Side-by-side specs, scores and live prices. Start over
| General | ||
| Brand | Sony | Sony |
| Model | a7 III | a7C |
Released ⓘRefers to the year this camera was officially made available for sale. |
2018 | 2020 |
Announcement date ⓘRefers to the date the manufacturer publicly announced the upcoming release and general specs of this camera. |
27/02/2018 | 01/11/2020 |
| Camera type | Mirrorless | Mirrorless |
| Camera size | 127 x 96 x 74 mm | 124 x 71 x 60 mm |
| Camera weight | 650 g | 509 g |
| Optics | ||
Megapixels ⓘThe higher the number of megapixels, the more detail the cameras sensor can capture. |
24.2 MP050 | 24.2 MP050 |
Image resolution ⓘImage resolution is measured in pixels and megapixels, width by height. The higher the number, the higher its resolution. |
6000 x 4000 | 6000 x 4000 |
Sensor type ⓘThe camera sensor captures light and records the image. Sensors vary in physical size, the number of pixels, and quality. |
CMOS | CMOS |
Sensor size ⓘThe sensor size contributes to the overall quality as well as the dynamic and tonal range a camera can capture. As a rule of thumb, the more surface there is to read the light, the more information it will capture. |
23.8 x 35.6 | 23.8 x 35.6 |
Sensor format ⓘRefers to the most commonly used sensor sizes. |
Full Frame | Full Frame |
Continuous shooting ⓘThe number of sequential frames per second the camera can write to the memory card when shooting in burst or continuous mode. |
10 fps045 | 10 fps045 |
Lens mount ⓘThe lens mount will tell you what type of lens range you can fit onto the camera body. Often the same camera company will have different lens ranges for different cameras. |
Sony FE | Sony FE |
Image processor ⓘThe image processor in the camera converts the information collected on the sensor for digital storage on the memory card. |
Bionz X | Bionz X |
Aspect ratio ⓘThe aspect ratio refers to the proportional difference between width and height. The most popular aspect ratios are 3:2 and 4:3. |
3:2 | 3:2 |
Min ISO ⓘRefers to the lowest native (or 'base') ISO setting. Lower ISO are less sensitive to light but make a cleaner image. |
10030200 | 10030200 |
Max ISO ⓘRefers to the highest native (or 'base') ISO setting. Higher ISO is necessary for low-light situations or night photography, but higher ISOs often introduce grain or noise. |
512003003280000 | 512003003280000 |
Min ISO (expanded) ⓘExpanded (or extended) ISO is a digitally enhanced feature available on some cameras. It allows you to push beyond the native ISO range if necessary. |
5030200 | 5030200 |
Max ISO (expanded) ⓘExpanded (or extended) ISO is a digitally enhanced feature available on some cameras. It allows you to push beyond the native ISO range if necessary. |
2048003003280000 | 2048003003280000 |
Minimum shutter speed ⓘThe minimum shutter speed will tell you the longest exposure your camera can take without using an external accessory. |
3044080 | 3044080 |
Max shutter speed ⓘThe maximum shutter speed tells you the length inside 1 second the camera will capture. These can sometimes be extended with accessories such as extra external batteries. |
800080032000 | 400080032000 |
Autofocus points ⓘAutofocus points show where the camera is focusing graphically as squares or brackets in Live View or on an electronic viewfinder. These points are also used for light meter readings. |
6930300 | 6930300 |
In-body stabilisation ⓘIn-body Stabilization means the camera has a certain technology embedded that counteracts camera shake. |
✓ | ✓ |
Viewfinder type ⓘThe viewfinder type is either electronic or optical. Electronic viewfinders will have a small screen in the viewfinder. Optical viewfinders will use prisms and mirrors to look through the lens. |
Electronic | Electronic |
| Viewfinder dots | 235929609900000 | 236000009900000 |
| Video | ||
Video ⓘIndicates if this camera is capable of recording video. |
✓ | ✓ |
Max video resolution ⓘThe best resolution this camera can capture video in. Modern cameras can capture up to 8K video. |
4K | 4K |
Max video format ⓘVideo resolution measured by the greatest number of pixels possible in each frame, width by height. A higher resolution means more detail or clarity in your video. |
3840 x 2160 | 3840 x 2160 |
Max video frame rate ⓘHow many frames per second your video will capture. Most cameras have options for multiple frame rates, depending on the resolution you shoot in. For a general video, 24p or 30p is the standard, but more serious filmmakers may need a higher frame rate for creative effect. |
30 fps | 30 fps |
Timelapse built in ⓘA built in time-lapse mode will allow continuous shooting throughout a prolonged period of time to be compressed into a sped up video. |
✗ | ✓ |
Video file format ⓘDifferent cameras can record in various video file formats. The File format you record in can impact how you edit and use the files. |
XAVC S, AVCHD | XAVC S |
| Features | ||
Builtin flash ⓘA built-in flash will often be positioned right above the lens. This will automatically pop up when you activate it. |
✗ | ✗ |
External flash ⓘExternal flashes are often connected through a hot shoe at the top of a camera, or a cable at the side of the camera. |
✓ | ✓ |
GPS ⓘGPS features in a camera will include location metadata to each of your photographs. |
✗ | ✗ |
Weather sealing ⓘWeather sealing capabilities will give you more confidence when shooting in unfavourable conditions. |
✓ | ✓ |
| Screen type | LCD | LCD |
Touch screen ⓘTouchscreen allows you to change camera settings and access menus with a swipe of your finger, instead of using buttons. |
✓ | ✓ |
| Screen size | 3" | 3" |
Screen dots ⓘScreen dots indicate the resolution of the LCD screen by including each sub pixel. |
9216001150001500000 | 9216001150001500000 |
Flip screen ⓘA flip screen (or articulating screen) is a second screen which can flip out from the side or top of the camera. This rotating screen allows you more freedom to take photos at different angles. |
✓ | ✓ |
Live view ⓘLive View feature allows you to see a continuous live video of what is being seen through your lens. |
✓ | ✓ |
Wi-Fi ⓘBuilt-in Wi-Fi allows you to connect your camera and share images wirelessly. |
✓ | ✓ |
Bluetooth ⓘBluetooth capabilities allow you wireless control of your camera with other external devices. |
✓ | ✓ |
| Storage & battery | ||
| Memory card | SD / SDHC / SDXC, Memory Stick Duo / Pro Duo / Pro-HG Duo | SD / SDHC / SDXC (UHS-II compatible) |
| Dual memory card slots | ✓ | ✗ |
| Battery type | NP-FZ100 | NP-FZ100 |
Battery life ⓘApproximately how long this cameras battery will last measured by how many photographs you will be able to take. |
750 shots1505000 | 740 shots1505000 |
| USB charging | ✓ | ✓ |
These entry-level mirrorless cameras are part of Sony’s Alpha series. They have the same full-frame sensor and offer similar performance. That means a Sony a7III vs a7C comparison must concentrate on the big difference in body and ergonomics.
The older Sony a7 III scores higher on specs, but it isn’t a huge difference.
The a7 III looks like a DSLR camera. But the Sony a7C has a rangefinder layout. It looks more like one of Sony’s APS-C format cameras.
Neither body is better or worse than the other in principle. It’s usually just a matter of personal preference. Street or travel photographers might prefer the more compact Sony a7C. Others might prefer the Sony a7 III.
The rangefinder design of the Sony a7C means the viewfinder is a little smaller. It also has a slower maximum mechanical shutter speed, poorer performance at high ISOs, and only one storage slot.
However, the Sony a7C has higher frame rates, a bigger buffer, and gyroscopic stabilization. It’s also lighter.
And the a7C offers unlimited video recording, longer battery life, and lower minimum focus sensitivity. That means the autofocus works in darker conditions.

The Sony a7C isn’t quite pocket-sized. But the flat-topped rangefinder layout makes it smaller and lighter than the Sony a7 III. It a7C looks like a lot of compact cameras.
The viewfinder resolution is the same on both cameras. However, the Sony a7C’s smaller viewfinder and rectangular shape make it harder to handle with long telephoto lenses.
If you prefer shooting in Live View, the Sony a7C’s vari-angle screen is much more flexible. You can use it to shoot in portrait and landscape formats. You can twist it around to face up or down. And you can even swing it out to the side and rotate it 180° for selfies and vlogging.
The Sony a7 III’s tilting screen has the same number of dots and offers the same screen size. However, it can only be tilted to help while shooting in landscape format.
The Sony a7C’s aperture and shutter speed dials are on the back of the camera. But they’re on the front and back of the Sony a7 III. It might seem like a small thing. But it means you can change your exposure settings with your thumb and forefinger without altering your grip. That gives the a7 III a big speed advantage.

The two cameras have the same Backside Illuminated Exmor R CMOS sensor and Bionz X processing engine. That means there should be no difference in image quality when using the same lenses. However, the DXOMARK sensor scores rate the Sony a7 III slightly better in low-light situations.
Both cameras have the same 5-axis sensor-shift IBIS (in-body image stabilization) system. So they offer the same five-stop improvement in image stabilization.
They also have the same number of phase-detection and contrast-detection focus points, covering 93% of the frame. However, the Sony a7C’s AF system’s sensitivity in low light is one stop better.
Both also offer these features:
But the a7C also incorporates Sony’s latest AI-powered subject recognition system. This offers better AF tracking—especially when your subject’s eyes are temporarily hidden.
You may want to save money by buying a “starter kit” or “kit lens” bundled with either camera. You have several options. B&H offers the following lenses with the Sony a7C and a7 III:
These lenses all have shorter focal lengths. They’re general-purpose lenses for everyday shooting.
The 20 mm and 50 mm have a “fast” maximum aperture of f/1.8. It’s ideal for working in low light or creating a shallow depth of field. The other lenses start at f/4, which is not too bad. But you’d probably be happier with f/2.8.
All the lenses are fairly light, compact, and portable. And one or two of them, such as the 20 mm, are equipped with a Dual XD Linear Motor system and internal focusing. That makes the autofocus system quick, quiet, and accurate.
Both cameras offer 4K Ultra HD (3840 x 2160) footage up to 30p. This uses 2.4x oversampling (without pixel binning) to add color depth and dynamic range.
Alternatively, you can shoot in Full HD up to 120p / 100p (NTSC/PAL) for slow-motion playback. Both cameras also offer flat S-Log2 and S-Log3 formats for color grading.
They both feature a Hybrid Log-Gamma (HLG) picture profile. This allows direct playback to HDR (HLG) TVs. They also both provide the following:
The Sony a7 III can record in AVCHD format. However, the Sony a7C’s gyroscopic stabilization and unlimited recording are better for video.
Neither has a built-in flash. But the two models share a long list of other features:
As you can see below, they share many convenient specs. Notable ones are touch screen capability, weather sealing, and Blue Tooth connectivity.
The battery and memory card setups are almost similar. The Sony a7C has only one SD memory card slot. But it can take either UHS-I or UHS-II cards.
The Sony a7 III has dual card slots. One is for UHS-I, and the other is for UHS-II cards. You can use these two slots in a variety of ways:
SD memory cards are gradually being replaced by XQD cards and CFexpress Type A and B cards on high-end cameras. However, they’re still cheap and popular enough to survive for a while longer. We have a guide to memory card types you may want to check out for more information.
Both cameras take the Sony NP-FZ100 rechargeable battery. The battery life is similar, but the a7C gets 130 more frames from a single charge.
Overall, there are only a few differences in our comparison of Sony a7III vs a7c:
The performance of these two full frame mirrorless cameras is very similar. It’s best to approach your choice between them based on your photography style and preferences.
If you’re a street or travel photographer and prefer stealth, portability, and convenience, then go for the Sony a7C. This compact full frame camera is also good for videographers.
Otherwise, you might prefer the bigger viewfinder and more traditional ergonomics of the Sony a7 III. That’s especially true if you’re used to using a DSLR with telephoto lenses.
I should point out that the upgraded Sony a7 IV came out in October 2021. It’s more expensive. But it improves the Sony a7 III’s features across the board, particularly in video capability.
The a7 IV boasts gyroscopic stabilization, unlimited video recording, and three more video formats.
You also get several other upgrades:
If you’re still unsure, get inspired with some of our other popular comparisons: