extension while the lens hangs from a strap. Release the lock before changing focal length. | |
Weather Sealing ⓘWeather sealing capabilities will give you more confidence when shooting in unfavourable conditions. | |
Fluorine Coating ⓘCoating to repel water and oil from lens elements. | |
| Built In Lens Hood | No |
| Lens Hood Type | |
Zoom Lock ⓘZoom lock allows the zoom ring to be locked at the desired focal length | |
Teleconverter ⓘA teleconverter (extender) is an extra piece of equipment that fits between the lens and the camera body to enhance magnification | No |
| Image Stabilization | Yes |
IS Efficiency ⓘIS efficiency refers to the effectiveness of the image stabilization system in compensating for the blurring effects of camera shake, quantified by the number of stops of stabilization it provides. | 5 stops |
Construction31/100 | |
About the ConstructionThe design uses 18 elements in 14 groups. Three aspherical elements help correct distortion and spherical aberration, which can bend straight lines or soften detail. One UD element helps reduce coloured fringes at high-contrast edges, such as backlit branches or a bright window beside a dark wall. | |
Elements ⓘLens elements refer to individual pieces of glass within the lens. | 18 |
| Groups | 14 |
Aspherical Elements ⓘThe number of aspherical lens elements which can help correct aberrations such as spherical aberration. | 3 |
Bi Aspherical Elements ⓘElements with two non-spherical surfaces | 0 |
Low Dispersion ⓘElements that reduce chromatic aberration | 1 |
Super Low Dispersion ⓘAdvanced elements further reducing chromatic aberration | 0 |
CA Reduction ⓘBuilt-in features to reduce chromatic aberration | 0 |
Internal Focusing ⓘInternal Focusing means that the lens does not change in size during focusing, and the front element does not rotate. | No |