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11 Best Cameras for Safari (with Lens Recommendations) 2024

The best cameras for safari are all-round Sony, Nikon, and Canon mirrorless ones… The first time I went to Africa, I had a Sony bridge camera. It had a huge zoom range but a tiny sensor. But I wouldn’t recommend that to anyone as a safari camera! It served its purpose in getting me back into wildlife photography.

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When DSLR cameras started to become popular, mirrorless was just getting going. Electronic viewfinders (EVFs) often suffered from lag and low resolution. But those problems were solved. The best mirrorless camera offers blackout-free, silent shooting and a real-time WYSIWYG viewfinder. And that makes it much easier to adjust your camera settings in difficult light.

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Sony a1
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The basic mirrorless design makes camera bodies and lenses much smaller and lighter. They offer better autofocus systems, frame rates, shutter speeds, and video capabilities. Last year, I traded in all my Nikon camera equipment for two Sony mirrorless a1s. And I’d never go back to a DSLR camera now…

Picture of a little bee-eater
Little bee-eater taken with a Sony a1. © Nick Dale

What is the Best Safari Camera to Buy?

Are you gearing up to take a safari photography trip? Here’s a quick roundup of the best cameras for an African safari.

11 Best Safari Cameras to Buy (in Detail!)

Now let’s take a more detailed look so you can find the best camera for an African safari.

Sony a1

Sony a1
Resolution
50.1 MP
Sensor
Full Frame
Video
8K
Weight
737 g

Highlights

  • Large sensor captures tons of detail
  • High frame rate of 30 fps
  • Eye tracking (human, animal, and bird)
  • Easy customization
  • Silent shooting for quiet situations
  • Incredible 8K/30p Ultra HD video

Trade-Offs

  • Expensive
  • Highest frame rates only for JPEG, HEIF, and lossy compressed RAW files
  • Eye tracking only selected manually
  • Small rear LCD screen
  • No GPS

Nikon Z9

Nikon Z9
Resolution
46 MP
Sensor
Full Frame
Video
8K
Weight
1340 g

Highlights

  • Ultra-fast image processor
  • High, 120 fps compressed frame rate
  • No visible rolling shutter
  • Excellent battery life
  • 8K/60p Ultra HD video
  • Unlimited low-resolution recording

Trade-Offs

  • Only 11 MP files at the highest frame
  • You can only shoot RAW files at 20 fps
  • Tracking can fail with erratic movement
  • IBIS not as good as Canon R3
  • Autofocus isn't as good for video
  • The screen doesn't fully articulate

Canon EOS R5 C

Canon EOS R5 C
Resolution
45 MP
Sensor
Full Frame
Video
8K
Weight
770 g

Highlights

  • The photo/video switch allows you to easily switch between shooting modes
  • 5-axis In-camera image stabilization
  • Compact and lightweight
  • Unlimited video recording due to built-in fan preventing overheating
  • Reduced video sizes with Cinema RAW Light modes

Trade-Offs

  • Expensive
  • Limited native lens compatibility
  • Continuous AF only covers 80% of the image sensor in video mode
  • Bigger than the original EOS R5
  • Must use an external battery source for the fastest shooting speeds

Canon EOS R3

Canon EOS R3
Resolution
24 MP
Sensor
Full Frame
Video
6K
Weight
1015 g

Highlights

  • A high frame rate of 30 fps
  • Less noise with BSI stacked sensor
  • 8 stops of image stabilization
  • 6K / 60p RAW video
  • 620-shot battery life

Trade-Offs

  • Relatively expensive
  • Low-resolution for some photographers
  • No 8K video
  • Slowed frame rate with an SD card or low battery

Sony a7R V

Sony a7R V
Resolution
61 MP
Sensor
Full Frame
Video
8K
Weight
723 g

Highlights

  • High-resolution sensor
  • Automatic bird or animal eye detection
  • Autofocus can track cars, trains, airplanes, and insects
  • Big, bright, clear, and sharp electronic viewfinder
  • 3.2-inch tilt, flip LCD screen

Trade-Offs

  • Slow frame rate of only 10 fps
  • Focus stacking can't be done in-camera
  • No in-camera RAW processing
  • May be unbalanced with a big lens
  • Rolling shutter effect with 8K video

Sony a9 II

Sony a9 II
Resolution
24.2 MP
Sensor
Full Frame
Video
4K
Weight
678 g

Trade-Offs

  • No in-camera RAW image processing
  • Confusing menus
  • Battery performance isn't great
  • No S-Log video
  • Subpar video quality compared to new full-frame cameras

Sony a7 IV

Sony a7 IV
Resolution
33 MP
Sensor
Full Frame
Video
4K
Weight
659 g

Trade-Offs

  • More expensive than the Sony a7 III
  • 6 fps with 14-bit lossless compressed or uncompressed RAW files
  • Significant distortion with moving subjects using a silent shutter
  • Occasional issues with rolling shutter
  • Requires a fast memory card

Nikon Z7 II

Nikon Z7 II
Resolution
45.75 MP
Sensor
Full Frame
Video
4K
Weight
705 g

Trade-Offs

  • Disappointing battery life of 420 shots
  • Tilt screen has limited flexibility
  • Limited lens range
  • Slow frame rate of 10 fps in continuous shooting speed

Nikon Z6 II

Nikon Z6 II
Resolution
24.5 MP
Sensor
Full Frame
Video
4K
Weight
705 g

Trade-Offs

  • Autofocus can be slow
  • Relatively short battery life
  • Lower MP count than main competitors
  • Needs more customizable buttons

Canon EOS R6

Canon EOS R6
Resolution
20.1 MP
Sensor
Full Frame
Video
4K
Weight
680 g

Trade-Offs

  • Low megapixel count compared to closest competitors
  • Interface is challenging to navigate
  • EVF drains the battery
  • Camera heats up shooting 4K / 60 fps

Olympus OM-D E-M1X

Olympus OM-D E-M1X
Resolution
20 MP
Sensor
Micro Four Thirds
Video
4K
Weight
997 g

Trade-Offs

  • Expensive
  • Sensor doesn't match up to many close competitors
  • Electronic shutter might lead to rolling shutter effects and banding
  • Large, heavy, hard to handle body
  • Motion artifacts with Cinema 4K at 24p

Best Lenses for Safari by Brand

Here are our lens recommendations for the Sony, Nikon, Canon, and Olympus lenses we have listed. Mix and match to meet your wants and needs.

Best Sony Lenses for Safari Photography

Sony has been making full frame mirrorless lenses since 2013. And it gives third-party brands access to its E-mount specs. That means there’s a wide range of native options available.

My “go-to” lenses are Sony’s FE 400mm f/2.8 GM and the FE 600mm f/4 GM prime lenses. They both have wide max apertures for good bokeh and excellent low-light capability. I usually go on game drives with those two fitted to my cameras.

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Sony FE 400mm F/2.8 GM OSS SEL400F28GM
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But there are times when you need a wide-angle lens. An example is photographing elephants from close range. I just came back from Botswana. And I definitely needed my FE 24-70mm f/2.8 GM II and FE 70-200mm f/2.8 ED GM OSS zoom lenses for the Chobe riverboat rides.

Best Nikon Lenses for Safari Photography

Nikon has fewer mirrorless lenses than Sony. But Nikon’s Z 400mm f/2.8 TC VR S and the new Nikon Z 600mm f/4 TC VR S match the Sony versions’ max aperture and come with built-in 1.4x teleconverters. They’re also light enough that you don’t need a tripod. (My old 800mm was a real beast. And it was impossible to handhold for more than a few seconds!)

Nikon NIKKOR Z 24-120mm F/4 S

Nikon NIKKOR Z 24-120mm F/4 S

For constant wide aperture, close-focusing and edge-to-edge sharpness

Nikon’s Z 100-400mm f/4.5-5.6 VR S closely matches my old 80-400mm. And that makes it a good companion for a 600mm or 800mm lens.

But if you’re looking for a shorter focal length with macro-style capability, there’s Nikon’s Z 24-120mm f/4 zoom lens. Or there are various S-line f/1.8 primes from 20 to 35mm.

Best Canon Lenses for Safari Photography

Canon has a huge range of lenses. But they’re playing catch-up with Sony in terms of native mirrorless lenses.

The Canon EF 100-400mm f/4.5-5.6L IS II USM is a flexible zoom lens. And there are RF-mount versions of its 400, 600, 800, and 1200mm lenses. Canon recently brought out two affordable 600mm and 800mm f/11 lenses. These use diffractive optics.

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Canon EF 100-400mm F/4.5-5.6L IS II USM
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Canon’s professional range is the L-series. With the RF mount, you can get several wide-angle zoom lenses in that range. This includes the RF 15-35mm f/2.8L IS USM and the RF 24-70mm f/2.8L IS USM.

USM stands for UltraSonic Motor. And Nano USM lenses are faster, quieter, and smoother than plain USM or Stepping Motor (STM) lenses.

Best Olympus Lenses for Safari Photography

Olympus makes many camera lenses. And you won’t go far wrong with something in their PRO series. These include the following:

Olympus ED 7-14mm f/2.8 PRO

Olympus ED 7-14mm f/2.8 PRO

A lightweight, fast lens. It delivers great contrast and sharpness.

But third-party manufacturers also offer compatible lenses. Panasonic has teamed up with Leica to produce various lenses. These include the following Micro Four Thirds lenses:

Note that the crop factor of Micro Four Thirds cameras is 2.0x. So the focal length has to be doubled to match the equivalent on a full frame camera.

Our Verdict

Whether you prefer full frame, APS-C, or Micro Four Thirds… the best cameras for safari these days are generally mirrorless. If you have the budget, the Sony a1, Nikon Z9, and Canon R5 offer unbeatable specs. They have high resolution, fast frame rates, and deep buffers. The AI-assisted autofocus lets you choose a focus point right across the frame. Or you can lock onto your subject’s eye without even being told what to do! That’s something even the best DSLR cameras will never manage.

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Further down our list, there are plenty of other options from the big three camera brands. And Olympus has also carved out a nice niche in Micro Four Thirds cameras. And they’re packed with handy features.

FAQs for Safari Cameras and Lenses

Here are some of the more common questions about cameras and lenses for safaris.

What Type of Camera is Best for Safari?

There are the key specs for the best safari camera. They include resolution, frame rate, buffer size, autofocus, and low-light performance. There are often trade-offs, especially between resolution and frame rate. But modern mirrorless cameras such as the Sony a1 have begun to offer everything you need—at a price!

Are Mirrorless Cameras Good for Safari?

Yes. A mirrorless camera offers a higher frame rate and max shutter speed than a DSLR camera. And they have deeper buffers and better autofocus performance. That includes eye detection for animals, birds, and even insects! The camera body and lenses also tend to be smaller and lighter. This is a real benefit given the 15 kg weight limit for many local flights in Africa.

Picture of a chacma baboon
Chacma baboon shot with a Sony a1. © Nick Dale

What is the Best Way to Take a Picture on Safari?

Get down to eye level. But that’s a bit difficult if you’re sitting in a jeep! Also, go on game drives at sunrise and sunset for the warmest light at “golden hour.” I use Manual mode with Auto ISO and shoot wide open for camera settings. My shutter is normally 1/1000 s for animals and 1/3200 s for birds… unless I’m planning on a “trick shot” such as a slow pan.

Is a GoPro good for a Safari?

A GoPro camera is excellent for video. But it’s designed for adventure sports rather than wildlife. A GoPro can take still photos. But it doesn’t give you many setting controls. And the fixed lens can only take wide-angle shots. That might work if you get up close and personal with an elephant. But it won’t generally be suitable for small or distant animals and birds.

Is a SmartPhone Good to Have on Safari?

Yes. Many devices, including smartphones, are featuring new technology. So even my iPhone can manage 4K video these days. And it’s often said that the best camera is the one you have with you. So it’s always in my pocket! But you’ll probably want a different main safari camera than a GoPro or smartphone.

Still not sure which safari camera to buy? Check out our posts on the best camera for bird photography or outdoor photography cameras next!

Written by Nick Dale for CameraReview. Updated January 2024.
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