Viltrox AF 50mm F1.4 Pro
Viltrox · 50 mm · f/1.4 · Pro

Score Breakdown
Scores combine our editorial testing with published lab data.
General | |
|---|---|
About This LensThe Viltrox AF 50mm F1.4 Pro is a standard prime for full-frame cameras, with Sony E and Nikon Z versions. Choose the mount made for your camera. Its fixed view suits portraits, street scenes and everyday photographs. Check whether that framing fits the spaces where you usually work. Viltrox introduced the Sony E version in 2025. The main trade-off is the fixed focal length: you change position to adjust framing. Walls, tables and barriers can limit that movement. There is also no stabilisation inside the lens, so consider the camera body and support you will use. | |
| Brand | Viltrox |
| Release Year | 2025 |
Production Status ⓘCurrent status of lens manufacturing (e.g., in production, discontinued). | |
Pro Branding ⓘSpecific branding codes used for professional-tier lenses. | Pro |
Lens Mount ⓘThe lens mount will tell you what type of lens range you can fit onto the camera body. Often the same camera company will have different lens ranges for different cameras. | Sony E |
System ⓘIndicates which camera system the lens is designed to attach to. | Sony E |
Maximum Format ⓘLargest sensor size compatible with the lens. | |
Physical64/100 | |
About the BuildThe Sony E version weighs 1 lb 12.2 oz (800 g) and measures 3.33 in (84.5 mm) across and 4.37 in (111 mm) long. The Nikon Z version is heavier and longer. Allow room for the hood and caps when packing. A tripod can take the weight during a fixed portrait or product session. The front takes screw-in filters, which must match the 77mm thread. A neutral-density filter lets you keep the wide aperture in bright light. | |
| Lens Weight | 800 g |
Lens Diameter ⓘWidth of the lens at its widest point | 84.5 mm |
Lens Length ⓘHow long the lens is from front to back. | 111 mm |
Front Filter Compatible ⓘSome lenses are compatible with front filters, some are compatible with back filters and some are compatible with both. Front filters are usually more convenient to add and remove. | |
Front Filter Size ⓘDiameter of attachable filters. | 77 mm |
Optics89/100 | |
About the OpticsOn full frame, 50mm gives a standard view of people and their surroundings. How much fits depends on where you stand. Moving closer makes the subject larger and changes perspective, with near features becoming larger relative to the background. Check the borders for distractions after changing position. The f/1.4 maximum aperture admits more light than a smaller opening. At a given shutter speed, it can allow a lower ISO in dim interiors or evening streets. A close subject can have a soft background when there is enough space behind it. Focus carefully on the detail that matters. Closest focus is 1.5 ft (45 cm), measured from the sensor. This range can help with flowers, meals and tabletop objects. Leave room ahead of the glass for lighting and avoid shading the subject. Stop down when more depth is needed, then check the resulting shutter speed. | |
Focal Range ⓘShortest to longest focal length of the lens (zoom range start - end ) | 50 mm |
Aperture Range ⓘLargest aperture at the lens's shortest focal length to longest focal length (aperture range start - end) | 1.4 |
| Focal Length Angle of View | 46.6° |
Flange Focal Distance ⓘDistance from lens mount to sensor. | 18 mm |
Diaphragm Type ⓘStructure and design of the aperture | |
Blades ⓘNumber of diaphragm blades in aperture | 11020 |
Zoom Lens ⓘZoom allows you to vary the focal length, change between long shots and close-ups | No |
Closest Focusing Distance ⓘMinimum distance for a subject to be in focus. | 45 cm01500 |
Maximum Magnification ⓘLargest size a subject can be reproduced | 0.14x |
| Autofocus Mode | |
| Manual Mode | |
| Manual Focusing Ring | |
Features52/100 | |
About the FeaturesThere is no image stabilisation in the lens. A camera with body stabilisation can help with shake. Firm support helps during long exposures of still subjects, but moving people still need a suitable shutter speed. The body is designed to resist dust and moisture. Use cover in persistent rain and protect the open mount during lens changes. Dry the exterior before storage after a damp session. A water-resistant coating on the front glass helps with cleaning. Remove loose grit before wiping the surface, and check for fingerprints when photographing towards a bright lamp. | |
Weather Sealing ⓘWeather sealing capabilities will give you more confidence when shooting in unfavourable conditions. | |
Fluorine Coating ⓘCoating to repel water and oil from lens elements. | |
| Built In Lens Hood | No |
| Lens Hood Type | |
Teleconverter ⓘA teleconverter (extender) is an extra piece of equipment that fits between the lens and the camera body to enhance magnification | No |
| Image Stabilization | No |
Construction54/100 | |
About the ConstructionThe optical path holds 15 elements in 11 groups. One aspherical element helps correct distortion and spherical aberration, faults that can bend straight lines or soften a wide-open image. Three low-dispersion elements help reduce chromatic aberration, the colored fringes that can appear along high-contrast edges in backlit portraits. Internal focusing keeps the barrel length unchanged, so the lens stays the same size throughout the focus range. | |
Elements ⓘLens elements refer to individual pieces of glass within the lens. | 15 |
| Groups | 11 |
Aspherical Elements ⓘThe number of aspherical lens elements which can help correct aberrations such as spherical aberration. | 1 |
Bi Aspherical Elements ⓘElements with two non-spherical surfaces | 0 |
Low Dispersion ⓘElements that reduce chromatic aberration | 3 |
Super Low Dispersion ⓘAdvanced elements further reducing chromatic aberration | 0 |
CA Reduction ⓘBuilt-in features to reduce chromatic aberration | 0 |
Internal Focusing ⓘInternal Focusing means that the lens does not change in size during focusing, and the front element does not rotate. | |