Sigma 24mm F/2 DG DN | C
Sigma · 24 mm · f/2 · Contemporary

Score Breakdown
Scores combine our editorial testing with published lab data.
General | |
|---|---|
About This LensThis Sigma 24mm f/2 prime serves full-frame mirrorless cameras in Leica L and Sony E mounts, so choose the version made for your system. It arrived in 2021 and remains in production. A 24mm wide angle suits street photography, architecture, interiors and travel. It frames a broad scene without forcing you far back, which helps in narrow streets and small rooms. The f/2 maximum aperture adds low-light reach for evening work. The trade-off is the fixed focal length. You reframe by moving, and distant subjects stay small. In return you get a compact, light lens that can stay on the camera all day. | |
| Brand | Sigma |
| Release Year | 2021 |
Production Status ⓘCurrent status of lens manufacturing (e.g., in production, discontinued). | |
Pro Branding ⓘSpecific branding codes used for professional-tier lenses. | Contemporary |
Lens Mount ⓘThe lens mount will tell you what type of lens range you can fit onto the camera body. Often the same camera company will have different lens ranges for different cameras. | Leica L |
System ⓘIndicates which camera system the lens is designed to attach to. | Leica L |
Maximum Format ⓘLargest sensor size compatible with the lens. | |
Physical93/100 | |
About the BuildThe Leica L version weighs 12.9 oz (365 g); the Sony E figure may differ. The body measures 2.76 in (70 mm) across and 2.83 in (72 mm) long, so it suits compact mirrorless bodies. Screw-in filters must match the 62mm thread. | |
| Lens Weight | 365 g |
Lens Diameter ⓘWidth of the lens at its widest point | 70 mm |
Lens Length ⓘHow long the lens is from front to back. | 72 mm |
Front Filter Compatible ⓘSome lenses are compatible with front filters, some are compatible with back filters and some are compatible with both. Front filters are usually more convenient to add and remove. | |
Front Filter Size ⓘDiameter of attachable filters. | 62 mm |
Optics82/100 | |
About the OpticsAt 24mm the lens takes in a broad view. That helps where you cannot step back: tight interiors, narrow streets and crowded markets. Architecture and travel work benefit too, since one frame can hold a whole facade or street corner. The f/2 maximum aperture gathers light quickly. You can hand-hold in dim restaurants and evening streets, and keep ISO lower than a smaller aperture would demand. Wide open, a near subject gains some separation from its background, which helps it stand out against a busy street. A 24mm lens keeps generous depth of field even at f/2. Backgrounds remain recognisable rather than dissolving, which suits environmental portraits and reportage where context matters. Strong subject isolation belongs to longer lenses. Focusing reaches 0.8 ft (24.5 cm) from the subject. That lets you move in on a still object, such as a plate of food or a bunch of flowers, and fill the frame. Nine aperture blades keep the opening round when stopped down, smoothing out-of-focus points of light from evening lamps and window glow. | |
Focal Range ⓘShortest to longest focal length of the lens (zoom range start - end ) | 24 mm |
Aperture Range ⓘLargest aperture at the lens's shortest focal length to longest focal length (aperture range start - end) | 2 |
| Focal Length Angle of View | 84.06668552322992° |
Flange Focal Distance ⓘDistance from lens mount to sensor. | 20 mm |
Diaphragm Type ⓘStructure and design of the aperture | |
Blades ⓘNumber of diaphragm blades in aperture | 9020 |
Zoom Lens ⓘZoom allows you to vary the focal length, change between long shots and close-ups | No |
Closest Focusing Distance ⓘMinimum distance for a subject to be in focus. | 24.5 cm01500 |
Maximum Magnification ⓘLargest size a subject can be reproduced | 0.15x |
| Autofocus Mode | |
| Manual Mode | |
| Manual Focusing Ring | |
Features32/100 | |
About the FeaturesThe lens is weather sealed, so light rain and dust need not end a street session or travel day. That makes it easier to keep working through changeable weather on foot. There is no built-in stabilisation. The wide 24mm view lets you hand-hold at slower shutter speeds than a telephoto allows. That helps in fading light, though very dim interiors still call for a higher ISO or steady support. If your camera body includes stabilisation, it may fill this gap. The front element has no fluorine coating, so dust and fingerprints do not shed easily. Carry a cloth and clean the glass gently. | |
Weather Sealing ⓘWeather sealing capabilities will give you more confidence when shooting in unfavourable conditions. | |
Fluorine Coating ⓘCoating to repel water and oil from lens elements. | No |
| Built In Lens Hood | No |
| Lens Hood Type | |
Teleconverter ⓘA teleconverter (extender) is an extra piece of equipment that fits between the lens and the camera body to enhance magnification | No |
| Image Stabilization | No |
Construction69/100 | |
About the ConstructionAspherical elements help correct distortion, the fault that bends straight edges such as building lines. Low-dispersion glass helps reduce chromatic aberration, the coloured fringes that can appear along high-contrast edges like branches against a bright sky. Focusing is internal, so the lens keeps its length while it focuses and nothing extends toward your subject. The element and group totals sit in the specification table. | |
Elements ⓘLens elements refer to individual pieces of glass within the lens. | 13 |
| Groups | 11 |
Aspherical Elements ⓘThe number of aspherical lens elements which can help correct aberrations such as spherical aberration. | 1 |
Bi Aspherical Elements ⓘElements with two non-spherical surfaces | 0 |
Low Dispersion ⓘElements that reduce chromatic aberration | 1 |
Super Low Dispersion ⓘAdvanced elements further reducing chromatic aberration | 0 |
CA Reduction ⓘBuilt-in features to reduce chromatic aberration | 1 |
Internal Focusing ⓘInternal Focusing means that the lens does not change in size during focusing, and the front element does not rotate. | |